A historical and cultural study of the Irish cottage, fully illustrated in color, which explores the subject in a holistic context.

Meet Torrey Tunet. Great career. Big dreams. One terrible mistake. Accept an invitation from a stranger who spills soup on her at a restaurant to stay at his Irish castle? What is pretty translator Torrey Tunet thinking? That's easy. She's thinking that luxurious rooms and gourmet meals beat the seedy Dublin hotel her agency booked for her. Fluent in numerous languages, Torrey intends to say non, nicht, nyet, and no way to any passes her host makes. But even Torrey is left speechless by what he actually suggests...and by stumbling upon a murdered man near a forest cottage. And when a priceless heirloom disappears and an old secret from her past surfaces, all fingers point to Torrey. Now she faces ruin-and gaol (jail)-unless she uncovers a truth darker than Irish nights about twisted minds, sinister passions and red-hot revenge...

White Cottage, White House examines how Classical Hollywood cinema developed and deployed Irish American masculinities to negotiate, consolidate, and reinforce hegemonic whiteness in midcentury America. Largely confined to discriminatory stereotypes during the silent era, Irish American male characters emerge as a favored identity with the introduction of sound, positioned in a variety of roles as mediators between the marginal and mainstream. The book argues that such characters function to express hegemonic whiteness as ethnicity, a socio-racial framing that kept immigrant origins and normative American values in productive tension. It traces key Irish American male types—the gangster, the priest, the cop, the sports hero, and the returning immigrant—who navigated these tensions in maintenance of an ethnic whiteness that was nonetheless "at home" in America, transforming from James Cagney's "public enemy" to John Wayne's "quiet man" in the process. Whether as figures of Depression-era social disruption, avatars of presidential patriarchy and national manhood, or allegories of postwar white flight and the nuclear family, Irish American masculinities occupied a distinctive and unrivaled visibility and role in popular American film.

WHAT READERS ARE SAYING: "This book is Sparks meets James with a dash of Rowling. It's an alluring story, set in an enchanting place, with enticing characters. Spicy, seductive, steamy." BOOK DESCRIPTION: Elizabeth Lara, the most sought after divorce attorney in San Francisco, loses her great-aunt Mags; the woman who raised her. In a series of letters written shortly before her death, Mags reveals a shocking truth about Beth's parents. Devastated and reeling Beth buys a one-way ticket to Ireland. She rents a little cottage, determined to reclaim what she's lost. But Beth's solitary retreat into the magic wilds of Ireland is quickly interrupted by Connor Bannon. A man with light brown hair, ice blue eyes, a green Celtic Cross on his arm, and a secret. He's gorgeous and grieving, but is he just a complication on her journey? Or something more?

James Longenbach tells the virtually untold story of W. B. Yeats and Ezra Pound's close collaboration in a Sussex cottage during the winters of 1913-1916, offering numerous new insights into this "secret society" of like minds whose literary production and aristocratic ways set the tone of Modernism.