"This comprehensive information-rich guide from the creators to the hugely popluar Web site UnhappyHipsters.com outlines exactly what's require to create a modern home."--Jacket flap.

At first glance, contemporary popular culture, filled with bleak images of the future, seems to have given up on the possibility of positive collective change. Below the surface, however, alternative culture is rife with artist-led projects, activist movements, and subcultural communities of interest that seek to spark the collective imagination and to encourage hunger for alternatives. More playfully self-conscious than past utopian movements, today’s are often whimsical or ironic, but are still entirely earnest. Artists invite us to re-author city maps, or archive individual ideas for the future, while maker collectives urge us to rethink our relationship to consumer goods. All seem to have grown out of a similar do-it-yourself ethos and alternative culture. One of the central conflicts informing these case studies is that while it remains immensely difficult to envision anything outside of the current system of consumer capitalism, there is nevertheless a powerful desire to take it apart in piecemeal ways. We see the longing for new social and political narratives, new forms of communion and sociability, and new imaginings of the possible, longings that are currently unmet by mainstream culture, but that are taking expression in myriad ways at the local level. Taken as a whole, this collection examines what our grand ideals and playful daydreams tell us about ourselves.

Rabbi Besdin's second collection dealing with such perennial themes as repentance, faith, reasons for mitzvot, transmitting the Mesorah, and more. There are also a number of chapters dealing with Rosh Hashana, Yom Kippur and Sukkot.

The Routledge History of Emotions in the Modern World brings together a diverse array of scholars to offer an overview of the current and emerging scholarship of emotions in the modern world. Across thirty-six chapters, this work enters the field of emotion from a range of angles. Named emotions – love, anger, fear – highlight how particular categories have been deployed to make sense of feeling and their evolution over time. Geographical perspectives provide access to the historiographies of regions that are less well-covered by English-language sources, opening up global perspectives and new literatures. Key thematic sections are designed to intersect with critical historiographies, demonstrating the value of an emotions perspective to a range of areas. Topical sections direct attention to the role of emotions in relations of power, to intimate lives and histories of place, as products of exchanges across groups, and as deployed by new technologies and medias. The concepts of globalisation and modernity run through the volume, acting as foils for comparison and analytical tools. The Routledge History of Emotions in the Modern World is the perfect resource for all students and scholars interested in the history of emotions across the world from 1700.

In Anthropology of Tourism in Central and Eastern Europe: Bridging Worlds, Sabina Owsianowska and Magdalena Banaszkiewicz examine the limitations of the anthropological study of tourism, which stem from both the domination of researchers representing the Anglophone circle as well as the current state of tourism studies in Central and Eastern Europe. This edited collection contributes to the wider discussion of the geopolitics of knowledge through its focus on the anthropological background of tourism studies and its inclusion of contributors from Austria, Bulgaria, Estonia, and Poland.

What conditions the chances of liberty, wealth and equality at the start of the third Christian millennium? Why did human civilizations develop so slowly for thousands of years, and then transform themselves during the last three hundred? This study of four great thinkers who lived between 1689 and 1995, Montesquieu, Adam Smith, De Tocqueville, and Ernest Gellner, weaves their lives and works together and through their own words shows how they approached the question of the nature of man, his past and his future.