This collection of essays assesses various dimensions of dialogue between Islam and other religions, especially Christianity. This book celebrates the work of Professor Mahmoud Ayoub and reflects the themes that are central in his scholarship spanned over the last three decades and which are more relevant than ever at the inauguration of the twenty-first century. The themes reflected are the Qur’an and hadith, theology and philosophy, and Islam’s interaction with other religions. Ayoub needs no introduction to those familiar with and engaged in inter-religious dialogue in general and Muslim-Christian-Jewish dialogue in particular. He is a well-known Muslim scholar and historian of religion, currently director of the Islamic studies program in the department of religion at Temple University in Philadelphia. His broad area of interest is of course Islamic studies but he has also exerted considerable scholarly efforts in comparative religion. As evidenced from Dr. Ayoub’s works, he moves with ease between philosophy and mysticism, scripture and tradition and between Islam and other religions. As a Muslim, Ayoub has provided a model of being religious which combines openness to others without compromising rigorous historical scholarship. Contributors to this volume include some of his close friends and colleagues, as well as former students both Muslim and Christian. This book was previously published as a special issue of Islam and Christian-Muslim Relations.

Surveying the period from the rise of Islam in the early seventh century to the present day, Just Wars, Holy Wars, and Jihads is the first book to investigate in depth the historical interaction among Jewish, Christian, and Muslim ideas about when the use of force is justified. Grouped under the three labels of just war, holy war, and jihad, these ideas are explored throughout twenty chapters that cover wide-ranging topics from the impact of the early Islamic conquests upon Byzantine, Syriac, and Muslim thinking on justified war to analyzing the impact of international law and terrorism on conceptions of just war and jihad in the modern day. This study serves as a major contribution to the comparative study of the ethics of war and peace.

The award-winning art historian and founder of Vision & Justice uncovers a pivotal era in the story of race in the United States when Americans came to ignore the truth about the false foundations of the nation’s racial regime. In a masterpiece of historical detective work, Sarah Lewis exposes one of the most damaging lies in American history. There was a time when Americans were confronted with the fictions shoring up the nation’s racial regime and learned to disregard them. The true significance of this hidden history has gone unseen—until now. The surprising catalyst occurred in the nineteenth century when the Caucasian War—the fight for independence in the Caucasus that coincided with the end of the US Civil War—revealed the instability of the entire regime of racial domination. Images of the Caucasus region and peoples captivated the American public but also showed that the place from which we derive “Caucasian” for whiteness was not white at all. Cultural and political figures ranging from P. T. Barnum to Frederick Douglass, W. E. B. Du Bois to Woodrow Wilson recognized these fictions and more, exploiting, unmasking, critiquing, or burying them. To acknowledge the falsehood at the core of racial order proved unthinkable, especially as Jim Crow and segregation took hold. Sight became a form of racial sculpture, vision a knife excising what no longer served the stability of racial hierarchy. That stability was shaped, crucially, by what was left out, what we have been conditioned not to see. Groundbreaking and profoundly resonant, The Unseen Truth shows how visual tactics have long secured our regime of racial hierarchy in spite of its false foundations—and offers a way to begin to dismantle it.

The series Islamkundliche Untersuchungen was founded in 1969 by the Klaus Schwarz Verlag. Since then, it has become one of the most important venues for publications in Islamic and Middle Eastern Studies. Its more than 350 volumes cover a wide range of topics from the history, culture and societies of the Middle East and North Africa as well as neighboring regions in central, south and southeast Asia.

Medieval Jerusalem was a vibrant international center, home to multiple cultures, faiths, and languages. Harmonious and dissonant voices from many lands, including Persians, Turks, Greeks, Syrians, Armenians, Georgians, Copts, Ethiopians, Indians, and Europeans, passed in the narrow streets of a city not much larger than midtown Manhattan. Patrons, artists, pilgrims, poets, and scholars from Christian, Jewish, and Islamic traditions focused their attention on the Holy City, endowing and enriching its sacred buildings, creating luxury goods for its residents, and praising its merits. This artistic fertility was particularly in evidence between the eleventh and fourteenth centuries, notwithstanding often devastating circumstances—from the earthquake of 1033 to the fierce battles of the Crusades. So strong a magnet was Jerusalem that it drew out the creative imagination of even those separated from it by great distance, from as far north as Scandinavia to as far east as present-day China. This publication is the first to define these four centuries as a singularly creative moment in a singularly complex city. Through absorbing essays and incisive discussions of nearly 200 works of art, Jerusalem, 1000–1400: Every People Under Heaven explores not only the meaning of the city to its many faiths and its importance as a destination for tourists and pilgrims but also the aesthetic strands that enhanced and enlivened the medieval city that served as the crossroads of the known world.