Interrogating the Image argues that movies examining the role film and television plays in the lives of their audience have created changes both in the movies themselves and in their viewers, and considers fourteen films where the moving picture is central to the narratives. Three films discussed--The Purple Rose of Cairo, Pleasantville, and The Truman Show--offer frame-breaking experiences for their characters that allow spectators to appreciate the ruptures between lived reality and media-play, delivering therapeutic payoffs that can be restorative, reconstructive, or rejective. Other examples come from the worlds of cinema (The Majestic, Matinee, Cinema Paradiso), television (Bamboozled, Network, Natural Born Killers, Medium Cool), and the sociopolitical realm where media dominates (Being There, Wag the Dog, Bob Roberts, Bulworth). Meanwhile, significant interpretive stances--reflective/reflexive, critical, and ironic--are engendered and embraced by filmmakers and audiences who create and consume these works. The result is a media-saturated culture, in transformation and best understood using cinema's interrogative resources.

How children and popular culture perceive the teacher.

Police interrogation attracts debate and controversy around the world. Audio-visual recording is widely regarded as a panacea for problems in police questioning of suspects. Interrogating Images presents the first empirical study of the routine use of audio-visual recording anywhere in the world, focusing on New South Wales, Australia where such recording has been required for more than a decade. Its introduction is set in a historical account of disputes and concerns about police questioning of suspects. There is a detailed study of the participants in the interrogation process. Various styles of police interviewing are identified, showing that many assumptions about the nature and purpose of interrogation are inaccurate. A chapter assesses the impact in NSW of ‘investigative interviewing’, a questioning style very different from that used in the USA. The penultimate chapter examines the experiences and perceptions of criminal justice professionals – judges, defence lawyers, prosecutors, and police. Interrogating Images concludes by pointing to some dangers of misusing audio-visual recording. If the complete questioning process is not recorded, confessions may be rehearsed and unreliable. A second danger is the misreading of images, particularly by those who overestimate their ability to identify deception from a suspect’s ‘body language’. Audio-visual recording can be a useful tool, but it must be one part of a broader process of effectively regulating investigative practices. Interrogating Images is informative and thought provoking reading for lawyers, police investigators, academic researchers, policy-makers, legislators, students and those with an interest in police interrogation and its implications for criminal justice processes.

Nominated in the True Crime Category for the 8th Davitt Awards. These awards recognise the best crime novels and true crime books written by Australian women, published in 2007. 29 October 2007 marks twenty years since the death of five prisoners in a riot and fire in the infamous Jika Jika high-security unit. This book resurrects these events and invites us to learn urgent lessons in our current age of supermax and privatised prisons, detention of asylum seekers and the controversial use of indefinite detention under the banner of a 'war on terror'. Imprisoning Resistance provides an experiential account of life and death in the controversial Pentridge Prison Jika Jika High-Security Unit in Victoria during the 1980s. One of Australia's first hi-tech supermax prisons, Jika Jika was designed to house and manage the system's 'worst of the worst' prisoners. Several years of deaths in custody, multiple escapes, assaults, murders, prisoner campaigns and protests, hunger strikes and allegations of prison staff brutality escalated in 1987 to a dramatic protest fire that resulted in the deaths of five prisoners. The prison was closed and a series of inquiries were commissioned. Bree Carlton revisits this uncomfortable past and reconstructs events leading up to and surrounding the fire and deaths, while critically analysing official responses to the discreditable episodes, crises and deaths that plagued Jika Jika.

The Oxford Handbook of Criminal Process surveys the topics and issues in the field of criminal process, including the laws, institutions, and practices of the criminal justice administration. The process begins with arrests or with crime investigation such as searches for evidence. It continues through trial or some alternative form of adjudication such as plea bargaining that may lead to conviction and punishment, and it includes post-conviction events such as appeals and various procedures for addressing miscarriages of justice. Across more than 40 chapters, this Handbook provides a descriptive overview of the subject sufficient to serve as a durable reference source, and more importantly to offer contemporary critical or analytical perspectives on those subjects by leading scholars in the field. Topics covered include history, procedure, investigation, prosecution, evidence, adjudication, and appeal.

Over the last decade, flow visualization has advanced in step with the progress in laser and computer technologies. The scope of the International Symposium on Flow Visualiza- tion will be broader than ever, covering the range of infor- mation generally thought of as nonvisual and reflecting the inclusion of computer - aided methodologies. The Sixth In- ternational Symposium on Flow Visualization aims to attract the participation of experts and users of flow viualizing techniques on furthering an advanced philosophy for the de- velopment of the methods and their applications.