The Pulitzer Prize-winning biographer brings to life the most intriguing woman in the history of the world: Cleopatra, the last queen of Egypt. Her palace shimmered with onyx, garnets, and gold, but was richer still in political and sexual intrigue. Above all else, Cleopatra was a shrewd strategist and an ingenious negotiator. Though her life spanned fewer than forty years, it reshaped the contours of the ancient world. She was married twice, each time to a brother. She waged a brutal civil war against the first when both were teenagers. She poisoned the second. Ultimately she dispensed with an ambitious sister as well; incest and assassination were family specialties. Cleopatra appears to have had sex with only two men. They happen, however, to have been Julius Caesar and Mark Antony, among the most prominent Romans of the day. Both were married to other women. Cleopatra had a child with Caesar and -- after his murder -- three more with his protégé. Already she was the wealthiest ruler in the Mediterranean; the relationship with Antony confirmed her status as the most influential woman of the age. The two would together attempt to forge a new empire, in an alliance that spelled their ends. Cleopatra has lodged herself in our imaginations ever since. Famous long before she was notorious, Cleopatra has gone down in history for all the wrong reasons. Shakespeare and Shaw put words in her mouth. Michelangelo, Tiepolo, and Elizabeth Taylor put a face to her name. Along the way, Cleopatra's supple personality and the drama of her circumstances have been lost. In a masterly return to the classical sources, Stacy Schiff here boldly separates fact from fiction to rescue the magnetic queen whose death ushered in a new world order. Rich in detail, epic in scope, Schiff 's is a luminous, deeply original reconstruction of a dazzling life.

Few other civilizations rival Ancient Egypt in its power to capture the modern imagination, and Cleopatra VII, monarch at the end of the Ptolemaic period, has always been preeminent among its cast of characters. Coming to power just before the unstable state was about to be absorbed into an autocratic empire, Cleopatra oversaw not only Egypt's progress as an influential regional power but also the fragile peace of its ethnically mixed population.Michel Chauveau looks at many facets of life under this queen and her dynasty, drawing on such sources as firsthand accounts, numismatics, and Greek, Demotic, and hieroglyphic inscriptions. His use of such sources helps to free the narrative of dependence on later (and usually hostile) Greek and Roman historians. By taking up such subjects as funeral customs, language and writing, social class structure, religion, and administration, he affords the reader an unprecedented and comprehensive picture of Greek and Egyptian life in both the cities and the countryside.Originally published in French in 1997, Egypt in the Age of Cleopatra fulfills a long-standing need for an accessible introduction to the social, economic, religious, military, and cultural history of Ptolemaic Egypt.

Cleopatra VII Philopator was the last active ruler of the Ptolemaic Kingdom of Egypt, nominally survived as pharaoh by her son Caesarion. She was also a diplomat, naval commander, polyglot, and medical author. As a member of the Ptolemaic dynasty, she was a descendant of its founder, Ptolemy I Soter, a Macedonian Greek general and companion of Alexander the Great. Inside you’ll read about • Rome comes to Egypt • Sibling rivalry • Caesar and Cleopatra • Assassination • Antony and Cleopatra • An Alexandrian idyll • Dusk approaches And much more! Julius Caesar maintained a private affair with Cleopatra that produced a son, Caesarion (Ptolemy XV). When Caesar was assassinated Cleopatra attempted to have Caesarion named as his heir, but this fell instead to Caesar’s grandnephew Octavian. In the Liberators’ civil war Cleopatra sided with the Roman Second Triumvirate formed by Octavian, Mark Antony, and Marcus Aemilius Lepidus. Cleopatra had an affair with Antony that would eventually produce three children: Alexander Helios, Cleopatra Selene II, and Ptolemy Philadelphus. Octavian’s forces invaded Egypt and defeated those of Antony, leading to his suicide. When Cleopatra learned that Octavian planned to bring her to Rome for his triumphal procession, she committed suicide by poisoning, the popular belief being that she was bitten by an asp.

Cleopatra VII (69-30 BC) is the most famous woman from classical antiquity. Yet her modern reputation is based largely on her post-antique representation in drama, art, and other media. The current study is the first to examine the queen solely from the source material from the Greco-Roman period: literary sources, Egyptian documents including those of the queen herself, her own writings, and her representations in art.

An engaging, accessible biography of the legendary Egyptian queen, with source documents Ambitious, intelligent, and desired by powerful men, Cleopatra VII came to power at a time when Roman and Egyptian interests increasingly concerned the same object: Egypt itself. Cleopatra lived and reigned at the center of this complex and persistent power struggle. Her legacy has since lost much of its former political significance, as she has come to symbolize instead the potent force of female sexuality and power. In this engaging and multifaceted account, Stanley M. Burstein displays Cleopatra in the full manifold brilliance of the multiple cultures, countries, and people that surrounded her throughout her compelling life, and in so doing develops a stunning picture of a legendary queen and a deeply historic reign. Designed as an accessible introduction to Cleopatra VII and her time, The Reign of Cleopatra offers readers and researchers an appealing mix of descriptive chapters, biographical sketches, and annotated primary documents. The narrative chapters conclude with a discussion of Cleopatra’s significance as a person, a queen, and a symbol. A glossary and annotated bibliography round out the volume.

A study of the origin of the Roman Empire by Arthur Weigall.