Insurgent Feminisms: Writing War brings together ten years of writing published in Warscapes magazine through the lens of gender and advances a new paradigm of war writing. War is always, ultimately, fought upon the backs of women, often under the pretense of saving them. Yet, along the way, the brutalities unleashed on women during wartime remain relentless. In this collection, insurgency emerges in the raw and meticulous language of witnessing, and in the desire to render the space of conflict in radically different ways. There are no paeans to courageous soldiers here, nor pat nationalist rhetoric, nor bravado about saving lives. These perspectives on war come out of regions and positions that defy stereotypical war reportage or the expected war story. They disobey the rules of war writing and do not subordinate themselves to the usual themes and tropes that we have become so used to reading. Insurgent Feminisms comprises reportage, fiction, memoir, poetry and conversations from over sixty writers and includes contributions by Nathalie, Handal, Anne Nivat, Ubah Cristina Ali Farah, Suchitra Vijayan, Chika Unigwe, Bélen Fernández, Uzma Falak, Otoniya Juliane Okot Bitek, Gaiutra Bahadur, Robtel Neajai Pailey, Sumana Roy and Lina Mounzer, among several others.

Asian American Feminisms and Women of Color Politics brings together groundbreaking essays that speak to the relationship between Asian American feminisms, feminist of color work, and transnational feminist scholarship. This collection, featuring work by both senior and rising scholars, considers topics including the politics of visibility, histories of Asian American participation in women of color political formations, accountability for Asian American “settler complicities” and cross-racial solidarities, and Asian American community-based strategies against state violence as shaped by and tied to women of color feminisms. Asian American Feminisms and Women of Color Politics provides a deep conceptual intervention into the theoretical underpinnings of Asian American studies; ethnic studies; women’s, gender, and sexual studies; as well as cultural studies in general.

Decolonising Andean Identities presents ground-breaking work from scholars carrying out social science research in and from Andean Latin America. It addresses themes of central importance to contemporary perspectives on interdisciplinary gender studies and politics in societies undergoing significant social transformation. The collection aims to develop the field of decolonial gender studies by showcasing interdisciplinary work at the forefront of scholarship. It draws on international expertise through its diverse contributors, including predominately Latin American scholars. There is an urgent need to broaden the perspectives on gender and gender-based activism in Latin America beyond the Southern Cone and Mexico in order to bring the region as a whole into dialogue with global scholarship. The contributors use the term ‘Andinxs’ as a provocation to encourage scholars of the region to reconsider approaches the politics of gender, sexuality and (de)coloniality. By responding to the question, ‘Who are Andinxs (Andin-exs)?’ the collection interrogates the postcolonial, gendered and political subjectivities currently undergoing dramatic social change in Andean Latin America. Praise for Decolonising Andean Identities 'Decolonizing Andean Identities is a brilliant contribution to the scholarship of the Andean region that offers readers a new grammar for thinking about gender and feminist activism in a decolonial register. Irons and Martin introduce the term ‘Andinx’ as a critical reevaluation of ‘andeanism,’ pushing the boundaries of academic discourse to encompass the rich, multifaceted experiences of those living in the Andes today.' Julieta Chaparro-Buitrago, University of Cambridge 'This is a timely and inspirational collection that captures the power and potential of intersectional feminist activism in the Andes. Breaking new ground conceptually through the term Andinx, it also provides fascinating decolonial insights into gender, sexualities, indigeneity and feminism.' Cathy McIlwaine, King’s College London

A personal and political manifesto vying for an antiracist socialist feminist movement of movements The world is burning, flooding, and politically exploding, to the point where it’s become clear that neoliberal feminism—the kind that aims to elect The First Woman President—will never be enough. In this book, Zillah Eisenstein asks us to consider what it would mean to thread “socialism” to feminism; then, what it would mean to thread “abolitionism” to socialist feminism. She asks all of us, especially white women, to consider what it would mean to risk everything to abolish white supremacy, to uproot the structural knot of sex, race, gender, and class growing from that imperial whiteness. If we are to create a revolution that is totally liberatory, we need to pool together in a new working class, building a radical movement made of movements. Eisenstein’s manifesto is built on almost half a century of her antiracist socialist feminist work. But now, she writes with a new urgency and imaginativeness. Eisenstein asks us not to be limited by reforms, but to radicalize each other on differing fronts. Our task is to build bridges, to connect disparate and passionate people across aisles, state lines, picket lines, and more. The genius force demanding that we abolish white supremacy can also create a new “we” for all of us—a humanity universally accepting of our complexities and differences. We are in uncharted waters, but that is exactly where we need to be.

This study explores the politics of American Indian and Hispanic women leaders in New Mexico's environmental policymaking arena. Using non-random purposive sampling, 50 women were selected for participation who were political activists in grassroots organization or public officials, elected or appointed to local, state or tribal government. Personal interviews were employed to gather data on their political socialization, their leadership trajectories, their motives for engagement in public life, their political ideology, their racial-ethnic- and gender identity and their policy agendas and strategies for influencing public policymaking.

Through twelve chapters that historicize and re-evaluate postfeminism as a dominant framework of feminist media studies, this collection maps out new modes of feminist media analysis at both theoretical and empirical levels and offers new insights into the visibility and circulation of feminist politics in contemporary media cultures. The essays in this collection resituate feminism within current debates about postfeminism, considering how both operate as modes of political engagement and as scholarly traditions. Authors analyze a range of media texts and practices including American television shows Being Mary Jane and Inside Amy Schumer, Beyonce’s "Formation" music video, misandry memes, and Hong Kong cinema.