When he becomes involved with Bryce Bell, America's hottest skater, gay psychic, private detective, and ex-stripper Scotty Bradley suddenly finds himself embroiled with the dark underworld of New Orleans, Bryce's twisted family secrets, the unsolved theft of a priceless artifact, and murder. Reprint.

When he becomes involved with Bryce Bell, America's hottest skater, gay psychic, private detective, and ex-stripper Scotty Bradley suddenly finds himself embroiled with the dark underworld of New Orleans, Bryce's twisted family secrets, the unsolved theft of a priceless artifact, and murder. By the author of Bourbon Street Blues. 10,000 first printing.

In New Orleans in the 1930s, young Sonny Comeaux has to work before school to help his mother make ends meet. When Mama loses her job, Sonny is worried. Rent day is coming soon, and if they miss paying by just one day, the landlord will put them out on the street and sell off their belongings. Sonny wanders sadly through Jackson Square after school one day. His attention is caught by Smilin' Jack, a popular jazz musician. Sonny returns day after day, and soon finds himself explaining his problem to Smilin' Jack. What Smilin' Jack offers Sonny then--how to raise money for the rent while having the world's best party--changes both their lives forever.

Now updated to 2020, this is an account of the development and output of the great young traditional jazz band Tuba Skinny, which is based in New Orleans. Many recommendations are included of videos to watch and recordings available for purchase.

Jazz in New Orleans provides accurate information about, and an insightful interpretation of, jazz in New Orleans from the end of World War II through 1970. Suhor, relying on his experiences as a listener, a working jazz drummer, and writer in New Orleans during this period, has done a great service to lovers of New Orleans music by filling in some gaping holes in postwar jazz history and cutting through many of the myths and misconceptions that have taken hold over the years. Skillfully combining his personal experiences and historical research, the author writes with both authority and immediacy. The text, rich in previously unpublished anecdotes and New Orleans lore, is divided into three sections, each with an overview essay followed by pertinent articles Suhor wrote for national and local journals—including Down Beat and New Orleans Magazine. Section One, "Jazz and the Establishment," focuses on cultural and institutional settings in which jazz was first battered, then nurtured. It deals with the reluctance of power brokers and the custodians of culture in New Orleans to accept jazz as art until the music proved itself elsewhere and was easily recognizable as a marketable commodity. Section Two, "Traditional and Dixieland Jazz," highlights the music and the musicians who were central to early jazz styles in New Orleans between 1947 and 1953. Section Three, "An Invisible Generation," will help dispel the stubborn myth that almost no one was playing be-bop or other modern jazz styles in New Orleans before the current generation of young artists appeared in the 1980s.

SUPERANNO The first full history of the New Orleans Jazz & Heritage Festival, with over 400 photographs, many in full color. Includes quotes from musicians with a listing of bands and the times and stages on which they performed. The colorful history of WWOZ-radio, chapters on the bountiful food and crafts heritage, and how the posters, and T-shirt