Selections from the author's works.

Before publishing his pioneering book How the Other Half Lives—a photojournalistic investigation into the poverty of New York’s tenement houses, home to three quarters of the city’s population—Jacob Riis (1849-1914) spent his first years in the United States as an immigrant and itinerant laborer, barely surviving on his carpentry skills until he landed a job as a muckraking reporter. These early experiences provided Riis with an understanding of what it was like to be poor in the immigrant communities that populated New York’s slums, and it was this empathy that would shine through in his iconic photos. With Rediscovering Jacob Riis, art historian Bonnie Yochelson and historian Daniel Czitrom place Jacob Riis’s images in historical context even as they expose a clear sightline to the present. In the first half of their book, Czitrom explores Riis’s reporting and activism within the gritty specifics of Gilded Age New York: its new immigrants, its political machines, its fiercely competitive journalism, its evangelical reformers, and its labor movement. In delving into Riis’s intellectual education and the lasting impact of How the Other Half Lives, Czitrom shows that though Riis argued for charity, not sociopolitical justice, the empathy that drove his work continues to inspire urban reformers today. In the second half of the book, Yochelson describes for the first time Riis’s photographic practice: his initial reliance on amateur photographers to take the photographs he needed, his own use of the camera, and then his collecting of photographs by professionals, who by 1900 were documenting social reform efforts for government agencies and charities. She argues that while Riis is rightly considered a revolutionary in the history of photography, he was not a photographic artist. Instead, Riis was a writer and lecturer who first harnessed the power of photography to affect social change. As staggering inequality continues to be an urgent political topic, this book, illustrated with nearly seventy of Riis’s photographs, will serve as a stunning reminder of what has changed, and what has not.

The definitive edition of the classic, myth-shattering history of the American family Leave It to Beaver was not a documentary, a man's home has never been his castle, the "male breadwinner marriage" is the least traditional family in history, and rape and sexual assault were far higher in the 1970s than they are today. In The Way We Never Were, acclaimed historian Stephanie Coontz examines two centuries of the American family, sweeping away misconceptions about the past that cloud current debates about domestic life. The 1950s do not present a workable model of how to conduct our personal lives today, Coontz argues, and neither does any other era from our cultural past. This revised edition includes a new introduction and epilogue, exploring how the clash between growing gender equality and rising economic inequality is reshaping family life, marriage, and male-female relationships in our modern era. More relevant than ever, The Way We Never Were is a potent corrective to dangerous nostalgia for an American tradition that never really existed.

These insightful words stated during the 1930s by Reverend Richard Robert Wright Jr. spoke to a twentieth-century reality that white Americans held toward the nations black citizenry. African Americans of higher station resented being judged by the less-successful members of the race. After the Civil Rights Movement of the 1960s, class distinctions between African Americans became increasingly significant. With the legal demise of racial discrimination, scores of ambitious blacks who embraced middle-class values took advantage of newly created opportunities to enter mainstream America. Ambitious African Americans who coveted a higher standard of living displayed a quest for higher education, presented evidence of a strong work ethic, and endorsed the concept of deferred gratification.

Reconciling Nature maps the complex views of the environment that are evident in celebrated American novels written between the Centennial Celebration of 1876 and the end of the Second World War. During this period, which includes the Progressive era and the New Deal, Americans held three contradictory views of the natural world: a recognition of nature's vulnerability to the changes brought by industrialism; a fear of the power of nature to destroy human civilization; and a desire to make nature useful. Robert M. Myers argues they reconciled these conflicting views through nature nostalgia, policing of wilderness areas, and through strategies of control borrowed from the social sciences. Myers combines environmental history with original readings of eight novels, producing fresh perspectives on Mark Twain's Adventures of Huckleberry Finn, Stephen Crane's Maggie, Kate Chopin's The Awakening, Upton Sinclair's The Jungle, Mary Austin's The Ford, Theodore Dreiser's An American Tragedy, Zora Neale Hurston's Their Eyes Were Watching God, and William Faulkner's Go Down, Moses. While previous ecocritical works have focused on proto-environmentalism in classic works of literature, Reconciling Nature explores the ambivalence within these texts, demonstrating how they reproduce views of nature as threatened, threatening, and useful. The epilogue examines the environmental ideologies associated with the development and deployment of the first atomic bomb.

Journalism and the American Experience offers a comprehensive examination of the critical role journalism has played in the struggle over America’s democratic institutions and culture. Journalism is central to the story of the nation’s founding and has continued to influence and shape debates over public policy, American exceptionalism, and the meaning and significance of the United States in world history. Placed at the intersection of American Studies and Communications scholarship, this book provides an essential introduction to journalism’s curious and conflicted co-existence with the American democratic experiment.