Tony Tost's exhilarating poetry debut defles conventional description. Like a fantastic film, a feverish delirium, or a dream state, these prose poems use an experimental lexicon of imagery that goes beyond anything typically poetic. Tost's point of departure is the loss of the Other that makes the I: Agnes, And in a sort of coming-of-age soliloquy song, he meditates on a range of topics: fatherhood, childhood, identity, poetry. Together his poems express the unburdening of consciousness, a consciousness that contains the likes of Blake, Italo Calvino, Allen Grossman, and Frank Stanford, among others (including Tost himself), Surreal and surprising, Invisible Bride showcases the prose artistry of a new American talent.

The 'invisible masterpiece', then, is an unattainable ideal, an ideal that has both bewitched and bewildered artists." "The Invisible Masterpiece is an unusual reconstruction of the history of the work of art since 1800, in which Hans Belting explores and explains the dreams and fears, the triumphs and failures of modernity's painters and sculptors."--BOOK JACKET.

Finalist for the PEN Center USA's Literary Award in Poetry (2003) For some forty years, Nathaniel Tarn has been celebrated as an extraordinary figure in American writing. His work in a variety of scholarly and literary genres has ranged from Maya ritual to Jewish mysticism, the monasteries of Burma to the arctic seas of Alaska. One of the founders of ethnopoetics, he has brought to poetry an almost limitless range of interests and a remarkable dexterity in both open and closed forms. As Eliot Weinberger has written, “What holds it together is Tarn’s ecstatic vision, his continuing enthusiasm for the stuff of the world.”

Before they became legendary writers, Charlotte Brontë, Emily Brontë, and Anne Brontë were detectors in this charming historical mystery... Yorkshire, 1845. A young wife and mother has gone missing from her home, leaving behind two small children and a large pool of blood. Just a few miles away, a humble parson’s daughters—the Brontë sisters—learn of the crime. Charlotte, Emily, and Anne Brontë are horrified and intrigued by the mysterious disappearance. These three creative, energetic, and resourceful women quickly realize that they have all the skills required to make for excellent “lady detectors.” Not yet published novelists, they have well-honed imaginations and are expert readers. And, as Charlotte remarks, “detecting is reading between the lines—it’s seeing what is not there.” As they investigate, Charlotte, Emily, and Anne are confronted with a society that believes a woman’s place is in the home, not scouring the countryside looking for clues. But nothing will stop the sisters from discovering what happened to the vanished bride, even as they find their own lives are in great peril...

In 1650s England, a young Puritan maiden is on a mission to save the baby of her newly widowed preacher--whether her assistance is wanted or not. Always ready to help those in need, Elizabeth ignores John's protests of her aid. She's even willing to risk her lone marriage prospect to help the little family. Yet Elizabeth's new role as nanny takes a dangerous turn when John's boldness from the pulpit makes him a target of political and religious leaders. As the preacher's enemies become desperate to silence him, they draw Elizabeth into a deadly web of deception. Finding herself in more danger than she ever bargained for, she's more determined than ever to save the child--and man--she's come to love.