Published in association with the Iran Heritage Foundation.

I.B.Tauris in association with the Iran Heritage Foundation The Safavid era is of special significance in the history of Iran. Under the Safavids - between the sixteenth and the mideighteenth century - Iran was transformed and a state emerged which was the forerunner of the Iran of today in several important ways. The age is known for its wealth of contributions to Persian culture and to the arts of the Islamic world, its robust military encounters with its Ottoman and Mughal neighbours and growing contacts with western Europe. With the exception of diplomatic and commercial contacts with western European countries, little is known about the Safavids' foreign relations - their commercial, cultural, social and political exchanges with the rest of the world. Iran and the World in the Safavid Age presents the most recent research into Safavid Iran's foreign relations. It challenges the long-held notion that, with the adoption of Shi'ism, Iranians retreated into relative isolation, suggesting rather that they engaged with the world in unprecedented and exciting ways. With contributions from the leading authorities in the field, Iran and the World in the Safavid Age explores Iran's relations with other countries and cultures. Examining how Iran was itself perceived as well as how it viewed the outside world, this groundbreaking book sheds new light on the history of Iran's relations with the world beyond its borders and expands our understanding of this pivotal period.

In the early modern world, the Safavid, Ottoman, and Mughal empires sprawled across a vast swath of the earth, stretching from the Himalayas to the Indian Ocean to the Mediterranean Sea. The diverse and overlapping literate communities that flourished in these three empires left a lasting legacy on the political, religious, and cultural landscape of the Near East and India. This volume is a comprehensive sourcebook of newly translated texts that shed light on the intertwined histories and cultures of these communities, presenting a wide range of source material spanning literature, philosophy, religion, politics, mysticism, and visual art in thematically organized chapters. Scholarly essays by leading researchers provide historical context for closer analyses of a lesser-known era and a framework for further research and debate. The volume aims to provide a new model for the study and teaching of the region’s early modern history that stands in contrast to the prevailing trend of examining this interconnected past in isolation.

This book is about a Muslim Shi’i philosopher of the early 16th century, Najm al-Din Mahmud al-Nayrizi. Educated in Shiraz, he became interested in Avicennan and Suhrawardian philosophy. Apart from Nayrizi, the present study introduces his contemporary philosophers and provides an outlines of the main philosophical challenges of the time.

Persian Pottery in the First Global Age: the Sixteenth and Seventeeth Centuries studies the ceramic industry of Iran in the Safavid period (1501–1732) and the impact which the influx of Chinese blue-and-white porcelain, heightened by the activities of the English and Dutch East Indies Companies after c. 1700, had on local production. The multidisciplinary approach of the authors (Lisa Golombek, Robert B. Mason, Patricia Proctor, Eileen Reilly) leads to a reconstruction of the narrative about Safavid pottery and revises commonly accepted notions. The book includes easily accessible reference charts to assist in dating and provenancing Safavid pottery on the basis of diagnostic motifs, potters’ marks, petrofabrics, shapes, and Chinese models.

A masterfully researched and compelling history of Iran from the sixteenth century to the twenty-first

The two-volume Companion to Islamic Art and Architecture bridges the gap between monograph and survey text by providing a new level of access and interpretation to Islamic art. The more than 50 newly commissioned essays revisit canonical topics, and include original approaches and scholarship on neglected aspects of the field. This two-volume Companion showcases more than 50 specially commissioned essays and an introduction that survey Islamic art and architecture in all its traditional grandeur Essays are organized according to a new chronological-geographical paradigm that remaps the unprecedented expansion of the field and reflects the nuances of major artistic and political developments during the 1400-year span The Companion represents recent developments in the field, and encourages future horizons by commissioning innovative essays that provide fresh perspectives on canonical subjects, such as early Islamic art, sacred spaces, palaces, urbanism, ornament, arts of the book, and the portable arts while introducing others that have been previously neglected, including unexplored geographies and periods, transregional connectivities, talismans and magic, consumption and networks of portability, museums and collecting, and contemporary art worlds; the essays entail strong comparative and historiographic dimensions The volumes are accompanied by a map, and each subsection is preceded by a brief outline of the main cultural and historical developments during the period in question The volumes include periods and regions typically excluded from survey books including modern and contemporary art-architecture; China, Indonesia, Sub-Saharan Africa, Sicily, the New World (Americas)