A rabbit, deer, and other animals give each other the message that spring is coming. On board pages.

How Do You Know It's Winter? Through vivid photos and engaging nonfiction text, this fun and fact-filled Rookie Read-About Science book answers the question, How do you know its winter? Covering everything from weather patterns to animal behaviors to seasonal activities, How Do You Know Its Winter? gives readers (Ages 6-7) an in-depth look at this snowy season.

Caldecott-winning artist of A Sick Day for Amos McGee, Erin Stead, dazzles once again in this ode to the first stirrings of spring.

Simple text and bold, beautiful paper sculpture convey the animal life, plant life, weather, colors, clothing, and feelings associated with the spring season.

Sun shines on a patch of snow. Hocus pocus! Where did it go? Winter turns to spring in this lyrical book that celebrates the magic of nature and the changing seasons. Eleven gatefolds open to re-create the excitement and surprise of spring’s arrival, revealing what happens when snow melts, trees bud, flowers bloom, birds arrive, and eggs and cocoons hatch. Finally, it’s warm enough to pack away winter clothes and go out and play!

Spring is in the air! Bear, Bird, and Mouse are all excited that winter snows are melting away, but their friend Rabbit is not. There are too many things about winter that Rabbit adores, and spring just seems to spell trouble. His friends offer an abundance of reasons to love spring and the changing seasons, but will Rabbit listen? Daniel Kirk has written a lively and humorous tale with the gentle message that change can be fun.

Many famous antique texts are misunderstood and many others have been completely dismissed, all because the literary style in which they were written is unfamiliar today. So argues Mary Douglas in this controversial study of ring composition, a technique which places the meaning of a text in the middle, framed by a beginning and ending in parallel. To read a ring composition in the modern linear fashion is to misinterpret it, Douglas contends, and today's scholars must reevaluate important antique texts from around the world. Found in the Bible and in writings from as far a field as Egypt, China, Indonesia, Greece, and Russia, ring composition is too widespread to have come from a single source. Does it perhaps derive from the way the brain works? What is its function in social contexts? The author examines ring composition, its principles and functions, in a cross-cultural way. She focuses on ring composition in Homer's Iliad, the Bible's book of Numbers, and, for a challenging modern example, Laurence Sterne's Tristram Shandy, developing a persuasive argument for reconstruing famous books and rereading neglected ones.