Published to accompany exhibition held at the Centre Georges Pompidou, Paris 22/5 - 26/8 1996.

Bringing together the depth insights of eastern & western traditions, this book places the topic of the self in a new context.

The Role of Nomadic Culture in the Evolution of Non-Western Power Politics Central Asia, a vast region extending from eastern Russia and across Kazakhstan, Uzbekistan, Turkmenistan, Afghanistan, Tajikistan, Kyrgystan, Mongolia, and western China, has its own tradition of foreign policy rooted in the ancient nomadic culture of many of its peoples as well as the region's distinctive geography. From the thundering hooves of Mongol or Cossack cavalry across the steppes to the clanking of tanks on parade in Moscow or Beijing, elements of this system still cast a shadow on the region at the heart of Earth's largest continent. By tracing the evolution of Central Asian warfare and diplomacy through a series of historical examples, ranging from the ancient Xiongnu people and medieval Mongol Empire to the fall of the Soviet Union, historian Christopher Mott argues that the original system of informal relationships, indirect rule, and rapid military movement did not entirely fade from the region with the eclipse of the nomadic powers during the Middle Ages. In fact, many states like China, Iran, and Russia had already been influenced by nomadic people, and in so doing adapted their own diplomatic and military policies accordingly. The Formless Empire: A Short History of Diplomacy and Warfare in Central Asia is an engaging study of the nature of non-Western imperialism and great-power strategy. In addition, the book demonstrates that regional histories can show us the variety of political possibilities in the past and how they were adapted to changing circumstances--a point made even more important by the rapid changes facing global security and new forms of empire building. "Christopher Mott's extremely erudite and wide-ranging examination of the history of Central Asia shows us that we have been far too narrow-minded and Eurocentric in thinking about power and how the global system changes historically. Given the current interest in 'caliphates' we need to reflect on the history of the areas of the world that dance to a different historical drum than we do in the West." --Andrew John Williams, author of France, Britain, and the United States in the Twentieth Century

This book is meant to be used as a guide to help you realize what already exists within. It will shed Light where darkness may reside. It will assist you in revealing and awakening the wisdom and knowledge that you already possess in your soul. After all, wisdom cannot be taught; it can only be attained through the medium of knowledge and experience if transmuted correctly. You cannot learn wisdom; you may only reveal it. The following ideas and concepts are not meant to give you conclusions and answers about how the universe works; rather, they are meant to simply open your doors of thought for you to explore further and perceive the world in your own unique way. What will follow is a life in which you have complete control, a higher level of consciousness, and a stronger connection to your inner true self. Take your time and read each sentence carefully. Consider reading some chapters more than once, perhaps even multiple times. Allow your soul to digest the information it is receiving and the wisdom it is revealing. Where you take it is up to you!

Boring Formless Nonsense intervenes in an aesthetics of failure that has largely been delimited by the visual arts and its avant-garde legacies. It focuses on contemporary experimental composition in which failure rubs elbows with the categories of chance, noise, and obscurity. In these works we hear failure anew. We hear boredom, formlessness, and nonsense in a way that gives new purchase to aesthetic, philosophical, and ethical questions that falter in their negative capability. Reshaping current debates on failure as an aesthetic category, eldritch Priest shows failure to be a duplicitous concept that traffics in paradox and sustains the conditions for magical thinking and hyperstition. Framing recent experimental composition as a deviant kind of sound art, Priest explores how the affective and formal elements of post-Cagean music couples with contemporary culture's themes of depression, distraction, and disinformation to create an esoteric reality composed of counterfactuals and pseudonymous beings. Ambitious in content and experimental in its approach, Boring Formless Nonsense will challenge and fracture your views on failure, creativity, and experimental music.

To Be Formless means to become something without a form. It's to live a life without limits, without validation from others, and become fearless. Too often, we lived in a world where we're boxed in and blocked off. We block ourselves of our full potential because of fear within, and fear of what others may think about us. We live in a world where people are too afraid to step out of their comfort zones and become the person they're designed to be. We instead, live life through illusions and filters to block the true essence of who we are. We rather live life seeking validation and acceptance of others to feel self-fulfilled. In the end, we're all human, we have flaws, we suffer, we strive, and we live. You matter through it all. Don't change who you are because you don't know who you can become until you stretch out and reach the sky.