Winner at the 2014 International Latino Book Awards Ivan's Fear is an inspiring tale about bravery. It is a journey to the very center of our hearts, which will give us the courage and bravery to face up to any obstacle that stands in our way. Guided Reading Level: O, Lexile Level: 810L

Lasting marriages are built one defining moment at a time. The moment of blame. The moment of weakness. When your spouse suffers. When dreams disappoint. When the kids leave the nest. It's how we think and behave toward one another in moments like these that determines whether our marriage endures or falters. Ultimately, these are invitations from God to consider our direction and pursue transformation. With 37 years of marriage and 33 years of pastoring under his belt, Dave Harvey has identified those life-defining moments of a post-newlywed marriage. He wants to help couples recognize them in their own relationships so that they can take a proactive, godly approach to resolving conflicts, holding one another up as change inevitably happens, and ensuring that their marriage survives and thrives. Whether your relationship is maturing gracefully, just needs a tune-up, or you and your spouse are locked in conflict and your future seems uncertain, Dave Harvey has encouragement and practical tools to help strengthen what remains and build a rock-solid union for the days to come.

The taste for history is the most ariswcratic of all tastes. Ernest Rerum "Our century is pre-eminently an historical century . . . . Even art has now become pre-eminently historical. The historical novel and drama interest each and everyone more at present than do similar works belonging to the realm of pure fiction. "! Although Belinskii was writing in 1841, his statement could equally well apply to the Russia of a century later, when the interest in historical fiction had become, if anything, more intense. In fact, the abundance of Soviet historical novels and plays tempts one to believe Heine, when he said that the people want their history handed to them by the poet, not the historian. The infatuation with history to which Belinskii referred was not, however, indigenous to Russia; it was part of a rage, largely inspired by Waiter Scott, which had swept western Europe in the early nine teenth century, and which soon spread to Russia. Today, Scott's star has been eclipsed in the West, but it still burns brightly in the Soviet Union. Indeed, it can be said that the West has not only rejected Scott, but, to a considerable extent, the historical novel and playas well. As one writer recently put it: "The reading public, brought up on a strict diet of sex and science, prefers to take its history undiluted in the form of unexpurgated memoirs and frank biographies.

Ivan the Serf by Austin C. Burdick is about the Emperor Nicholas of Russia who condemns one of his best soldiers to death after a beautiful woman tricks him into freeing her convicted father. Excerpt: "BRILLIANT was the display of soldiers who were assembled upon the wide parade ground in St. Petersburg, on one mid-day in summer. They had been called thither to exhibit their skill in arms. The sunbeams danced upon their bright trappings, and the gentle breeze played with their floating plumes."

This book examines the motives, means and consequences of the murders among members of Europe's ruling families over the last 1,000 years. Plucking true stories due to their historical significance and sheer intrigue, this book relates violent deaths amid royal splendour and the overthrow of tyrants by oppressed populations. Methods vary from sword and arrow, to bomb and bullet, to alleged witchcraft. Settings range from Russia to Portugal; British examples include the involvement Mary Queen of Scots may have had in her second husband's murder and a search for the facts behind Shakespeare's portrayal of the murderous usurpers Macbeth and Richard III. But in European history there has been no royal murder to rival Russia's Tsar Ivan the Terrible, a homicidal maniac resopnsible for thousands of deaths, whose dramatic killing sprees are examined here. Dulcie M Ashdown takes on a journey through the dark and tragic side of royal history: from Richard III through to the recent controversy surrounding the death of Diana, Princess of Wales.

Ivan and Phoebe chronicles the lives of several young people involved in the Ukrainian student protests of the 1990s—otherwise known as the Revolution on Granite or the First Maidan and investigates the difficulties and absurdities of a society swiftly shifting from subjugation to revolution to post-Soviet rule. Married couple Ivan and Phoebe grapple with questions about family, tragedy, and independence. Although protagonist Ivan tells the story, Phoebe's voice rings through the text. The two reflect on the harrowing aftermath of revolution: torture at the hands of the KGB and each other. Ivan refuses to talk about his pain, while Phoebe recounts her past wounds through poetic monologues. The story bounces between politically charged cities like Kyiv and Lviv and Ivan's small, traditional hometown of Uzhhorod. As characters come to exercise their rights to free speech and protest, they must also reevaluate the norms of marriage and home life. These initially appear to be spaces of peace and harmony but are soon revealed to be hotbeds of conflict and multigenerational trauma. Through her characters’ vivid voices, Oksana Lutsyshyna creates a his- and her-story of Ukraine: a panoramic view of post-Soviet society and family life through social, political, and economic crises.

Examines how each of the major religions looks at death by including stories, teachings, and rituals that present a comparative religious meaning of death and afterlife. Written in textbook style with journal exercises at the end of each chapter. +