Irish Feminisms: Past, Present and Future is a collection of multi-disciplinary essays from leading academics and activists that interrogates the various waves of Irish feminist activism over the last one hundred years. Emanating from a conference held in 2012, this collection offers snapshots of the many feminist issues, ideas and campaigns that have invigorated, enlivened and challenged Irish society since the early twentieth century. From the first wave suffrage women who fought for an Ireland in which women were to be full and equal citizens, to the third and even fourth wave feminists who campaign for full reproductive rights, this collection provides insightful analyses, from the centre and the margins, of the various feminist battles and backlashes modern Irish society has experienced. This book is essential reading for all those interested in Irish feminist identities, histories and activism.

This book is about the future: Ireland’s future and feminism’s future, approached from a moment that has recently passed. The Celtic Tiger (circa 1995-2008) was a time of extraordinary and radical change, in which Ireland’s economic, demographic, and social structures underwent significant alteration. Conceptions of the future are powerfully prevalent in women’s cultural production in the Tiger era, where it surfaces as a form of temporality that is open to surprise, change, and the unknown. Examining a range of literary and filmic texts, Irish Feminist Futures analyzes how futurity structures representations of the feminine self in women’s cultural practice. Relationally connected and affectively open, these representations of self enable sustained engagements with questions of gender, race, sexuality, and class as they pertain to the material, social, and cultural realities of Celtic Tiger Ireland. This book will appeal to students and scholars of Irish studies, Irish feminist criticism, sociology, cultural studies, literature, women's studies, gender studies, neo-materialist and feminist theories.

Mapping the changes that have occurred in Irish literature over the past fifty years, this volume includes twenty-one writers, poets, and playwrights from the North and South of Ireland, who tell their own stories. They are funny, tragic, angry, philosophical, but all are vivid personal accounts of their experiences as women writing during a pivotal period in the history of Ireland. With a foreword by Martina Devlin, and an introduction by Éilís Ní Dhuibhne, the anthology includes essays by Cherry Smyth, Mary Morrissy, Lia Mills, Moya Cannon, Aine Ní Ghlinn, Catherine Dunne, Éilís Ní Dhuibhne, Mary O'Donnell, Mary O'Malley, Ruth Carr, Evelyn Conlon, Anne Devlin, Ivy Bannister, Sophia Hillan, Medbh McGuckian, Mary Dorcey, Celia de Fréine, Máiríde Woods, Liz McManus, Mary Rose Callaghan, and Phyl Herbert.

The sequel to the New York Times bestselling epic Dread Nation is an unforgettable journey of revenge and salvation across a divided America. After the fall of Summerland, Jane McKeene hoped her life would get simpler: Get out of town, stay alive, and head west to California to find her mother. But nothing is easy when you’re a girl trained in putting down the restless dead, and a devastating loss on the road to a protected village called Nicodemus has Jane questioning everything she thought she knew about surviving in 1880s America. What’s more, this safe haven is not what it appears—as Jane discovers when she sees familiar faces from Summerland amid this new society. Caught between mysteries and lies, the undead, and her own inner demons, Jane soon finds herself on a dark path of blood and violence that threatens to consume her. But she won’t be in it alone. Katherine Deveraux never expected to be allied with Jane McKeene. But after the hell she has endured, she knows friends are hard to come by—and that Jane needs her too, whether Jane wants to admit it or not. Watching Jane’s back, however, is more than she bargained for, and when they both reach a breaking point, it’s up to Katherine to keep hope alive—even as she begins to fear that there is no happily-ever-after for girls like her.

Feminism Backwards is part memoir, part documentary. A founding member of the Irish Women's Liberation Movement Rosita Sweetman gleefully recalls the triumphs – and the tribulations – of trying to drag a reluctant Ireland into the 20th Century, crucially, re-appraising Chains or Change the IWLM's famous pamphlet, detailing what life was like for women in 1970s Ireland - appalling. Feminism Backwards is also a howl of despair at how women have been treated worldwide down through the centuries, and how misogyny and sexual repression got such a stranglehold on Ireland. Having a survived a marriage break up Rosita re-found her feminism sadly buried, along with her chutzpah. She passionately believes feminism is not about blaming men, or pushing a few women to the top so they can be 'she-men' for the patriarchy. It's about creating a world fit for everyone.

The narrative of the Irish revolution as a chronology of great men and male militarism, with women presumed to have either played a subsidiary role or no role at all, requires constant renewal. Women and feminists were extremely active in Irish revolutionary causes from 1912 onwards, but ultimately it was the men as revolutionary 'leaders' who took all the power, and indeed all the credit, after independence. Women from different backgrounds were activists in significant numbers and women across Ireland were profoundly impacted by the overall violence and tumult of the era, but they were then relegated to the private sphere, with the memory of their vital political and military role in the revolution forgotten and erased.Women and the Irish Revolution examines diverse aspects of women's experiences in the revolution after the Easter Rising. The complex role of women as activists, the detrimental impact of violence and social and political divisions on women, the role of women in the foundation of the new State, and dynamics of remembrance and forgetting are explored in detail. Important and timely, and featuring previously unpublished material, this book will prompt essential new

The Northern/Irish Feminist Judgments Project inaugurates a fresh dialogue on gender, legal judgment, judicial power and national identity in Ireland and Northern Ireland. Through a process of judicial re-imagining, the project takes account of the peculiarly Northern/Irish concerns in shaping gender through judicial practice. This collection, following on from feminist judgments projects in Canada, England and Australia takes the feminist judging methodology in challenging new directions. This book collects 26 rewritten judgments, covering a range of substantive areas. As well as opinions from appellate courts, the book includes fi rst instance decisions and a fi ctional review of a Tribunal of Inquiry. Each feminist judgment is accompanied by a commentary putting the case in its social context and explaining the original decision. The book also includes introductory chapters examining the project methodology, constructions of national identity, theoretical and conceptual issues pertaining to feminist judging, and the legal context of both jurisdictions. The book, shines a light on past and future possibilities - and limitations - for judgment on the island of Ireland. 'This book provides a rich and expansive addition to the feminist judgments catalogue. The ... judgments demonstrate powerfully how Northern/Irish judges have contributed to the gendered politics of national identity, and how the narrow subject-positions they have created for women and 'others' could have been so much wider and more open.' Professor Rosemary Hunter, School of Law, Queen Mary University London. 'The Northern/Irish Feminist Judgments Project is inspirational reading for anyone interested in feminism or Irish studies ... It is a model of how to conduct feminist enquiry. Its most innovative contribution to scholarship and politics is how the rewriting of landmark legal judgments from a feminist perspective allows us to imagine (and therefore begin to construct) a more egalitarian, a more just, future.' Associate Professor Katherine O'Donnell, School of Philosophy, University College Dublin. If you let it, this book will make you think. ... It made me think – it reminded me, I suppose – that legal writing can be wonderful: rigorous, creative, deeply observant, provocative. Read it and see what it makes you think. Professor Thérèse Murphy, School of Law, Queen's University Belfast