This comprehensive book will soon establish itself as the standard work on the subject. The Irish delftware industry is covered in its entirety, from its beginnings in 1697 through its initial success, subsequent difficulties, and renewed fortunes in the 18th century. The author presents up-to-date research with new attributions, recent archeological investigations, and additional information concerning some of the smaller Irish factories.

"Tin-glazed earthenware has been made in Europe since the 15th century. In Britain, floor tiles and drug pots were made in Aldgate, London in the 16th century by immigrant potters from the Low Countries. In the early 17th century, factories making dishes and other wares were set up in London close to the River Thames. Their products were initially much influenced by Chinese porcelain as well as by Italian maiolica. Manufacture spread from London to centres such as Bristol, Liverpool and Dublin. Known as 'gally ware' in the 17th century, this type of pottery has come to be known as 'delftware' from the Dutch town of Delft which was renowned for its manufacture ... The British Museum collection of delftware, which was established in the later part of the 19th century, is one of the finest in the world. It is especially notable for the number of pieces bearing dates and for those which document historical personages and events. This beautifully illustrated book will feature more than 140 items from this extensive collection and include pieces which have never before been fully described or published in colour."--Publisher's description.

Contains essays on food and material culture presented at the 2013 Oxford Symposium on Food and Cookery.

A sweeping survey of the arts of Ireland spanning 150 years and an astonishing range of artists and media This groundbreaking book captures a period in Ireland's history when countless foreign architects, artisans, and artists worked side by side with their native counterparts. Nearly all of the works within this remarkable volume--many of them never published before--have been drawn from North American collections. This catalogue accompanies the first exhibition to celebrate the Irish as artists, collectors, and patrons over 150 years of Ireland's sometimes turbulent history. Featuring the work of a wide range of artists--known and unknown--and a diverse array of media, the catalogue also includes an impressive assembly of essays by a pre-eminent group of international experts working on the art and cultural history of Ireland. Major essays discuss the subjects of the Irish landscape and tourism, Irish country houses, and Dublin's role as a center of culture and commerce. Also included are numerous shorter essays covering a full spectrum of topics and artworks, including bookbinding, ceramics, furniture, glass, mezzotints, miniatures, musical instruments, pastels, silver, and textiles.

What was life like for Irish Protestants between the mid-17th and the late-18th centuries? Toby Barnard scrutinizes social attitudes and structures in every segment of Protestant society during this formative period.

"Through such everyday articles as linen shirts, wigs, silver teaspoons, pottery plates and engravings, Barnard evokes a striking variety of lives and attitudes. Possessions, he shows, even horses and dogs, highlighted and widened divisions, not only between rich and poor, women and men, but also between Irish Catholics and the Protestant settlers. Displaying fresh evidence and unexpected perspectives, the book throws new light on Ireland during a formative period. Its discoveries, set within the context of the 'consumer revolution' gripping Europe and North America, allow Ireland for the first time to be integrated into discussions of the pleasures and pains of consumerism."--BOOK JACKET.