Mona Awad's All's Well meets Unbreakable Kimmy Schmidt in Lauren Danhof's darkly humorous debut, in which a daughter races to save her mother from a dangerous cult before it's too late. Glinda Glass is truly trying her best. After dropping out of her graduate school program, she moves back to her childhood home with her mom—who has not only joined a cult, the Starlight Pioneer Society, but has also become enraptured by its charismatic and menacing leader, Arlon. Meanwhile, Glinda spends her days working in the Drench-the-Wench dunk booth at the local Renaissance fair with her only friend Troy—who may be falling in love with her. When Glinda learns that the cult will be turning her family’s home into their commune, she decides to take matters into her own hands—by infiltrating the cult and taking it down from the inside. There, she realizes things are far more sinister than she could have ever imagined and that she must get her mom out from under the spell of Arlon by any means necessary. But Glinda can’t do it on her own; to save her mother, she’ll have to confront her own history of trauma and grief and repair her relationships with her sisters and Troy, no matter the cost.

Textiles comprise a vast and wide category of material culture and constitute a crucial part of the ancient economy. Yet, studies of classical antiquity still often leave out this important category of material culture, partly due to the textiles themselves being only rarely preserved in the archaeological record. This neglect is also prevalent in scholarship on ancient Greek religion and ritual, although it is one of the most vibrant and rapidly developing branches of classical scholarship. The aim of the present enquiry is, therefore, to introduce textiles into the study of ancient Greek religion and thereby illuminate the roles textiles played in the performance of Greek ritual and their wider consequences. Among the questions posed are how and where we can detect the use of textiles in the sanctuaries, and how they were used in rituals including their impact on the performance of these rituals and the people involved. Chapters centre on three themes: first, the dedication of textiles and clothing accessories in Greek sanctuaries is investigated through a thorough examination of the temple inventories. Second, the use of textiles to dress ancient cult images is explored. The examination of Hellenistic and Roman copies of ancient cult images from Asia Minor as well as depictions of cult images in vase-painting in collocation with written sources illustrates the existence of this particular ritual custom in ancient Greece. Third, the existence of dress codes in the Greek sanctuaries is addressed through an investigation of the existence of particular attire for ritual personnel as well as visitors to the sanctuaries with the help of iconography and written sources. By merging the study of Greek religion and the study of textiles, the current study illustrates how textiles are, indeed, central materialisations of Greek cult, by reason of their capacity to accentuate and epitomize aspects of identity, spirituality, position in the religious system, by their forms as links between the maker, user, wearer, but also as key material agents in the performance of rituals and communication with the divine.

CULT PEOPLE features a selection of interviews, conducted by Nicanor Loreti, with many of the world’s most fascinating and renowned stars of crossover and cult cinema, including amazing first-hand accounts of the making of ALIENS, SUSPIRIA, A NIGHTMARE ON ELM STREET & countless other classic pictures. Exclusive interviews with the leading lights of cult cinema; 30 stars and directors; the coolest of the cool. Loreti’s knowledge and enthusiasm opens up his subjects on the unbelievable world of the alternative Hollywood as never before. As well as being a great source of cinema history, CULT PEOPLE is also enormously entertaining, with tales of mass zombie auditions, crews and casts stranded in distant lands without funding, and perilous attempts to make a low budget movie in the North Pole. INTERVIEWS WITH THE FOLLOWING CULT DIRECTORS/ACTORS/ SCREENWRITERS DAVID CARRADINE (Kill Bill, Kung Fu), WES CRAVEN (Last House on the Left, Scream), MICHAEL ROOKER (Henry Portrait of a Serial Killer, JFK), LANCE HENRIKSON (Aliens), MICHAEL IRONSIDE (Starship Troopers), ALBERT PYUN (Dollman), ANTHONY TAYLOR (Incubus), BILL MCKINNEY (Deliverance) BILLY DRAGO (The Untouchables), BRUCE DAVISON (X Men), DAN O’BANNON (Alien, Return Of The Living Dead), IRVIN KIRSHNER (The Empire Stikes Back), MICHAEL IRONSIDE (V, Total Recall), WILLIAM SANDERSON (Bladerunner).

