In Only the Lonely (1991), Ally Sheedy appeases prospective mother-in-law Maureen O'Hara by going along to see the 1939 film How Green Was My Valley--starring Maureen O'Hara. Richard LaGravenese, slighted by critic Gene Siskel over his screenplay for The Fisher King (1991) wrote an unsavory character named Siskel into The Ref (1994). Movies and television shows often feature inside jokes. Sometimes there are characters named after crew members. Directors are often featured in cameo appearances--Alfred Hitchcock's silhouette can be seen in Family Plot (1976), for example. This work catalogs such occurrences. Each entry includes the title of the film or show, year of release, and a full description of the in-joke.

This collection of stories by "Johanna Spyri" where she attempts to compile many of her classic thoughts consolidated in a single draft and offer them at an affordable price so that everyone can read them. some stories are interesting and amazing, while other softly creep up on you and pull you in. "Rico and Wiseli" is a touching novella written by Johanna Spyri, the well-known Swiss author best known for her classic novel "Heidi." Spyri's skill at crafting narratives that are relatable to readers of all ages is showcased here. Rico and Wiseli, two orphaned brothers, are essential to the story. They find solace and hope in their continuing kinship as brother and sister after being left to fend for themselves after their parents' untimely deaths. Struggling to make ends meet, they navigate the difficulties of life in a Swiss village, encountering both generosity and misfortune. Spyri brilliantly depicts children's tenacity and optimism in the face of hardship. Readers see Rico and Wiseli's unwavering support for one another and their willingness to face adversity while they embark on their trip. Spyri weaves themes of family, friendship, and the power of love throughout the novella.

Tales for an Unknown City is a vibrant selection of almost fifty stories from among the many told at One Thousand and One Friday Nights of Storytelling, a weekly open gathering in Toronto begun by Dan Yashinsky in 1978 and still going strong. There are tales from Canada and many other parts of the world; each followed by a brief word from the teller, giving us the flavour of the "Friday Nights."

This deep dive into hundreds of Hollywood’s most iconic and beloved lines is a must-have for every film buff. "You Talkin’ to Me?" is a fun, fascinating, and exhaustively reported look at all the iconic Hollywood movie quotes we know and love, from Casablanca to Dirty Harry and The Godfather to Mean Girls. Drawing on interviews, archival sleuthing, and behind-the-scenes details, the book examines the origins and deeper meanings of hundreds of film lines: how they’ve impacted, shaped, and reverberated through the culture, defined eras in Hollywood, and become cemented in the modern lexicon. Packed with film stills, sidebars, lists, and other fun detours throughout movie history, the book covers all genres and a diverse range of directors, writers, and audiences.

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On Sunset Boulevard, originally published in 1998, describes the life of acclaimed filmmaker Billy Wilder (1906-2002), director of such classics as Sunset Boulevard, The Lost Weekend, The Seven Year Itch, and Sabrina. This definitive biography takes the reader on a fast-paced journey from Billy Wilder's birth outside of Krakow in 1906 to Vienna, where he grew up, to Berlin, where he moved as a young man while establishing himself as a journalist and screenwriter, and triumphantly to Hollywood, where he became as successful a director as there ever was. Double Indemnity, Sunset Boulevard, Some Like It Hot, and The Apartment"Wilder's cinematic legacy is unparalleled. Not only did he direct these classics and twenty-one other films, he co-wrote all of his own screenplays. Volatile, cynical, hilarious, and driven, Wilder arrived in Hollywood an all-but-penniless refugee who spoke no English. Ten years later he was calling his own shots, and he stayed on top of the game for the next three decades. Wilder battled with Humphrey Bogart, Marilyn Monroe, Bing Crosby, and Peter Sellers; kept close friendships with William Holden, Audrey Hepburn, Jack Lemmon, and Walter Matthau; amassed a personal fortune by way of blockbuster films and shrewd investments in art (including Picassos, Klees, and Mir's); and won Oscars--yet Wilder, ever conscious of his thick accent, always felt the sting of being an outsider. On Sunset Boulevard traces the course of a turbulent but fabulous life, both behind the scenes and on the scene, from Viennese cafes and Berlin dance halls in the twenties to the Hollywood soundstages of the forties and the on-location shoots of the fifties and sixties. Crammed with Wilder's own caustic wit, On Sunset Boulevard reels out the story of one of cinema's most brilliant and prolific talents.