Meet Our Hero . . . Gareth St. Clair is in a bind. His father, who detests him, is determined to beggar the St. Clair estates and ruin his inheritance. Gareth’s sole bequest is an old family diary, which may or may not contain the secrets of his past . . . and the key to his future. The problem is—it’s written in Italian, of which Gareth speaks not a word. Meet Our Heroine . . . All the ton agreed: there was no one quite like Hyacinth Bridgerton. She’s fiendishly smart, devilishly outspoken, and according to Gareth, probably best in small doses. But there’s something about her—something charming and vexing—that grabs him and won’t quite let go . . . Meet Poor Mr. Mozart . . . Or don’t. But rest assured, he’s spinning in his grave when Gareth and Hyacinth cross paths at the annual—and annually discordant—Smythe-Smith musicale. To Hyacinth, Gareth’s every word seems a dare, and she offers to translate his diary, even though her Italian is slightly less than perfect. But as they delve into the mysterious text, they discover that the answers they seek lie not in the diary, but in each other . . . and that there is nothing as simple—or as complicated—as a single, perfect kiss.

Gareth St. Clair has a father who hates him and who is determined to ruin the St. Clair family fortunes. Gareth's sole heirloom is an old diary, which may or may not contain the secrets of his past... and the key to his future. The problem is - it's written in Italian, of which Gareth speaks not a word

What happened to the diamonds???? If you've read It's in His Kiss, you want to know. Don't miss this charming and passionate addendum, in which Gareth proves that some things get better with age, Hyacinth gains new respect for her mother (with a daughter like Isabella she'd have to, wouldn't she?), and everyone learns that while diamonds are lovely, sometimes tenacity is a girl's best friend.

Recounts the stories of the music world's most notable recording studios and of history-making records that were made at each, from the John Coltrane sessions in Rudy Van Gelder's living room to Frank Sinatra's recordings at Capital Records.

Nora Roberts calls Julia Quinn’s novels, “Delightful.” The #1 New York Times bestselling creator of the irresistible Bridgerton family, Quinn offers historical romance readers new delights with A Night Like This—the second book (following the phenomenal Just Like Heaven) to feature the affairs, romantic and melodic, of the endearing, if painfully untalented, Smythe-Smith musicians. On A Night Like This in Regency England, anything can happen, especially when a beautiful pianist sitting in at the annual Smythe-Smith musicale catches the eye of a haunted, hunted man in desperate need of redemption. There is simply no author in the realm of historical romance fiction hotter than the remarkable Julia Quinn—and anyone who has ever been swept away by the love stories of Amanda Quick, Lisa Kleypas, or Jill Barnett will cherish A Night Like This.

The Red Tent meets The Scarlett Letter in this haunting historical novel set in a colonial New England whaling village. “When was it that the sense of trouble grew to fear, the fear to certainty? When she sat down to another solitary supper of bread and beer and picked cucumber? When she heard the second sounding of the geese? Or had she known that morning when she stepped outside and felt the wind? Might as well say she knew it when Edward took his first whaling trip to the Canada River, or when they married, or when, as a young girl, she stood on the beach and watched Edward bring about his father’s boat in the Point of Rock Channel. Whatever its begetting, when Edward’s cousin Shubael Hopkins and his wife Betsey came through the door, they brought her no new grief, but an old acquaintance.” When Lyddie Berry’s husband is lost in a storm at sea, she finds that her status as a widow is vastly changed from that of respectable married woman. Now she is the “dependent” of her nearest male relative—her son-in-law. Refusing to bow to societal pressure that demands she cede everything that she and her husband worked for, Lyddie becomes an outcast from family, friends, and neighbors—yet ultimately discovers a deeper sense of self and, unexpectedly, love. Evocative and stunningly assured, The Widow’s War is an unforgettable work of literary magic, a spellbinding tale from a gifted talent.

#1 New York Times bestselling author Julia Quinn presents a novella featuring Violet Bridgerton along with a collection of “second epilogues” to her Bridgerton series—her beloved Regency-set novels featuring her charming, powerful Bridgerton family—now a series created by Shondaland for Netflix. Ever wonder what happens after the Happily Ever After? Julia Quinn’s Bridgerton series remains one of the most beloved among historical romance readers, and this collection of “second epilogues”—stories that take place after the original books end—offers fans more from their favorite characters. Also unique to this volume is a novella featuring Violet Bridgerton, beloved mother of the eight Bridgerton siblings, in addition to second epilogues for The Duke and I; The Viscount Who Loved Me; An Offer from a Gentleman; Romancing Mister Bridgerton; To Sir Phillip, With Love; When He Was Wicked, It’s in His Kiss; and On the Way to the Wedding sure to satisfy the legions of Julia Quinn fans.