A centerpiece of the New History of the American West, this book embodies the theme that, as succeeding groups have occupied the American West and shaped the land, they have done so without regard for present inhabitants. Like the cowboy herding the dogies, they have cared little about the cost their activities imposed on others; what has mattered is the immediate benefit they have derived from their transformation of the land. Drawing on a recent flowering of scholarship on the western environment, western gender relations, minority history, and urban and labor history, as well as on more traditional western sources, It’s Your Misfortune and None of My Own is about the creation of the region rather than the vanishing of the frontier. Richard White tells how the various parts of the West—its distinct environments, its metropolitan areas and vast hinterlands, the various ethnic and racial groups and classes—are held together by a series of historical relationships that are developed over time. Widespread aridity and a common geographical location between the Missouri River and the Pacific Ocean would have provided but weak regional ties if other stronger relationships had not been created. A common dependence on the deferral government and common roots in a largely extractive and service-based economy were formative influences on western states and territories. A dual labor system based on race and the existence of minority groups with distinctive legal status have helped further define the region. Patterns of political participation and political organization have proved enduring. Together, these relationships among people, and between people and place, have made the West a historical creation and a distinctive region. From Europeans contact and subsequent Anglo-American conquest, through the civil-rights movement, the energy crisis, and the current reconstructing of the national and world economies, the West has remained a distinctive section in a much larger nation. In the American imagination the West still embodies possibilities inherent in the vastness and beauty of the place itself. But, Richard White explains, the possibilities many imagined for themselves have yielded to the possibilities seized by others. Many who thought themselves cowboys have in the end turned out to be dogies.

"Pepper Paige is sick and tired of her life. Sick of fighting and emptiness that surround her as a dance-hall girl - and tired of fearing Jordan Beckett, a violent patron who has turned his attentions on her. Pepper gets her chance to escape when a woman injured in a stagecoach wreck dies in her room. Before she dies, the stranger - a refined, educated Christian - informs Pepper that she was on her way west to marry a rancher she knew only through his letters. Pepper decides to assume Suzanne's identity and get a fresh start on life. But unknown to Pepper, her fiancé is not really Zach, the Christian man who'd been corresponding with Suzanne. Zach has been killed by Indians, and a prison escapee named Tap Andrews has decided to pass himself off as the rancher. What happens when the pair meet? Will they end their charade and embrace the truth about each other's past, as well as the truth of God's love for them? Who will be left standing when Jordan tracks down Tap and finds out that he is about to marry Pepper?"--Back cover.

"{White} has produced an exhaustively researched & near encyclopedic excursion into our Western past."--LOS ANGELES TIMES.

"Virginia Scharff's wonderfully readable account of women in motion complicates and enriches our understanding of the nineteenth and twentieth century Wests. Her gendered remapping of the regional landscape explodes traditional notions of western movement. All students of women and gender, travel and place, the West and America, would do well to read this excellent book."—David M. Wrobel, author of Promised Lands: Promotion, Memory, and the Creation of the American West "Virginia Scharff claims for women what has long been central to the masculine mythology of the West—free movement and its many gifts, real and imagined. Her book is as exhilarating and as intellectually and emotionally expansive as our enduring dream of flight across the American land."—Elliott West, author of The Contested Plains: Indians, Goldseekers, & the Rush to Colorado "Brilliant is not a word that is often a part of my critical vocabulary, but brilliantly is how Twenty Thousand Roads begins. When writing of Sacagawea and Susan Magoffin, Virginia Scharff shows vividly how a single life can be a source of sophisticated cultural analysis without becoming an academic artifact or an object of condescension."—Richard White, author of It's Your Misfortune and None of My Own: A New History of the American West

"Patricia Limerick is simply one of the best writers alive."--Garry Wills

A Finalist for the Pulitzer Prize "A powerful book, crowded with telling details and shrewd observations." —Michael Kazin, New York Times Book Review The transcontinental railroads were the first corporate behemoths. Their attempts to generate profits from proliferating debt sparked devastating economic panics. Their dependence on public largesse drew them into the corridors of power, initiating new forms of corruption. Their operations rearranged space and time, remade the landscape of the West, and opened new ways of life and work. Their discriminatory rates sparked a new antimonopoly politics. The transcontinentals were pivotal actors in the making of modern America, but the triumphal myths of the golden spike, Robber Barons larger than life, and an innovative capitalism all die here. Instead we have a new vision of the Gilded Age, often darkly funny, that shows history to be rooted in failure as well as success.

BOOK ONE of the CODE OF THE WEST seriesStaying alive in the Old West requires three things: a fast horse, a quick hand, and enough smarts to know when to get out of town.Pepper Paige is sick of the fighting and emptiness that surround her as a dance-hall girl. And tired of fearing Jordan Beckett, a violent patron who has turned his attentions on her. Pepper gets her chance to escape, assuming a stranger's identity . . . and that woman's fiance out west. Little does she know, that man's been killed by Indians. Instead, a prison escapee named Tap Andrews is passing himself off as the rancher.What happens when the pair meet? And who will be left standing when Beckett tracks down Pepper, only to find a tough young cowboy in his way?FOR MORE STEPHEN BLY BOOKS, AND OTHER AWARD-WINNING WESTERN WRITERS, GO TO http://dustytrailbooks.com/