For many American Catholics in the twentieth-century the face of the Church was a woman's face. After the Second World War, as increasing numbers of baby boomers flooded Catholic classrooms, the Church actively recruited tens of thousands of young women as teaching sisters. In Into Silence and Servitude Brian Titley delves into the experiences of young women who entered Catholic religious sisterhoods at this time. The Church favoured nuns as teachers because their wageless labour made education more affordable in what was the world's largest private school system. Focusing on the Church's recruitment methods Titley examines the idea of a religious vocation, the school settings in which nuns were recruited, and the tactics of persuasion directed at both suitable girls and their parents. The author describes how young women entered religious life and how they negotiated the sequence of convent "formation stages," each with unique challenges respecting decorum, autonomy, personal relations, work, and study. Although expulsions and withdrawals punctuated each formation stage, the number of nuns nationwide continued to grow until it reached a pinnacle in 1965, the same year that Catholic schools achieved their highest enrolment. Based on extensive archival research, memoirs, oral history, and rare Church publications, Into Silence and Servitude presents a compelling narrative that opens a window on little-known aspects of America’s convent system.

In 1868, the state of Georgia began to make its rapidly growing population of prisoners available for hire. The resulting convict leasing system ensnared not only men but also African American women, who were forced to labor in camps and factories to make profits for private investors. In this vivid work of history, Talitha L. LeFlouria draws from a rich array of primary sources to piece together the stories of these women, recounting what they endured in Georgia's prison system and what their labor accomplished. LeFlouria argues that African American women's presence within the convict lease and chain-gang systems of Georgia helped to modernize the South by creating a new and dynamic set of skills for black women. At the same time, female inmates struggled to resist physical and sexual exploitation and to preserve their human dignity within a hostile climate of terror. This revealing history redefines the social context of black women's lives and labor in the New South and allows their stories to be told for the first time.

During the Pacific War, more than 200,000 Korean girls were forced into sexual servitude for Japanese soldiers. They lived in horrific conditions in “comfort stations” across Japanese-occupied territories. Barely 10 percent survived to return to Korea, where they lived as social outcasts. Since then, self-declared comfort women have come forward only to have their testimonies and calls for compensation largely denied by the Japanese government. Kim Soom tells the story of a woman who was kidnapped at the age of thirteen while gathering snails for her starving family. The horrors of her life as a sex slave follow her back to Korea, where she lives in isolation gripped by the fear that her past will be discovered. Yet, when she learns that the last known comfort woman is dying, she decides to tell her there will still be “one left” after her passing, and embarks on a painful journey. One Left is a provocative, extensively researched novel constructed from the testimonies of dozens of comfort women. The first Korean novel devoted to this subject, it rekindled conversations about comfort women as well as the violent legacies of Japanese colonialism. This first-ever English translation recovers the overlooked and disavowed stories of Korea’s most marginalized women.

Escaping Servitude: A Documentary History of Runaway Servants in Eighteenth-Century Virginia is an edited collection of runaway servant advertisements that appeared in newspapers in eighteenth-century Virginia. In addition to documenting the fugitive in the Chesapeake, it adds to our understanding of indentured servitude and provides valuable insights into an important chapter in American history. Escaping Servitude’s contribution to scholarship is threefold. First, it calls new attention to the scant scholarly body of work concerning indentured servitude; specifically, the work pertaining to fugitive servants. Highlighting well over one thousand accounts in which bondsmen and women ran away from their masters in Virginia during the colonial era, Escaping Servitude complements Abbot Emerson Smith’s Colonist in Bondage: White Servitude and Convict Labor in America, 1607-1776, Edmund Morgan’s American, American Freedom, David W. Galenson’s White Servitude in Colonial America, Anthony Parent Jr.’s Foul Means, Don Jordon and Michael Walsh’s White Cargo, and others studies of American serfdom. Secondly, considering that there is currently no other documentary history in print for other colonies in British America, Escaping Servitude hopes to inspire similar histories for eighteenth-century Maryland, North and South Carolina, Georgia, and the northern colonies. Less known are the life stories of indentures who absconded in other parts of British America. Finally, in its explication of the lives of the unfree, Escaping Servitude hopes to expand the current academic discourse regarding the history of slavery and race.

Domestic servitude is a widespread phenomenon in countries like India, Pakistan, Sri Lanka, where even lower-middle class homes rely on domestic workers (mostly women and children). While social scientists have begun to study this unregulated and exploitative "informal sector," literary critics have not paid attention to servants in South Asian literatures or examined their political or literary significance. Postcolonial Servitude argues that a new generation of writers has begun to rethink this culture of servitude and to devise new forms of writing designed to prompt change in normalized ways of seeing and being. It is the first to offer a sustained exploration of servitude and servants in South Asian English literature, from the early 20th century to the present.

In what might seem an unusual pairing, Barlett brings together the insights of Albert Camus and feminist thought, and in doing so sheds new light on both. Looking through a Camusian lens, Bartlett reveals a 'rebellious feminism' that simultaneously refuses oppression and affirms human dignity in solidarity with concrete, diverse others and the earth, giving us new insights into this life-affirming ethic.

Winner of the French-American Foundation Translation Prize for Nonfiction Jean Guéhenno's Diary of the Dark Years, 1940-1945 is the most oft-quoted piece of testimony on life in occupied France. A sharply observed record of day-to-day life under Nazi rule in Paris and a bitter commentary on literary life in those years, it has also been called "a remarkable essay on courage and cowardice" (Caroline Moorehead, Wall Street Journal). Here, David Ball provides not only the first English-translation of this important historical document, but also the first ever annotated, corrected edition. Guéhenno was a well-known political and cultural critic, left-wing but not communist, and uncompromisingly anti-fascist. Unlike most French writers during the Occupation, he refused to pen a word for a publishing industry under Nazi control. He expressed his intellectual, moral, and emotional resistance in this diary: his shame at the Vichy government's collaboration with Nazi Germany, his contempt for its falsely patriotic reactionary ideology, his outrage at its anti-Semitism and its vilification of the Republic it had abolished, his horror at its increasingly savage repression and his disgust with his fellow intellectuals who kept on blithely writing about art and culture as if the Occupation did not exist - not to mention those who praised their new masters in prose and poetry. Also a teacher of French literature, he constantly observed the young people he taught, sometimes saddened by their conformism but always passionately trying to inspire them with the values of the French cultural tradition he loved. Guéhenno's diary often includes his own reflections on the great texts he is teaching, instilling them with special meaning in the context of the Occupation. Complete with meticulous notes and a biographical index, Ball's edition of Guéhenno's epic diary offers readers a deeper understanding not only of the diarist's cultural allusions, but also of the dramatic, historic events through which he lived.