The last 15 years have witnessed deep changes in Israeli society. The naive solidarity of the early years of statehood has given way to more sophisticated approaches, and the atmosphere of the 1990s was conducive towards critique and open discussion. It was the age of the Oslo Accords, of the large wave of immigrants from the Former Soviet Union, economic growth and prosperity, and a concurrent feeling of security and well-being. Israel was fast becoming a postcapitalist society, a junior member of the global village. This newly acquired self-assurance led to openness towards unorthodox views on basic questions of Israeli identity. The new mood found expression in the cultural climate and in the public debates. The Zionist narrative in relation to the Palestinians; the early troubled absorption of immigrants from Islamic countries; the discrimination against the Arab Israeli minority; the delay in the 1950s in incorporating the memory of the Holocaust into collective memory; the Zionist attitude towards the Jewish Diaspora, all these were issues on the cultural and intellectual agenda, subjects of heated controversies. This book attempts to come to grips with these themes. The complex texture of Israeli society is drawn here by a number of hands, presenting up-to-date approaches, as viewed by experts.

While there are books that describe the history and traditions of the Druze as an ethnic and religious group, this is the first and only academic book of its kind. It gives voice to the Israeli Druze, through in-depth interviews with 120 people, 60 young adults and 60 of their parents’ generation. How is this traditional group, bound together through the centuries by their secret religion and strong value system, dealing with modernization? What contradictions and continuity come to light in the stories of this people during a time of transition? Can their religion, and their very identity, survive the meeting with the modern, technological world? What resources do the young and the not-so-young bring to the task of preserving their community and helping it to flourish as the world changes around them? The people in this text answer these questions through the telling of their stories, in which they express their values, opinions, beliefs and aspirations. The book draws out theoretical, practical, religious and sociological implications from this analysis, in order to shed light on the challenges faced by other traditional societies meeting modernity.

When people discuss food in Israel, their debates ask politically charged questions: Who has the right to falafel? Whose hummus is better? But Yael Raviv's Falafel Nation moves beyond the simply territorial to divulge the role food plays in the Jewish nation. She ponders the power struggles, moral dilemmas, and religious and ideological affiliations of the different ethnic groups that make up the "Jewish State" and how they relate to the gastronomy of the region. How do we interpret the recent upsurge in the Israeli culinary scene--the transition from ideological asceticism to the current deluge of fine restaurants, gourmet stores, and related publications and media? Focusing on the period between the 1905 immigration wave and the Six-Day War in 1967, Raviv explores foodways from the field, factory, market, and kitchen to the table. She incorporates the role of women, ethnic groups, and different generations into the story of Zionism and offers new assertions from a secular-foodie perspective on the relationship between Jewish religion and Jewish nationalism. A study of the changes in food practices and in attitudes toward food and cooking, Falafel Nation explains how the change in the relationship between Israelis and their food mirrors the search for a definition of modern Jewish nationalism.

2002 — A Choice Outstanding Academic Book The struggle to forge a collective national identity at the expense of competing plural identities has preoccupied Israeli society since the founding of the state of Israel. In this book, Yosefa Loshitzky explores how major Israeli films of the 1980s and 1990s have contributed significantly to the process of identity formation by reflecting, projecting, and constructing debates around Israeli national identity. Loshitzky focuses on three major foundational sites of the struggle over Israeli identity: the Holocaust, the question of the Orient, and the so-called (in an ironic historical twist of the "Jewish question") Palestinian question. The films she discusses raise fundamental questions about the identity of Jewish Holocaust survivors and their children (the "second generation"), Jewish immigrants from Muslim countries or Mizrahim (particularly the second generation of Israeli Mizrahim), and Palestinians. Recognizing that victimhood marks all the identities represented in the films under discussion, Loshitzky does not treat each identity group as a separate and coherent entity, but rather attempts to see the conflation, interplay, and conflict among them.

This title investigates the significance, contribution, and role played by the State of Israel - ideologically and practically - and explores the extent and way Israel features in diaspora identity through a range of issues.

Offers a complete sociological perspective of Jews and Jewish life in Israel from 1948 to the present.

With top billing at many film forums around the world, as well as a string of prestigious prizes, including consecutive nominations for the Best Foreign Film Oscar, Israeli films have become one of the most visible and promising cinemas in the first decade of the twenty-first century, an intriguing and vibrant site for the representation of Israeli realities. Yet two decades have passed since the last wide-ranging scholarly overview of Israeli cinema, creating a need for a new, state-of-the-art analysis of this exciting cinematic oeuvre. The first anthology of its kind in English, Israeli Cinema: Identities in Motion presents a collection of specially commissioned articles in which leading Israeli film scholars examine Israeli cinema as a prism that refracts collective Israeli identities through the medium and art of motion pictures. The contributors address several broad themes: the nation imagined on film; war, conflict, and trauma; gender, sexuality, and ethnicity; religion and Judaism; discourses of place in the age of globalism; filming the Palestinian Other; and new cinematic discourses. The authors' illuminating readings of Israeli films reveal that Israeli cinema offers rare visual and narrative insights into the complex national, social, and multicultural Israeli universe, transcending the partial and superficial images of this culture in world media.