If I went on the Titanic, I would die. If I didn't go the Titanic disaster would never happen and millions would die as a result - and I would never be born. You're probably confused. I was, but when you are time travelling, paradoxes are one of those things you have to learn to live with. I had to go - to make sure the Titanic sank!

You won't believe this, but I'm about to tell you a story that will change the course of history. A story about time travel, secret agents, and paradoxes. It's a story that will start with a chance encounter with a time traveler known as Jack the Ripper, and it will end with the founding of TACO, the Time Agency Chronoclasm Organisation, a powerful agency controlling time travel throughout history. The second short story tells how I was coerced into joining TACO as an observer on a mission to rescue the Blair witch. It was either that or be slightly dead. Apparently, the Blair witch was also a TACO agent and had been set-up to be almost killed by the good citizens of Blair by BELL, the time travel equivalent of the FBI. They wouldn't tell me what BELL stood for. The third story, my second time-travel mission, was to make sure the Titanic sank! Over 1,500 died but their deaths saved the lives of millions throughout the timeverses. The fourth story deals with paradoxes. 1493 wasn't ready for flying machines so Alex Pearin (aka Jack the Ripper) and I traveled to Florence in Tuscany to talk to Leonardo da Vinci about paradoxes and why he shouldn't build the world's first flying machine. Alex and I ended up helping Leonardo complete a flying machine and helping him on its first flight. I also solve a couple of other mysteries and discover I founded BELL.

The new Dorothy Martin mystery When Dorothy Martin and her husband, retired Chief Constable Alan Nesbitt, are invited to a country house weekend, they expect nothing more explosive than the Guy Fawkes fireworks. Having read every Agatha Christie ever written, Dorothy should have known better. Rendered isolated and incommunicado by the storm, Dorothy and Alan nevertheless manage to work out what in the world has been happening at ancient Branston Abbey.

“Ursula Le Guin at her best . . . This is an important collection of eloquent, elegant pieces by one of our most acclaimed contemporary writers.” —Elizabeth Hand, The Washington Post Book World “I have decided that the trouble with print is, it never changes its mind,” writes Ursula K. Le Guin in her introduction to Dancing at the Edge of the World. But she has, and here is the record of that change in the decade since the publication of her last nonfiction collection, The Language of the Night. And what a mind—strong, supple, disciplined, playful, ranging over the whole field of its concerns, from modern literature to menopause, from utopian thought to rodeos, with an eloquence, wit, and precision that makes for exhilarating reading. “If you are tired of being able to predict what a writer will say next, if you are bored stiff with minimalism, if you want excess and risk and intelligence and pure orneriness, try Le Guin.” —Mary Mackey, San Francisco Chronicle

The official novelization for a new generation of Ghostbusters, based on the new movie starring Melissa McCarthy, Kristen Wiig, Kate McKinnon, Leslie Jones, and Chris Hemsworth and directed by Paul Feig! After Dr. Erin Gilbert is disgraced at a job interview for her belief in ghosts, she is roped into investigating a haunting by her former colleague, Abby Yates and Abby’s new co-worker, Jillian Holtzmann. The three scientists soon discover that some specters do far more than go bump in the night. MTA employee, Patty Tolan, finds that New York City’s subway tunnels are becoming a hive of ghostly apparitions. She calls on Erin, Abbey, and Jillian to investigate, revealing that paranormal activity across New York City is swiftly becoming a disaster of near-biblical proportions Together, these four would-be paranormal investigators are determined to find out what’s going on, save their city, and maybe make a profit while they’re at it. The team must stop a mysterious evil known only as Rowan from destroying the barrier between this life and the next and turning Manhattan into a literal hellscape. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

The Song Index features over 150,000 citations that lead users to over 2,100 song books spanning more than a century, from the 1880s to the 1990s. The songs cited represent a multitude of musical practices, cultures, and traditions, ranging from ehtnic to regional, from foreign to American, representing every type of song: popular, folk, children's, political, comic, advertising, protest, patriotic, military, and classical, as well as hymns, spirituals, ballads, arias, choral symphonies, and other larger works. This comprehensive volume also includes a bibliography of the books indexed; an index of sources from which the songs originated; and an alphabetical composer index.