In Jacob’s Shadow, Herbert Anderson uses his own story and the biblical story of Jacob to imagine new and more inclusive patterns of masculinity that balance power with vulnerability. With a new introduction, the book envisions alternatives to persisting expressions of patriarchy and toxic masculinity. Each chapter begins with an event from Jacob’s life that foreshadows the struggles of men today. The topics explored include the following: Acknowledging Vulnerability Paying Attention Nurturing Making and Keeping Friends Learning to Grieve Sharing Power In a new era of thinking about gender, Anderson invites men to embrace a masculine humanity deepened by their faith in God.

This charming book shows you how to have fun with a pastime that has delighted children and adults for generations: making shadow pictures on the wall with your hands and fingers. Selected from the pages of two clever 19th-century picture books, 28 hand-shadow illustrations demonstrate how to create marvelous images of a goose, deer (with antlers), birds, a bunny, a dog, an elephant, a tortoise, and a host of other familiar creatures. For extra enjoyment, the illustrations are accompanied by lively, often hilarious verses by Frank Jacobs, whose zany humor and wacky parodies have appeared in numerous publications. With this book and a bit of practice , you'll soon be delighting friends and relatives with an entertaining performance of shadow art.

Detailed illustrations depict the formation of 28 images using only hands and fingers. Entertain friends and family with shadow pictures of a bird, bunny, elephant, and other figures.

This is not a hoax. Jim Theis was a real person, who wrote The Eye of Argon in all seriousness as a teenager, and published it in a fanzine, Osfan in 1970. But the story did not pass into the oblivion that awaits most amateur fiction. Instead, a miracle happened, and transcribed and photocopied texts began to circulate in science fiction circles, gaining a wide and incredulous audience among both professionals and fans. It became the ultimate samizdat, an underground classic, and for more than thirty years it has been the subject of midnight readings at conventions, as thousands have come to appreciate the negative genius of this amazing Ed Wood of prose.

Fans of Coraline, Doll Bones and The Night Gardener will devour this award winning dark fantasy about twelve-year-old Emmeline who is desperate to save the only friend she has ... her own shadow. But what happens when her shadow starts craving a life of its own? A Texas Bluebonnet Nominee Emmeline's gift to control and manipulate shadows makes her the subject of mockery...and fear. Forbidden to leave home by her parents, Emmeline's closest confidant is her own shadow, Dar. When a noble stranger visits and offers her parents a cure, Emmeline is terrified of losing her power—and her only friend. So Dar proposes a deal: she will change the noble's mind if Emmeline will help her become flesh. When the man ends up in a coma, Emmeline is stunned—and blamed. Now forced to flee, her only hope of clearing her name is to find a way to give the shadow she's no longer sure she can trust what it craves—life. With the gripping feel of a new classic, award winning Shadow Weaver will enthrall middle school readers who love fantasy, magic, and danger. Perfect for 5th grade and above.

Expanded cinema: avant-garde moving image works that claim new territory for the cinematic, beyond the bounds of familiar filmmaking practices and the traditional theatrical exhibition space. First emerging in the 1960s amidst seismic shifts in the arts, multi-screen films, live cinematic performance, light art, kinetic art, video, and computer-generated imagery - all placed under expanded cinema's umbrella - re-emerged at the dawn of the 2000s, opening a vast new horizon of possibility for the moving image, and perhaps even heralding the end of cinema as we know it. Cinema Expanded: Avant-Garde Film in the Age of Intermedia offers a bold new account of its subject, breaking from previous studies and from larger trends in film and art scholarship. Author Jonathan Walley argues that expanded cinema's apparent departure from the traditions and forms of cinema as we know it actually radically asserts cinema's nature and artistic autonomy. Walley also resituates expanded cinema within the context of avant-garde film history, linking it to a mode of filmmaking that has historically investigated and challenged the nature and limits of cinematic form. As an outgrowth of this tradition, expanded cinema offered a means for filmmakers within the avant-garde, regardless of their differing styles, formal concerns, and politics, to stake out cinema's unique aesthetic terrain - its ontology, its independence, its identity. In addition to reconsidering the better-known expanded cinema works of the 1960s and 70s by artists like Andy Warhol, Robert Whitman, and Nam June Paik, Cinema Expanded also provides the first scholarly accounts of scores of lesser-known works across more than 50 years. Making new arguments about avant-garde cinema in general and its complex meditations on the nature of cinema, it urgently addresses current and crucial debates about the fate of the moving image amidst a digital age of near-constant technological change.

The bestselling author of The Know-It-All takes on history's most influential book.