This book is a case study of intellectuals in the Mexican Revolution, with specific reference to four men from San Luis Potosi, known in Mexico as "the cradle of the Revolution." These four men--engineer Camilo Arriaga, journalist Juan Sarabia, school teacher Librado Rivera, and student and lawyer Antonio Diaz Soto y Gama--played leadership roles in the "Precursor Movement," commonly defined as all political precedents of the Revolution of 1910-1917, including the manifestoes, strikes, and armed uprisings dating from these men's founding of San Luis Potosi's Club Liberal "Ponciano Arriaga" in 1900 to th outbreak of the Revolution in 1910.

After Mexico’s revolution of 1910–1920, intellectuals sought to forge a unified cultural nation out of the country’s diverse populace. Their efforts resulted in an “ethnicized” interpretation of Mexicanness that intentionally incorporated elements of folk and indigenous culture. In this rich history, Rick A. López explains how thinkers and artists, including the anthropologist Manuel Gamio, the composer Carlos Chávez, the educator Moisés Sáenz, the painter Diego Rivera, and many less-known figures, formulated and promoted a notion of nationhood in which previously denigrated vernacular arts—dance, music, and handicrafts such as textiles, basketry, ceramics, wooden toys, and ritual masks—came to be seen as symbolic of Mexico’s modernity and national distinctiveness. López examines how the nationalist project intersected with transnational intellectual and artistic currents, as well as how it was adapted in rural communities. He provides an in-depth account of artisanal practices in the village of Olinalá, located in the mountainous southern state of Guerrero. Since the 1920s, Olinalá has been renowned for its lacquered boxes and gourds, which have been considered to be among the “most Mexican” of the nation’s arts. Crafting Mexico illuminates the role of cultural politics and visual production in Mexico’s transformation from a regionally and culturally fragmented country into a modern nation-state with an inclusive and compelling national identity.

Explores the wide-ranging impact of the Mexican Revolution on global cinema and Western intellectual thought. The first major social revolution of the twentieth century, the Mexican Revolution was visually documented in technologically novel ways and to an unprecedented degree during its initial armed phase (1910–21) and the subsequent years of reconstruction (1921–40). Offering a sweeping and compelling new account of this iconic revolution, The Mexican Revolution on the World Stage reveals its profound impact on both global cinema and intellectual thought in and beyond Mexico. Focusing on the period from 1940 to 1970, Adela Pineda Franco examines a group of North American, European, and Latin American filmmakers and intellectuals who mined this extensive visual archive to produce politically engaged cinematic works that also reflect and respond to their own sociohistorical contexts. The author weaves together multilayered analysis of individual films, the history of their production and reception, and broader intellectual developments to illuminate the complex relationship between culture and revolution at the onset of World War II, during the Cold War, and amid the anti-systemic movements agitating Latin America in the 1960s. Ambitious in scope, this book charts an innovative transnational history of not only the visual representation but also the very idea of revolution. “The Mexican Revolution on the World Stage is a first-rate, thoroughly researched work that opens a new area of inquiry in the field. It reveals how the visual archive of the revolution has been locally and globally used and abused to either ascertain or contest the significance of the revolution in differing contexts and periods by delving into the ideological complexities, even paradoxes, of cultural production.” — Zuzana M. Pick, author of Constructing the Image of the Mexican Revolution: Cinema and the Archive “This book is a vital and compelling historical analysis of the contexts and contribution international filmmakers have made to the construction of the Mexican Revolution on film. The archival research is impressive and wide-ranging.” — Niamh Thornton, author of Revolution and Rebellion in Mexican Film

Written by one of the most promising young scholars on the Mexican intellectual scene, The Shadow of Ulysses attempts to reconnect the American and Mexican intellectual experiences by exploring historical as well as contemporary issues in both countries. The book's first chapters discuss the relationship between American and Mexican intellectuals in the aftermath of the Mexican Revolution and offer a sociological comparison of the 1960s intellectual generations in the United States and Mexico. Later chapters provide a critical assessment of two prominent Mexican public intellectuals well known to the American reader: Carlos Fuentes and Jorge Castaneda. The Shadow of Ulysses, the Mexican edition of which was awarded the Alfonso Reyes National Prize, offers a rare glimpse into the development of contemporary Mexican thought and reveals the under-recognized intellectual ties that existed between our two countries in the first half of the twentieth century.