Elvis Presley stands tall as perhaps the supreme icon of 20th-century U.S. culture. But he was perceived to be deeply un-American in his early years as his controversial adaptation of rhythm and blues music and gyrating on-stage performances sent shockwaves through Eisenhower's conservative America and far beyond. This book explores Elvis Presley's global transformation from a teenage rebel figure into one of the U.S.'s major pop-cultural embodiments from a historical perspective. It shows how Elvis's rise was part of an emerging transnational youth culture whose political impact was heavily conditioned by the Cold War. As well as this, the book analyses Elvis's stint as G.I. soldier in West Germany, where he acted as an informal ambassador for the so-called American way of life and was turned into a deeply patriotic figure almost overnight. Yet, it also suggests that Elvis's increasingly synonymous identity with U.S. culture ultimately proved to be a double-edged sword, as the excesses of his superstardom and personal decline seemingly vindicated long-held stereotypes about the allegedly materialistic nature of U.S. society. Tracing Elvis's story from his unlikely rise in the 1950s right up to his tragic death in August 1977, this book offers a riveting account of changing U.S. identities during the Cold War, shedding fresh light on the powerful role of popular music and consumerism in shaping images of the United States during the cultural struggle between East and West.

Home and Away explores how performative writing serve as a process that critically interrogates space/place in relation to personal, social, cultural, and political understanding. By combining aesthetic expression and inquiry with critical reflection, the contributors in this volume use a variety of narrative strategies—autoethnography, mystoriography, creative cartography, the lyric essay, fictocriticism, collage, the screenplay, and poetics—to position place as the starting point for the aesthetic impulse. The anthology showcases the power and potential of performative writing to illustrate the ways we interact with and in place; provides examples of the ways one can express lived experience; and demonstrates the ways discourses overlap while extending our understanding of identity and place, whether one is home or away. Although the chapters are fixed by their literary form in this volume, many of chapters are best realized in a performance or shared publicly via an oral tradition. This collection will be of great interest to students and scholars in performance, communication studies, and literature.

This work examines the unique and ever-changing relationship between politics and comedy through an analysis of several popular American television programs. Focusing on close readings of the work of Ernie Kovacs, Soupy Sales, and Andy Kaufman, as well as Green Acres and The Gong Show, the author provides a unique glimpse at the often subversive nature of avant-garde television comedy. The crisis in American television during the political unrest of the late 1960s is also studied, as represented by individual analyses of The Monkees, The Smothers Brothers Comedy Hour, Rowan and Martin's Laugh-In, and All in the Family. The author also focuses on more contemporary American television, drawing a comparative analysis between the referential postmodernism of The Simpsons and the confrontational absurdity of South Park.

In The Reagan Moment, the ideas, events, strategies, trends, and movements that shaped the 1980s are revealed to have had lasting effects on international relations: The United States went from a creditor to a debtor nation; democracy crested in East Asia and returned to Latin America; the People's Republic of China moved to privatize, decentralize, and open its economy; Osama bin Laden founded Al Qaeda; and relations between Washington and Moscow thawed en route to the Soviet Union's dissolution. The Reagan Moment places US foreign relations into global context by examining the economic, international, and ideational relationships that bound Washington to the wider world. Editors Jonathan R. Hunt and Simon Miles bring together a cohort of scholars with fresh insights from untapped and declassified global sources to recast Reagan's pivotal years in power. Contributors: Seth Anziska, James Cameron, Elizabeth Charles, Susan Colbourn, Michael De Groot, Stephanie Freeman, Christopher Fuller, Flavia Gasbarri, Mathias Haeussler, William Inboden, Mark Atwood Lawrence, Elisabeth Mariko Leake, Melvyn P. Leffler, Evan D. McCormick, Jennifer Miller, David Painter, Robert Rakove, William Michael Schmidli, Sarah Snyder, Lauren Frances Turek, James Wilson

Tangled Transformations presents a historical analysis of the interplay between German unification and European integration from the mid-1980s to the mid-1990s. Building on freshly released documents, the book’s sixteen chapters explore constellations in which the two processes accelerated and informed one another. The book highlights the role of Germany’s neighbours to the east, with chapters discussing the cotransformation between East and West as well as chapters dedicated to Poland, Romania, and Hungary. It sheds new light on the two interrelated processes by examining the role of Germany’s most important Western neighbours and partners: the United States, the United Kingdom, France, and Italy. The book pays particular attention to the role of the European Commission as well as to monetary and industrial policy. It also moves beyond the economic sphere by discussing foreign and security policy issues, justice and home affairs, German debates about European integration at the time, and the significance of the German federal states. Ultimately, Tangled Transformations demonstrates the strong interlinkages between German unification and European integration.

Basing his work on exclusive interviews, Alba has produced a wonderful history of the first "Tonight" show, complete with terrific photos and revealing insights from more than 30 legends who knew and worked with Steve Allen.

What really happened on the first Thanksgiving? How did a British drinking song become the US national anthem? And what makes Superman so darned American? Every tradition, even the noblest and most cherished, has a history, none more so than in the United States—a nation born with relative indifference, if not hostility, to the past. Most Americans would be surprised to learn just how recent (and controversial) the origins of their traditions are, as well as how those origins are often related to such divisive forces as the trauma of the Civil War or fears for American identity stemming from immigration and socialism. In pithy, entertaining chapters, Inventing American Tradition explores a set of beloved traditions spanning political symbols, holidays, lifestyles, and fictional characters—everything from the anthem to the American flag, blue jeans, and Mickey Mouse. Shedding light on the individuals who created these traditions and their motivations for promoting them, Jack David Eller reveals the murky, conflicted, confused, and contradictory history of emblems and institutions we very often take to be the bedrock of America. What emerges from this sideways take on our most celebrated Americanisms is the realization that all traditions are invented by particular people at particular times for particular reasons, and that the process of “traditioning” is forever ongoing—especially in the land of the free.