This startling new history of the Revolutionary War, told for the first time from the perspective of both the colonists and the colonizers, demonstrates that for the Americans, it was a war of rebellion, for the British, it became their Vietnam.

This multi-layered history of a horrific famine that took place in late-nineteenth-century China focuses on cultural responses to trauma. The massive drought/famine that killed at least ten million people in north China during the late 1870s remains one of China's most severe disasters and provides a vivid window through which to study the social side of a nation's tragedy. Kathryn Edgerton-Tarpley's original approach explores an array of new source materials, including songs, poems, stele inscriptions, folklore, and oral accounts of the famine from Shanxi Province, its epicenter. She juxtaposes these narratives with central government, treaty-port, and foreign debates over the meaning of the events and shows how the famine, which occurred during a period of deepening national crisis, elicited widely divergent reactions from different levels of Chinese society.

America fought to gain independence from British colonial power between 1763 and 1783. It wasn't just a battle won by American revolutionaries. It was also lost by the British. Combining fascinating scenes of dissent in domestic British politics with graphic descriptions of the war in America, Weintraub's narrative is a page-turning story of military and political misfortune. As George Washington managed to hold his ragged and overmatched Continental army together and create a nation, his opponents -- principally King George III and his prime minister, Lord North -- themselves faced increasing resistance to the war's brutality and costs. Their opponents in Parliament and the press gradually turned pacifist and sympathetic to the Americans, and were unwilling to bear the costs of the Empire in America. As the tide turned on the battlefield, the 'iron tears' of muskets and cannon shed by the redcoats were matched by tearful protests in London.

A writer of rare imagination, Sarah Ash lends her unique vision to epic fantasy. In this captivating continuation of her saga, the author of Lord of Snow and Shadows revisits a realm filled with spirits and singers, daemons and kings. . . . Gavril Nagarian has finally cast out the dragon-daemon from within himself. The Drakhaoul is gone—and with it all of Gavril’s fearsome powers. No longer possessed, he is instead being driven mad by the Drakhaoul’s absence. Worse, he has betrayed his blood, his people, and put the ice-bound princedom of Azhkendir at risk—and lost.At the mercy of the victorious Eugene of Tielen, Gavril is sentenced to life in an insane asylum. For the power-hungry Eugene longs to possess a Drakhaoul of his own, and his prisoner seems the best way to achieve that goal. Meanwhile, a shattered empire reunites. But peace is as fragile as a rebel’s whisper—and a captive’s wish to be free. . . . Praise for Prisoner of the Iron Tower “A new fantasy series [that] will leave readers drooling to get their hands on the sequel.”—Publishers Weekly “Solid, wonderful fantasy, sparkling and imaginative!”—Booklist “Ash takes her large and colorful cast of characters from horror to pathos, from triumph to betrayal, smoothly and convincingly. a roller-coaster ride of events and emotions in the best modern fantasy manner.”—Kirkus Reviews

"Over 15 chapters, Dunaway transforms what we know about icons and events. Seeing Green is the first history of ads, films, political posters, and magazine photography in the postwar American environmental movement. From fear of radioactive fallout during the Cold War to anxieties about global warming today, images have helped to produce what Dunaway calls "ecological citizenship, " telling us that "we are all to blame." Dunaway heightens our awareness of how depictions of environmental catastrophes are constructed, manipulated, and fought over" -- Publisher information.