This 1955 work is the classic history of the development of modern diplomacy in Renaissance Europe. Sometime after the year 1400, the diplomatic traditions of civilized cultures-which have existed as far back as the records of human history extend-took a sharp turn that was the result of new power relations in the newly modern world. Mattingly believed these could be illustrative of how nations and traditions change...and that we might apply those lessons to our own rapidly changing global culture. Discover: [ the legal framework of Medieval diplomacy [ diplomatic practices in the 15th century [ the Italian beginnings of modern diplomacy [ precedents for resident embassies [ the dynastic power relations of European nations in the 16th century [ French diplomacy and the breaking-up of Christendom [ the Habsburg system [ early modern diplomacy [ and more. American scholar of European history GARRETT MATTINGLY (1900-1962) is also the author of Catherine of Aragon (1941) and the bestselling The Armada (1959), for which he won a Pulitzer Prize.

Diplomacy during the period from about 1350 to about 1520 increasingly experimented with new ways of answering urgent political needs--to represent, negotiate, participate, and keep informed--by developing a broad range of innovative solutions that had to be integrated and absorbed within the traditional jurisdictional framework of medieval diplomacy. During the fifteenth century, diplomatic sources multiplied at an unprecedented rate, mostly due to the remarkable volume of dispatches exchanged between governments and envoys sent abroad for increasingly prolonged missions. The present book draws on these rich diplomatic sources, which are mostly unavailable to English readers. Most of the chapters present a selection of dispatches, either in their final version or in draft form; occasionally, instructions, letters of appointment, and final reports are added.

The first comprehensive study of Renaissance diplomacy for sixty years, focusing on Europe's most important political centre, Rome, between 1450 and 1530.

Diplomacy has never been a politically-neutral research field, even when it was confined to merely reconstructing the backgrounds of wars and revolutions. In the nineteenth century, diplomacy was integral to the grand narrative of the building of the modern 'nation-State'. This is the first overall study of diplomacy in Early Renaissance Italy since Garrett Mattingly's pioneering work in 1955. It offers an innovative approach to the theme of Renaissance diplomacy, sidestepping the classic dichotomy between medieval and early modern, and re-considering the whole diplomatic process without reducing it to the 'grand narrative' of the birth of resident embassies. Communication and Conflict situates and explains the growth of diplomatic activity from a series of perspectives - political and institutional, cognitive and linguistic, material and spatial - and thus offers a highly sophisticated and persuasive account of causation, change, and impact in respect of a major political and cultural form. The volume also provides the most complete account to date of how it was that specifically Italian forms of diplomacy came to play such a central role, not only in the development of international relations at the European level, but also in the spread and application of humanism and of the new modes of political thinking and political discussion associated with the generations of Machiavelli and Guicciardini.

This magisterial study proposes a revised and innovative view of the political history of Renaissance Italy. Drawing on comparative examples from across the peninsula and the kingdoms of Sicily, Sardinia and Corsica, an international team of leading scholars highlights the complexity and variety of the Italian world from the fourteenth to early sixteenth centuries, surveying the mosaic of kingdoms, principalities, signorie and republics against a backdrop of wider political themes common to all types of state in the period. The authors address the contentious problem of the apparent weakness of the Italian Renaissance political system. By repositioning the Renaissance as a political, rather than simply an artistic and cultural phenomenon, they identify the period as a pivotal moment in the history of the state, in which political languages, practices and tools, together with political and governmental institutions, became vital to the evolution of a modern European political identity.

This 2000 volume was the first attempt at a comparative reconstruction of the foreign policy and diplomacy of the major Italian states in the early modern period. The various contributions reveal the instruments and forms of foreign relations in the Italian peninsula. They also show a range of different case-studies and models which share the values and political concepts of the cultural context of diplomatic practice in the ancien régime. While Venice, the Papal States, the duchy of Savoy, Florence (later the duchy of Tuscany), Mantua, Modena, and later the kingdom of Naples may be considered minor states in the broader European context, their diplomatic activity was equal to that of the major powers. This reconstruction of their ambassadors, their secretaries, and their ceremonies offers a fascinating interpretation of the political history of early modern Italy.

The establishment of permanent embassies in fifteenth-century Italy has traditionally been regarded as the moment of transition between medieval and modern diplomacy. In The Refugee-Diplomat, Diego Pirillo offers an alternative history of early modern diplomacy, centered not on states and their official representatives but around the figure of "the refugee-diplomat" and, more specifically, Italian religious dissidents who forged ties with English and northern European Protestants in the hope of inspiring an Italian Reformation. Pirillo reconsiders how diplomacy worked, not only within but also outside of formal state channels, through underground networks of individuals who were able to move across confessional and linguistic borders, often adapting their own identities to the changing political conditions they encountered. Through a trove of diplomatic and mercantile letters, inquisitorial records, literary texts, marginalia, and visual material, The Refugee-Diplomat recovers the agency of religious refugees in international affairs, revealing their profound impact on the emergence of early modern diplomatic culture and practice.