Vowel harmony is a well known phonological phenomenon found in a large number of languages spoken mainly in Eurasia and the African continent. In simple terms, vowel harmony is a law which governs the co-occurrence of vowels within a span of utterance, nearly always the word. The contributions of this volume focus on various (not always uncontroversial) aspects of vowel harmony that include typological investigations, phonetic/acoustic experimental studies, descriptions of individual systems, genetic and historical ramifications, and implications for a variety of theoretical models. This volume will prove to be a useful guide to the multifaceted issues posed by an often discussed and quite significant phonological process. This volume will stimulate further discussion and better understanding of the issues raised by the intricate process called vowel harmony.

Vowel harmony is a well known phonological phenomenon found in a large number of languages spoken mainly in Eurasia and the African continent. In simple terms, vowel harmony is a law which governs the co-occurrence of vowels within a span of utterance, nearly always the word. The contributions of this volume focus on various (not always uncontroversial) aspects of vowel harmony that include typological investigations, phonetic/acoustic experimental studies, descriptions of individual systems, genetic and historical ramifications, and implications for a variety of theoretical models. This volume will prove to be a useful guide to the multifaceted issues posed by an often discussed and quite significant phonological process. This volume will stimulate further discussion and better understanding of the issues raised by the intricate process called vowel harmony.

Phonology - the study of how the sounds of speech are represented in our minds - is one of the core areas of linguistic theory, and is central to the study of human language. This handbook brings together the world's leading experts in phonology to present the most comprehensive and detailed overview of the field. Focusing on research and the most influential theories, the authors discuss each of the central issues in phonological theory, explore a variety of empirical phenomena, and show how phonology interacts with other aspects of language such as syntax, morphology, phonetics, and language acquisition. Providing a one-stop guide to every aspect of this important field, The Cambridge Handbook of Phonology will serve as an invaluable source of readings for advanced undergraduate and graduate students, an informative overview for linguists and a useful starting point for anyone beginning phonological research.

Vowel Harmony and Correspondence Theory covers the major issues in the generative analysis of vowel harmony and vowel harmony typology. The book offers an economical account of the most prominent features of vowel harmony systems (root control, affix control, dominance, vowel opacity, and neutrality) within the framework of optimality theory, extending the notion of correspondence to the syntagmatic dimension.The book contains a typological overview of vowel harmony patterns, an introduction to the basics of optimality theory including some of its most recent extensions and detailed studies of harmony systems in 10 languages from a variety of language families.

This dissertation examines the phonological patterning as well as phonetic characteristics of transparent vowels in Hungarian palatal vowel harmony. Traditionally, these vowels are assumed to be excluded from participating in harmony alternations. The experimental data presented in this dissertation run contrary to this assumption. The data show that transparent vowels in Hungarian are articulated differently depending on the harmonic domain in which they occur. Based on this observation, the central claim defended and formalized in this dissertation is that continuous phonetic details of all stem vowels including the transparent vowels are relevant for the phonological alternation in suffixes. The dissertation proposes an integrated model that relates phonetic and phonological aspects of vowel harmony using the formal language of non-linear dynamic. The advantage of this approach is in its potential to capture both qualitative as well as quantitative aspects of the same pattern in a unified way. Crucially, a dynamic approach allows one to express both phonological and phonetic generalizations while maintaining the essential distinction between them. Hence, the dynamic approach provides a feasible research strategy in the quest for understanding one of the continuing challenges in the study of speech: the relation between phonology - the mental or symbolic aspects of our speaking competence, and phonetics - continuous physical manifestations of this competence. Applied to the particular case of transparency in Hungarian vowel harmony, the premise of interdependency between the phonetic properties of the stem vowels and the phonological patterns of suffix selection allows for an explanation of a broad range of data. Most importantly, it provides a motivation for the cross-linguistic generalizations related to transparent vowels in palatal vowel harmony systems. In addition, the effects of tongue body height, lip rounding, and surrounding vocalic context on the suffix selection in Hungarian receive a natural and lawful explanation. To summarize, this dissertation presents novel experimental data from the production of transparent vowels in Hungarian. The proposed integrated model, relating phonetics and phonology using the formal language of non-linear dynamic, achieves a unified explanation of both the phonetic and phonological generalizations observed in the data and the literature.