Critical spatial approaches — particularly those informed by the scholarship of Lefebvre, Foucault, and Soja — have significantly impacted biblical scholarship over the last twenty years. However, these spatial approaches have been limited due to the methodological challenges inherent in transposing the social-scientific approaches of the aforementioned scholars to the task of biblical interpretation. This volume adapts conceptual metaphor theory as a methodological bridge to address such constraints. The first half of the volume begins by surveying the field of critical spatiality in biblical studies, arguing for the need for fresh methodological development. Thereafter, the volume delineates a particular critical spatial approach, inspired by Lefebvre and Foucault, for which conceptual metaphor theory is proposed as a methodological bridge. The second half of the volume begins by proposing the Psalms of Ascents as a case study upon which the method could be applied. It is then argued that the proposed method – if efficacious – should provide insight on corpus' "Zion theology" and its so-called pilgrimage character. Using the proposed method in conjunction with conventional historical-grammatical tools of poetic analysis, each psalm is analysed with regard to its metaphor and spatiality. The volume concludes that the case study demonstrates the efficacy of the proposed methods by allowing a rich reading of each psalm, especially by explicating the spatial narratives and/or spatial metaphorical conceptualisations that underlie each text, and providing fresh insight on the collection as a whole.

An edited volume of papers presented in regional, national, and international meetings of the Society of Biblical Literature.

Critical studies and analyses of space are becoming increasingly common in scholarship, although it is not always clear how such studies proceed, what theoretical works inform them, or what are their potential benefits for biblical studies. This volume helps address those questions, by including the work of biblical scholars working in a range of historical periods and locations, from Deuteronomy's idealized spaces to the Qumran community on the shores of the Dead Sea. Each of the scholars in this volume is actively involved in the critical study of space, having presented work on this topic in regional, national, or international meetings of the Society of Biblical Literature. The essays included in this volume combine theoretical and interpretive concerns in the analysis of texts from the Hebrew Bible and the Dead Sea Scrolls. Scholars in Biblical Studies, Archaeology, Religious Studies, and Anthropology will find this to be a valuable resource for gaining new understandings of the critical study of space in antiquity.

What role does place play in the Christian life? In this STA volume, Jennifer Allen Craft gives a practical theology of the arts, contending that the arts place us in time, space, and community in ways that encourage us to be fully and imaginatively present in a variety of contexts: the natural world, our homes, our worshiping communities, and society.

An important reconceptualisation is taking place in the way people express creativity, work together, and engage in labour; particularly, suggests Kidwell, a surprising resurgence in recent years of manual and craft work. Noting the wide array of outlets that now market hand-made goods and the array of popular books which advocate ‘making’ as a basis for activism or personal improvement, this book seeks to understand how the micro-politics of craft work might offer insights for a broader theology of work. Why does it matter that we do work which is meaningful, excellent, and beautiful? Through a close reading of Christian scripture, The Theology of Craft and the Craft of Work examines the theology and ethics of work in light of original biblical exegesis. Kidwell presents a detailed exegetical study of temple construction accounts in the Hebrew bible and the New Testament. Illuminating a theological account of craft, and employing the ancient vision of ‘good work’ which is preserved in these biblical texts, Kidwell critically interrogates modern forms of industrial manufacture. This includes a variety of contemporary work problems particularly the instrumentalisation and exploitation of the non-human material world and the dehumanisation of workers. Primary themes taken up in the book include agency, aesthetics, sociality, skill, and the material culture of work, culminating with the conclusion that the church (or ‘new temple’) is both the product and the site of moral work. Arguing that Christian worship provides a moral context for work, this book also examines early Christian practices to suggest a theological reconceptualisation of work.

What if everything in the Bible has a larger outer context than is usually accounted for? Missional and biblical theologies suggest that the Bible presents a grand story like a play with multiple acts. The acts typically include creation, fall, redemption, and finally restoration. But what if the whole story itself occurs in another larger setting, occurring within a mission running in the background throughout the whole Bible? How might this aid our research, reading, and application? And why is this being proposed now? This book explores these questions. The larger context is the production of the place of God—a home and homeland wherein God, with his people, dwell on earth. Since place is underdeveloped in biblical studies, the book presents a new method for interpreting place. Then the book lays out the case that a grand mission to produce the place of God becomes the outer context for the whole Bible. Finally, the book defends this proposal with an in-depth placial commentary of the bookends of the Bible, since these bookends provide keys to unlock this message, thereby inviting further study on the rest of the Bible and on the implications for this transformative perspective.