"The 16th-century humanist Juan Maldonado in his Latin essays foreshadows the Spanish picaresque. Like Erasmus, with whom he corresponded, Maldonado advocated the use of Latin in a wide-range of activities. Maldonado's Pastor Bonus, a lengthy open letter to a bishop, reviews in a vivid and satirical style the abuses of the churchmen in his diocese. His ludus chartarum is framed as a colloquium similar to Vives' on the subject, entertaining while teaching a Latin terminology for card playing. His Bacchanalia, written for student actors, is a spirited play pitting the forces of Lent against those of Bacchus, as in the Libro de buen amor. These works have been edited and translated into English by Warren Smith and Clark Colahan for the first time, with illustrations of scenes from each work, and of 16th-century cards, by Richard Simmons and Caleb Smith."--Publisher's website.

At publication date, a free ebook version of this title will be available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. Renaissance Futurities considers the intersections between artistic rebirth, the new science, and European imperialism in the global early modern world. Charlene Villaseñor Black and Mari-Tere Álvarez take as inspiration the work of Renaissance genius Leonardo da Vinci (1452–1519), prolific artist and inventor, and other polymaths such as philosopher Giulio “Delminio” Camillo (1480–1544), physician and naturalist Francisco Hernández de Toledo (1514–1587), and writer Miguel de Cervantes (1547–1616). This concern with futurity is inspired by the Renaissance itself, a period defined by visions of the future, as well as by recent theorizing of temporality in Renaissance and Queer Studies. This transdisciplinary volume is at the cutting edge of the humanities, medical humanities, scientific discovery, and avant-garde artistic expression.