What is gonna happen, when we can't take it anymore? Stumbling down the street drunk at 11.30am Effie is the kind of girl you avoid making eye contact with. You think you know her, but maybe you don't know half of it. Effie's life is a mess of drink, drugs and drama every night, and a hangover worse than death the next day – till one night gives her the chance to be something more. Gary Owen's critically acclaimed and powerful monodrama inspired by the Greek myth opens at the Lyric after a smash-hit season at the Sherman Theatre in Wales and later the National Theatre, winning the Best New Play at the UK Theatre Awards 2015. This edition was published to coincide with the production at the Lyric Hammersmith, London, in September 2022.

'What gets me through is knowing I took this pain, and saved all of you from suffering the same.' Stumbling down Clifton Street at 11:30 a.m. drunk, Effie is the kind of girl you'd avoid eye contact with, silently passing judgement. We think we know her, but we don't know the half of it. Effie's life spirals through a mess of drink, drugs and drama every night,and a hangover worse than death the next day - till one night gives her the chance to be something more. This powerful new adaptation of the enduring Greek myth drives home the high price people pay for society's shortcomings. Winner of Best New Play at the UK Theatre Awards 2015

What is gonna happen, when we can't take it anymore? Stumbling down the street drunk at 11.30am Effie is the kind of girl you avoid making eye contact with. You think you know her, but maybe you don't know half of it. Effie's life is a mess of drink, drugs and drama every night, and a hangover worse than death the next day – till one night gives her the chance to be something more. Gary Owen's critically acclaimed and powerful monodrama inspired by the Greek myth opens at the Lyric after a smash-hit season at the Sherman Theatre in Wales and later the National Theatre, winning the Best New Play at the UK Theatre Awards 2015. This edition was published to coincide with the production at the Lyric Hammersmith, London, in September 2022.

In Killology, players are rewarded for torturing victims, scoring points for “creativity”. But Killology isn’t sick. In fact it’s marketed by its millionaire creator as a deeply moral experience. Because yes, you can live out your darkest fantasies, but you don’t escape their consequences. Out on the streets, not everybody agrees with him. “There is an instinctive revulsion against taking a human life. And that revulsion can be conquered.”

THE STORY: On a remote island in the middle of the Atlantic secrets are buried. When the outside world comes calling, intent on manipulation for political and economic reasons, the islanders find their own world blown apart from the inside as well

A play about the stupid things you do when you're f cked. A night out. Friends, alcohol, a shit club, a strop - the usual. But tonight is different. Tonight will change things forever. With Love Steals us from Loneliness, Gary Owen, one of Wales's foremost playwrights, returns to his hometown of Bridgend. The media have told us their Bridgend story, but what will a writer who spent his own teenage years here have to say?

“Enthralling and sharp-witted...Highly recommended.” —Karin Slaughter, New York Times and #1 international bestselling author “Bold, fearless...Prima Facie is a deeply rewarding, absolute must read.” —Chris Whitaker, New York Times bestselling author of We Begin at the End This is not life, this is law... Tessa Ensler loves her job. She’s worked her way up to being a top criminal defense barrister against all the odds, and fights to defend those pleading not guilty. Tessa believes in the law, believes in the system. Her quick-witted cross-examinations and intelligence in the courtroom see her clocking up win after win - including securing freedom for men accused of rape and sexual assault. Innocence until proven guilty is, after all, the bedrock of a civilized society. But when Tessa is raped by a coworker, she struggles to find the strength to bring him to justice in the face of the barriers and opposition within that same system. Determined to have her day in court, Tessa is forced to confront the stark reality that the law was not written for victims, and that she is the one on trial. She fights on, even as her evidence is manipulated to make her look like a liar, even while she is retraumatized in the stand. Based on the Olivier and Tony Award-winning play, Suzie Miller’s Prima Facie is an unforgettable story of what happens when a victim is asked to navigate a system that is not set up to accommodate the lived experience of sexual assault survivors.