'If religion generated everything that is essential in society, this is because the idea of society is the soul of religion.' In The Elementary Forms of Religious Life (1912), Émile Durkheim set himself the task of discovering the enduring source of human social identity. He investigated what he considered to be the simplest form of documented religion - totemism among the Aborigines of Australia. Aboriginal religion was an avenue 'to yield an understanding of the religious nature of man, by showing us an essential and permanent aspect of humanity'. The need and capacity of men and women to relate socially lies at the heart of Durkheim's exploration, in which religion embodies the beliefs that shape our moral universe. The Elementary Forms has been applauded and debated by sociologists, anthropologists, ethnographers, philosophers, and theologians, and continues to speak to new generations about the origin and nature of religion and society. This new, lightly abridged edition provides an excellent introduction to Durkheim's ideas. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

"I hope everyone reads this book. It has become such a crucial thing for all of us to understand." —Erin Burnett, CNN "An ideal tour guide for your journey into the depths of the rabbit hole that is QAnon. It even shows you a glimmer of light at the exit." —Cullen Hoback, director of HBO's Q: Into the Storm Its messaging can seem cryptic, even nonsensical, yet for tens of thousands of people, it explains everything: What is QAnon, where did it come from, and is the Capitol insurgency a sign of where it’s going next? On October 5th, 2017, President Trump made a cryptic remark in the State Dining Room at a gathering of military officials. He said it felt like “the calm before the storm”—then refused to elaborate as puzzled journalists asked him to explain. But on the infamous message boards of 4chan, a mysterious poster going by “Q Clearance Patriot,” who claimed to be in “military intelligence,” began the elaboration on their own. In the days that followed, Q’s wild yarn explaining Trump's remarks began to rival the sinister intricacies of a Tom Clancy novel, while satisfying the deepest desires of MAGA-America. But did any of what Q predicted come to pass? No. Did that stop people from clinging to every word they were reading, expanding its mythology, and promoting it wider and wider? No. Why not? Who were these rapt listeners? How do they reconcile their worldview with the America they see around them? Why do their numbers keep growing? Mike Rothschild, a journalist specializing in conspiracy theories, has been collecting their stories for years, and through interviews with QAnon converts, apostates, and victims, as well as psychologists, sociologists, and academics, he is uniquely equipped to explain the movement and its followers. In The Storm Is Upon Us, he takes readers from the background conspiracies and cults that fed the Q phenomenon, to its embrace by right-wing media and Donald Trump, through the rending of families as loved ones became addicted to Q’s increasingly violent rhetoric, to the storming of the Capitol, and on. And as the phenomenon shows no sign of calming despite Trump’s loss of the presidency—with everyone from Baby Boomers to Millennial moms proving susceptible to its messaging—and politicians starting to openly espouse its ideology, Rothschild makes a compelling case that mocking the seeming madness of QAnon will get us nowhere. Rather, his impassioned reportage makes clear it's time to figure out what QAnon really is — because QAnon and its relentlessly dark theory of everything isn’t done yet.

Veronica Mars meets Buffy the Vampire Slayer in this clever, action-packed sequel to the Babysitters Coven about a coven of witchy babysitters who realize their calling to protect the innocent and save the world from an onslaught of evil. Esme Pearl's life used to be all about bumming rides and babysitting. Sure, it wasn't glamorous, but it was predictable. All that changed when Cassandra Heaven came to town, and they discovered their complicated, and connected, legacy: Esme and Cassandra are Sitters, supernaturally gifted teens armed with an ever-changing grimoire of Sitter witchcraft to help them protect the innocent and keep evil demons at bay. You know, typical teenage stuff. But just as Esme is starting to adjust to--and maybe even like--her new normal, life lobs another glitter bomb her way. The Synod--the Sitterhood's governing circle--has called a Summit, a once-in-a-generation gathering that promises training, education, and a lot of ice-breakers. Esme should be excited--a Summit might mean she can finally get the answers she desperately wants--but she can't shake a building sense of panic. Especially since Cassandra's not acting like herself; Esme's dad is MIA; Pig is out of dog food; Janis is scared to be alone; and there's a guy who seems too good to be true, again. Worst of all, there's no one watching the kids. It's obvious the Summit is a haute mess, but will it be a deadly one, too?

An objective perspective of the issue of bilingual education in California. By 1990 half of the students starting school in California will come from non-English speaking homes. Addresses the question: should they be taught only English in school or should some of their lessons be taught in their native tongue? Takes place in Oakland and Berkeley schools.