After moving to a strange town, Bethany must discover if a haunting legend is real in this frighteningly fun addition to the You’re Invited to a Creepover series. Can history repeat itself? When Bethany Warren moves from New York City to the small town of Warwick, she’s surprised at how quickly everything in her life seems to fall into place. She finds a great group of friends, and even has a new boyfriend, Nate Carlson, who lives next door and gives her a beautiful old ruby ring. Everyone in Warwick is a little obsessed with the Legend of Lady Warwick, the town’s namesake, who, according to the rumors, was mistakenly buried alive and now haunts the people of Warwick. Bethany thinks it’s just silly old town folklore, but then she starts acting strangely. Her new friends start to wonder: Is she for real? Will Bethany snap out of it, or is real life imitating legend a little too closely? This tale is a level 5 on the Creep-o-Meter. Super scary!

P.J. Night's latest installment in the spooky and spectacular Creepover series for middle-grade girls is a level 5 on the Creep-o-Meter. In Is She For Real?, Bethany has just moved to Old Warwick, a quaint old town that is said to be haunted by the ghost of Lady Warwick. Lady Warwick lived centuries ago and died of a broken heart…but her grave was found empty shortly after her death. Legend says that Lady Warwick was buried alive and still roams Old Warwick today in search of her lost love. Bethany hears all about the legend from her new friends and thinks it’s all pretty corny—until really strange things start happening to her. With a ring on her finger that looks just like the one Lady Warwick wore, and a new boyfriend with chilling similarities to Lady Warwick’s lost love, Bethany’s friends have to wonder: Is real life imitating legend...or becoming legend? This tale is a level 5 on the Creep-o-Meter. Super scary!

A sharp and candid memoir from a star in the restaurant world, and an up-and-coming literary voice. Toronto restaurateur Jen Agg, the woman behind the popular The Black Hoof, Cocktail Bar, Rhum Corner, and Agrikol restaurants, is known for her frank, crystal-sharp and often hilarious observations and ideas on the restaurant industry and the world around her. I Hear She's a Real Bitch, her first book, is caustic yet intimate, and wryly observant; an unforgettable glimpse into the life of one of the most interesting, smart, trail-blazing voices of this moment.

An international bestseller and one of The Times’ “Top 50 Novels Published in the 21st Century,” Claire Keegan’s piercing contemporary classic Foster is a heartbreaking story of childhood, loss, and love; now released as a standalone book for the first time ever in the US It is a hot summer in rural Ireland. A child is taken by her father to live with relatives on a farm, not knowing when or if she will be brought home again. In the Kinsellas’ house, she finds an affection and warmth she has not known and slowly, in their care, begins to blossom. But there is something unspoken in this new household—where everything is so well tended to—and this summer must soon come to an end. Winner of the prestigious Davy Byrnes Award and published in an abridged version in the New Yorker, this internationally bestselling contemporary classic is now available for the first time in the US in a full, standalone edition. A story of astonishing emotional depth, Foster showcases Claire Keegan’s great talent and secures her reputation as one of our most important storytellers.

A teen plunges into a downward spiral of addiction in this classic cautionary tale. January 24th After you’ve had it, there isn't even life without drugs… It started when she was served a soft drink laced with LSD in a dangerous party game. Within months, she was hooked, trapped in a downward spiral that took her from her comfortable home and loving family to the mean streets of an unforgiving city. It was a journey that would rob her of her innocence, her youth—and ultimately her life. Read her diary. Enter her world. You will never forget her. For thirty-five years, the acclaimed, bestselling first-person account of a teenage girl’s harrowing decent into the nightmarish world of drugs has left an indelible mark on generations of teen readers. As powerful—and as timely—today as ever, Go Ask Alice remains the definitive book on the horrors of addiction.

She Does Math! presents the career histories of 38 professional women and math problems written by them. Each history describes how much math the [Author]; took in high school and college; how she chose her field of study; and how she ended up in her current job. Each of the women present several problems typical of those she had to solve on the job using mathematics. There are many good reasons to buy this book: It contains real-life problems. Any student who asks the question, "Why do I have to learn algebra or trigonometry or geometry?" will find many answers in its pages. Students will welcome seeing solutions from real-world jobs where the math skills they are learning in class are actually used. The book provides strong female role models and supplies practical information about the job market. Students learn that they can only compete for these interesting, well-paying jobs by taking mathematics throughout their high school and college years. The book demonstrates the surprising variety of fields in which mathematics is used. Who should have this book? Your daughter or granddaughter, your sister, your former math teacher, your students--and young men, too. They want to know how the math they study is applied--and this book will show them.

Overwhelmingly, Black teenage girls are negatively represented in national and global popular discourses, either as being “at risk” for teenage pregnancy, obesity, or sexually transmitted diseases, or as helpless victims of inner city poverty and violence. Such popular representations are pervasive and often portray Black adolescents’ consumer and leisure culture as corruptive, uncivilized, and pathological. In She’s Mad Real, Oneka LaBennett draws on over a decade of researching teenage West Indian girls in the Flatbush and Crown Heights sections of Brooklyn to argue that Black youth are in fact strategic consumers of popular culture and through this consumption they assert far more agency in defining race, ethnicity, and gender than academic and popular discourses tend to acknowledge. Importantly, LaBennett also studies West Indian girls’ consumer and leisure culture within public spaces in order to analyze how teens like China are marginalized and policed as they attempt to carve out places for themselves within New York’s contested terrains.