Just a few years ago, Corie Geller was busting terrorists as an agent for the FBI. But at thirty-five, she traded in her badge for the stability of marriage and motherhood. Between cooking meals and playing chauffeur, Corie scouts Arabic fiction for a few literary agencies and, on Wednesdays, has lunch with her fellow Shorehaven freelancers at a so-so French restaurant. Life is, as they say, fine. But at her weekly lunches, Corie senses that something's off. Pete Delaney, a seemingly bland package designer, always shows up early, sits in the same spot (often with a different phone in hand) and keeps one eye glued to his car. Corie intuitively feels that Pete is hiding something - and as someone who is accustomed to keeping her FBI past from her new neighbours, she should know. But does Pete really have a shady alternate life, or is Corie just desperate to add some spark to her humdrum suburban existence? She decides that the only way to find out is to dust off her FBI toolkit and take a deep dive into Pete Delaney's affairs. Legendary crime writer Susan Isaacs is at her formidable best in a novel that is both bitingly wry and ominously thrilling.

A collection of poems based around the familiar themes of school and family, ranging from such topics as embarrassing and annoying parents, choosing a pet and running away from home, to reading around the class, facing the school inspector, and surviving a school trip. Some are funny, some are poignant, all are thought-provoking.

Charlie Gavin was abducted as a baby. He didn't know who he was or where he came from. His mission was to find himself. And when he did, he decided to spend his life finding other lost souls by opening the Be Kindly Missing Persons Bureau. Martha Walters, his assistant, has had her fifteen minutes of almost fame and failed. Now, dealing with her guilt and pain, she lives with her mum and dotes on her young daughter. Charlie appears to be a man who is a loser and dreamer, but, hey, his office is near her house, she can lie in of a morning, take her kid to school and the work isn't too heart-breaking. Or is it . . . ?

Combining art, politics and criminal justice, It Takes A Criminal to Know One captures the incredible experiences Moliere Dimanche Jr. endured in state prison and puts the spotlight on the ugly faces of racism, injustice and corruption.

There are many avenues today specifically tailored to address issues faced by those in a wide variety of professions. But there are not many books or publications, if any, covering the everyday issues encountered by correction officers. With this in mind, I hope to reach out to offer encouragement, maybe some enlightenment and humor to those in an otherwise difficult and depressing line of work. I dedicate this book to you, my brothers and sisters in uniform, and wish you all the best in your chosen field as a correction officer.

Ten years ago one of America's most important public figures, First Lady Hillary Rodham Clinton, chronicled her quest both deeply personal and, in the truest sense, public to help make our society into the kind of village that enables children to become able, caring resilient adults. IT TAKES A VILLAGE is a textbook for caring, filled with truths that are worth a read, and a reread. In her substantial new introduction, Senator Clinton reflects on how our village has changed over the last decade, from the internet to education, and on how her own understanding of children has deepened as she has watched Chelsea grow up and take on challenges new to her generation, from a first job to living through a terrorist attack. She discusses how the work she is doing in the Senate is helping children and looks at where America has been successful, improvements in the foster care system and support for adoption, and where there is still work to be done, providing pre-school programmes and universal health care to all our children. This new edition elucidates how the choices we make about how we raise our children, and how we support families, will determine how all nations will face the challenges of this century.

Forget the 10,000 hour rule— what if it’s possible to learn the basics of any new skill in 20 hours or less? Take a moment to consider how many things you want to learn to do. What’s on your list? What’s holding you back from getting started? Are you worried about the time and effort it takes to acquire new skills—time you don’t have and effort you can’t spare? Research suggests it takes 10,000 hours to develop a new skill. In this nonstop world when will you ever find that much time and energy? To make matters worse, the early hours of prac­ticing something new are always the most frustrating. That’s why it’s difficult to learn how to speak a new language, play an instrument, hit a golf ball, or shoot great photos. It’s so much easier to watch TV or surf the web . . . In The First 20 Hours, Josh Kaufman offers a systematic approach to rapid skill acquisition— how to learn any new skill as quickly as possible. His method shows you how to deconstruct com­plex skills, maximize productive practice, and remove common learning barriers. By complet­ing just 20 hours of focused, deliberate practice you’ll go from knowing absolutely nothing to performing noticeably well. Kaufman personally field-tested the meth­ods in this book. You’ll have a front row seat as he develops a personal yoga practice, writes his own web-based computer programs, teaches himself to touch type on a nonstandard key­board, explores the oldest and most complex board game in history, picks up the ukulele, and learns how to windsurf. Here are a few of the sim­ple techniques he teaches: Define your target performance level: Fig­ure out what your desired level of skill looks like, what you’re trying to achieve, and what you’ll be able to do when you’re done. The more specific, the better. Deconstruct the skill: Most of the things we think of as skills are actually bundles of smaller subskills. If you break down the subcompo­nents, it’s easier to figure out which ones are most important and practice those first. Eliminate barriers to practice: Removing common distractions and unnecessary effort makes it much easier to sit down and focus on deliberate practice. Create fast feedback loops: Getting accu­rate, real-time information about how well you’re performing during practice makes it much easier to improve. Whether you want to paint a portrait, launch a start-up, fly an airplane, or juggle flaming chain­saws, The First 20 Hours will help you pick up the basics of any skill in record time . . . and have more fun along the way.