WINNER OF THE WH SMITH'S PEOPLE'S CHOICE AWARD [New Talent] There are 750,000 Irish living in London. One of them has to get out. For good... It is the summer of 1999. Bic (half-Irish, half-Scots) is eking out a living selling crêpes to the hordes descending on Greenwich market. With one severed ear, two bizarre deaths and the arrest of his dog for civil disobedience, Bic's year hasn't exactly been going to plan. But when raven-haired Roisin takes the stall opposite his, things seem to be looking up - if Bic can just get past her over-protective brothers. That is, until Bic wakes up the-morning-after-the-night-before, in his clothes, in Edinburgh, to find he's the UK's Most Wanted Man - on the run and with fourteen murders to his name... 'Very fresh, very funny' COLIN BATEMAN 'A huge and exciting plot...I loved the twist at the end' Goodreads 'Great story and full of humour' Goodreads

Examines the specific role that the metropolis plays in literary portrayals of Irish migrant experience as an arena for the performance of Irishness, as a catalyst in the transformations of Irishness and as an intrinsic component of second generation Irish identities.

New updated edition of the seminal work by Catherine Dunne, which charted the lives of the London Irish, in all their variety and color, now with a brand new foreword by Diarmaid Ferriter. Half a million Irish people left Ireland in the nineteen-fifties, forced by decades of economic stagnation. For many, Britain was their only hope of survival.

This book examines the recent expansion of Ireland's literary tradition to include home-grown crime fiction. It surveys the wave of books that use genre structures to explore specifically Irish issues such as the Troubles and the rise and fall of the Celtic Tiger, as well as Irish experiences of human trafficking, the supernatural, abortion, and civic corruption. These novels are as likely to address the national regulation of sexuality through institutions like the Magdalen Laundries as they are to follow serial killers through the American South or to trace international corporate conspiracies. This study includes chapters on Northern Irish crime fiction, novels set in the Republic, women protagonists, and transnational themes, and discusses Irish authors’ adaptations of a well-loved genre and their effect on assumptions about the nature of Irish literature. It is a book for readers of crime fiction and Irish literature alike, illuminating the fertile intersections of the two.

This work is a sequel to The Irish Victorian City. As a collection of national and regional studies, it reflected the consensus view of the subject by describing both the degree of the demoralization of the Irish immigrants into Britain for the early and mid-Victorian period, when they figured so largely in the official parliamentary and social reportage of the day; and then, in spite of every obvious difficulty posed by poverty, crime, disease, and prejudice, the positive aspect of the Irish Catholic achievement in the creation of enduring religious and political communities towards the end of the nineteenth century.

In the years following the Irish Famine (1845–52), London became one of the cities of Ireland. The number of Irish in London swelled to over 100,000 and from this mass migration emerged a distinctive and vibrant culture based on a shared sense of history, identity and experience. In this book, Richard Kirkland brings together elements in Irish London's culture and history that had previously only been understood separately or indeed largely overlooked (as in the case of women's' contributions to London Irish politics and culture). In particular, Kirkland makes resonant cultural connections between Irish and cockney performers in the music halls, Irish trade fairs, temperance marches, the Fenian dynamite war of the 1880s, St Patrick's Day events, and the later cultural agitation of revivalists such as W.B. Yeats and Katharine Tynan. Irish London: A Cultural History 1850–1916 is both a significant contribution to our understanding of Irish emigrant communities in London at this time and an insightful case study for the comparative fields of cultural history and urban migration studies.

While much has been written about Irish culture’s apparent obsession with the past and with representing childhood, few critics have explored in detail the position of children’s fiction within such discourses. This book serves to redress these imbalances, illuminating both the manner in which children’s texts engage with complex cultural discourses in contemporary Ireland and the significant contribution that children’s novels and films can make to broader debates concerning Irish identity at the end of the twentieth and beginning of the twenty-first centuries. Through close analysis of specific books and films published or produced since 1990, Irish Childhoods offers an insight into contrasting approaches to the representation of Irish history and childhood in recent children’s fiction. Each chapter interrogates the unique manner in which an author or filmmaker engages with twentieth century Irish history from a contemporary perspective, and reveals that constructions of childhood in Irish children’s fiction are often used to explore aspects of Ireland’s past and present.