Patrick Sims-Williams provides an approach to some of the issues surrounding Irish literary influence on Wales, situating them in the context of the rest of medieval literature and international folklore.

Charles Wright identifies the characteristic features of Irish Christian literature which influenced Anglo-Saxon vernacular authors. As a full-length study of Irish influence on Old English religious literature, the book will appeal to scholars in Old English literature, Anglo-Saxon studies, and Old and Middle Irish literature.

The four stories that make up the Mabinogi, along with three additional tales from the same tradition, form this collection and compose the core of the ancient Welsh mythological cycle. Included are only those stories that have remained unadulterated by the influence of the French Arthurian romances, providing a rare, authentic selection of the finest works in medieval Celtic literature. This landmark edition translated by Patrick K. Ford is a literary achievement of the highest order.

Law and Language in the Middle Ages investigates the relationship between law and legal practice from the linguistic perspective, exploring not only how legal language expresses and advances power relations but also how the language of law legitimates power.

• Arthur in the Celtic Languages is a reliable up-to-date introduction to the field. • It is the only book covering Arthurian literature and traditions in the Celtic languages (Welsh, Cornish, Breton, Irish, Scottish Gaelic) • This book covers medieval and modern literatures. • It also discusses folklore, ballads and other popular traditions as well as place-names.

This first full-length theological study of sources from early medieval Wales traces common Celtic features in early Welsh religious literature. The author explores the origins of the earliest Welsh tradition in the fusion of Celtic primal religion with primitive Christianity, and traces some considerable Irish influence. These specific Celtic spiritual emphases are examined in the religious poetry of the Black Book of Carmarthen, the Book of Taliesin and the Poets of the Princes, and in prose texts such as The Food of the Soul and the Life of Beuno. Many of these Welsh texts appear here in English translation for the first time.

For over a thousand years, Arthur has had widespread appeal and influence like no other literary character or historical figure. Yet, despite the efforts of modern scholars, the earliest references to Arthurian characters are still shrouded in uncertainty. They are mostly found in poetic texts scattered throughout the four great compilations of early and medieval Welsh literature produced between 1250 and 1350. Whilst some are thought to predate their manuscript sources by several centuries, many of these poems are notoriously difficult to date. None of them are narrative in nature and very few focus solely on Arthurian material but they are characterised by an allusiveness which would have been appreciated by their intended audiences in the courts of princes and noblemen the length and breadth of Wales. They portray Arthur in a variety of roles: as a great leader of armies, a warrior with extraordinary powers, slayer of magical creatures, rescuer of prisoners from the Otherworld, a poet and the subject of prophecy. They also testify to the possibility of lost tales about him, his father, Uthr, his son, Llachau, his wife, Gwenhwyfar, and one of his companions, Cai, and associate him with a wide array of both legendary and historical figures. Arthur in Early Welsh Poetry, the fourth volume in the MHRA Library of Medieval Welsh Literature series, provides discussion of each of the references to Arthurian characters in early Welsh poetic sources together with an image from the earliest manuscript, a transliteration, a comprehensive edition, a translation (where possible) and a word-list. The nine most significant texts are interpreted in more detail with commentary on metrical, linguistic and stylistic features.