The extraordinary travels of a young, alone and broke psychic. The heart-warming and adventurous true story of a young woman on her own at age seventeen, broke and surrounded by talkative spirits that don’t want to go away. Living in-between the physical world and the spirit realm, yet feeling a stranger in both, Sherrie Dillard criss-crossed the country by bus, train and hitchhiking in a search for answers. Along the way she was led to help the poor and homeless on skid row, install water systems in Mayan Indian villages, live alone in a tent in the mountains and make art with juvenile offenders. It was in these diverse environments that she came face to face with saints, angels and dark spirits and learned to trust her psychic ability. From her early secret encounters with spirits who guided and ultimately saved her life, Sherrie Dillard finally accepted that what made her different and odd, was also her greatest gift. I’ve Never Met A Dead Person I Didn’t Like, is a powerful story for anyone who listens to - or doubts their own intuition and the presence of their loved ones on the other side. Even in our darkest hour, in the depths of loneliness and overwhelming challenges, divine guidance and miracles are always present.

Written as a novel, this true story took place in Atlanta. Names and descriptions of many characters were changed to protect identity, but the protagonist, Emma St. Claire is actually Margery Phelps, who decided after 25 years, to tell the full story of her experiences with dreams and visions that lead to the discovery of past lives.

The author explores the theories surrounding the people called Melungeon, perhaps from the French word, "mélange," meaning a mixture. Includes lists of common surnames for Melungeons, Brass Ankles, Carmel Indians, Cubans, Guineas, Lumbee/Croatan Indians, Pamunkey/Powhatan Indians, and Redbones.

Adam Silvera reminds us that there’s no life without death and no love without loss in this devastating yet uplifting story about two people whose lives change over the course of one unforgettable day. #1 New York Times bestseller * 4 starred reviews * A School Library Journal Best Book of the Year * A Kirkus Best Book of the Year * A Booklist Editors' Choice * A Bustle Best YA Novel * A Paste Magazine Best YA Book * A Book Riot Best Queer Book * A Buzzfeed Best YA Book of the Year * A BookPage Best YA Book of the Year On September 5, a little after midnight, Death-Cast calls Mateo Torrez and Rufus Emeterio to give them some bad news: They’re going to die today. Mateo and Rufus are total strangers, but, for different reasons, they’re both looking to make a new friend on their End Day. The good news: There’s an app for that. It’s called the Last Friend, and through it, Rufus and Mateo are about to meet up for one last great adventure—to live a lifetime in a single day. In the tradition of Before I Fall and If I Stay, They Both Die at the End is a tour de force from acclaimed author Adam Silvera, whose debut, More Happy Than Not, the New York Times called “profound.” Plus don't miss The First to Die at the End: #1 New York Times bestselling author Adam Silvera returns to the universe of international phenomenon They Both Die at the End in this prequel. New star-crossed lovers are put to the test on the first day of Death-Cast’s fateful calls.

First published in 1996. This new book gives voice to an emerging consensus among bereavement scholars that our understanding of the grief process needs to be expanded. The dominant 20th century model holds that the function of grief and mourning is to cut bonds with the deceased, thereby freeing the survivor to reinvest in new relationships in the present. Pathological grief has been defined in terms of holding on to the deceased. Close examination reveals that this model is based more on the cultural values of modernity than on any substantial data of what people actually do. Presenting data from several populations, 22 authors - among the most respected in their fields - demonstrate that the health resolution of grief enables one to maintain a continuing bond with the deceased. Despite cultural disapproval and lack of validation by professionals, survivors find places for the dead in their on-going lives and even in their communities. Such bonds are not denial: the deceased can provide resources for enriched functioning in the present. Chapters examine widows and widowers, bereaved children, parents and siblings, and a population previously excluded from bereavement research: adoptees and their birth parents. Bereavement in Japanese culture is also discussed, as are meanings and implications of this new model of grief. Opening new areas of research and scholarly dialogue, this work provides the basis for significant developments in clinical practice in the field.

A compassionate, shame-free guide for your darkest days “A one-of-a-kind book . . . to read for yourself or give to a struggling friend or loved one without the fear that depression and suicidal thoughts will be minimized, medicalized or over-spiritualized.”—Kay Warren, cofounder of Saddleback Church What happens when loving Jesus doesn’t cure you of depression, anxiety, or suicidal thoughts? You might be crushed by shame over your mental illness, only to be told by well-meaning Christians to “choose joy” and “pray more.” So you beg God to take away the pain, but nothing eases the ache inside. As darkness lingers and color drains from your world, you’re left wondering if God has abandoned you. You just want a way out. But there’s hope. In I Love Jesus, But I Want to Die, Sarah J. Robinson offers a healthy, practical, and shame-free guide for Christians struggling with mental illness. With unflinching honesty, Sarah shares her story of battling depression and fighting to stay alive despite toxic theology that made her afraid to seek help outside the church. Pairing her own story with scriptural insights, mental health research, and simple practices, Sarah helps you reconnect with the God who is present in our deepest anguish and discover that you are worth everything it takes to get better. Beautifully written and full of hard-won wisdom, I Love Jesus, But I Want to Die offers a path toward a rich, hope-filled life in Christ, even when healing doesn’t look like what you expect.

Will Rogers was America. Part Cherokee Indian and former cowboy, he captivated audiences around the world with sparkling gems of wisdom cloaked in gentle and uproarious country wit and astonishing rope tricks. His colorful life recently inspired a commercially successful and critically acclaimed Broadway musical -- winner of 6 Tony Awards. His words are as entertaining, inspiring and revelant today as they ever were. A simple, plain-spoken man, he was the voice of a nation during the '20s and '30s. Movie star, vaudeville headliner, radio commentator, his views and observations were syndicated daily and weekly in over 600 newspapers across the country. Here is the essential Will Rogers -- the story of his remarkable career, from Oklahoma "cowpuncher" to international star . . . and the warm, knowing and hilarious philosophies of the man embodied the heart and soul of the nation.