German, Czech, and Irish immigrants poured into America in the mid-1800s. They brought their language and traditions with them…and their love of brewing and drinking beer. In 1881, Iowa City was a bustling town full of immigrants. The population was exploding, and that meant two things: Fortunes were being made overnight and trouble was afoot. Three large breweries had taken root, sprouting strong and proud in the “Northside” neighborhood. In one generation the brewers became wealthy and powerful men. They also came to be known as “The Beer Mafia.” The more powerful the brewers grew, the more passionate the ladies of the Women’s Christian Temperance Union became about abolishing alcohol altogether. They took their fight to the saloon, the street, and the Statehouse, preaching prohibition. Conrad Graf, J.J. Englert and John Dostal thought of themselves as honest businessmen capitalizing on America’s explosive growth by simply providing a product people wanted. Vernice Armstrong thought they were selling sin and destroying everything that made America great, one beer at a time. She made it her mission in life to bring them down, but they weren’t about to go down without a fight. Blending real-life historical figures with compelling fictional characters, Beer Money is the story of how the brewers and “Teetotalers” slammed head-on into each other, turning the prairie red with blood. This is a tale of how the seemingly innocuous love of brewing and drinking beer became the flashpoint, sparking events that would shape America for a generation.

From 2013-2018, Christopher Patton sifted through the mundane traffic stops and noise complaints of the Iowa City police activity log, highlighting the most intriguing entries for an ever-growing following on Twitter and Facebook. This collection of over 10,000 log entries illuminates the spirit of Iowa City--not only its humor, but also its relationship with race, mental health, and violence. The result is an honest depiction of one community in a myriad of moments, captured through the lens of police interaction.

George L. Horner, University Architect and Planner, 1906-1981 -- Buildings -- Architects -- Chronology of Building Completion/Occupancy Dates -- Sculptures -- Glossary -- Bibliography -- Index

Iowa City is rich in tradition, including a lively history of spooky tales and odd goings-on. Follow in the footsteps of the Wandering Cadaver and accompany the Whistling Janitor. Come up with an explanation for the leg bones encased in a tree. Meet ghosts Maude and George at their respective homes on Bloomington Street and at the Hall Mall. Shrink back against a wall in the Gaslight Village and then realize it is made from cemetery footstones. Pass into the shadow of the Black Angel. Join Vernon Trollinger in discovering the haunted past of Iowa City.

Philip Hubbard's life story begins in 1921 in Macon, a county seat in the Bible Belt of north central Missouri, whose history as a former slave state permeated the culture of his childhood. When he was four his mother moved her family 140 miles north to Des Moines in search of the greater educational opportunity that Iowa offered African American students. In this recounting of the effects of that journey on the rest of his life, Phil Hubbard merges his private and public life and career into an affectionate, powerful, and important story. Hubbard graduated from the University of Iowa with a degree in electrical engineering in 1946; by 1954 he had received his Ph.D. in hydraulics. The College of Engineering extended a warm academic welcome, but nonacademic matters were totally different: Hubbard was ineligible for the housing and other amenities offered to white students. Intelligent, patient, keenly aware of discrimination yet willing to work from within the university system, he advanced from student to teacher to administrator, retiring in 1991 after decades of leadership in the classroom and the conference room. Hubbard's major accomplishments included policies that focused on human rights; these policies transformed the makeup of students, faculty, and staff by seeking to eliminate discrimination based on race, religion, or other nonacademic factors and by substituting affirmative action for the traditional old-boy methods of selecting faculty and administrators. At the same time that he was advancing the cause of human rights and cultural diversity in education, his family was growing and thriving, and his descriptions of home life reveal one source of his strength and inspiration. The decades that Hubbard covers were vital in the evolution of the nation and its educational institutions. His dedication to the agenda of public higher education has always been matched by his sensitivity to the negative effects of discrimination and his gentle perseverance toward his goals of inclusion, acceptance, and fairness. His vivid personal and institutional story will prove valuable at this critical juncture in America's racial history.