Previous ed.: London: Macdonald & Jane's, 1977.

The first novel in the Westerman and Crowther historical crime series that The New York Times Book Review called “CSI: Georgian England” and Tess Gerritsen called “chillingly memorable” Debut novelist Imogen Robertson won the London Telegraph’s First Thousand Words of a Novel competition in 2007 with the opening of Instruments of Darkness. The finished work is a fast-paced historical mystery starring a pair of amateur eighteenth-century sleuths with razor-sharp minds. When Harriet Westerman, the unconventional mistress of a Sussex manor, finds a dead man on her grounds, she enlists reclusive anatomist Gabriel Crowther to help her find the murderer. Moving from drawing room to dissecting room, from dark London streets to the gentrified countryside, Instruments of Darkness is a gripping tale of the forbidding Thornleigh Hall and an unlikely forensic duo determined to uncover its deadly secrets.

A tall, thin Albino man appears in different parts of the world where he holds secret meetings with agents who belong to a sinister crime organization called the Magnate. The Doctor is on Earth and alerted to a cult that attracts young, vulnerable people. When the cult's leader is held responsible for the abduction of a Magnate agent, the Doctor must find out what the connection is--and what plans the Magnate have for planet Earth.

Thomas Cook is one of today's most acclaimed writers of psychological thrillers, penning hypnotic tales of forbidden love and devastating secrets. Now he has written an unforgettable novel that weaves one man's tortured life with a deadly mystery that spans five decades.... Riverwood is an artists' community in the Hudson River valley, a serene place where writers can perfect their craft. But for all its beauty and isolation, it was once touched by a terrible crime--the murder of a teenage girl who lived on the estate fifty years ago. Faye Harrison's killer was never caught--and now her dying mother is desperate to learn the truth about her daughter's murder. Enter Paul Graves, a writer who draws upon the pain of his own tragic past to write haunting tales of mystery. Graves has been summoned to Riverwood for an unusual assignment: to apply the art of fiction to a crime that was real, and then write a story that will answer the questions that keep Faye's mother from a peaceful death. Just a story. It doesn't have to be true. Or does it?

A Michael L. Printz Honor Book "This is East Texas, and there's lines. Lines you cross, lines you don't cross. That clear?" New London, Texas. 1937. Naomi Vargas and Wash Fuller know about the lines in East Texas as well as anyone. They know the signs that mark them. They know the people who enforce them. But sometimes the attraction between two people is so powerful it breaks through even the most entrenched color lines. And the consequences can be explosive. Ashley Hope Pérez takes the facts of the 1937 New London school explosion—the worst school disaster in American history—as a backdrop for a riveting novel about segregation, love, family, and the forces that destroy people. "[This] layered tale of color lines, love and struggle in an East Texas oil town is a pit-in-the-stomach family drama that goes down like it should, with pain and fascination, like a mix of sugary medicine and artisanal moonshine."—The New York Times Book Review "Pérez deftly weaves [an] unflinchingly intense narrative....A powerful, layered tale of forbidden love in times of unrelenting racism."―starred, Kirkus Reviews "This book presents a range of human nature, from kindness and love to acts of racial and sexual violence. The work resonates with fear, hope, love, and the importance of memory....Set against the backdrop of an actual historical event, Pérez...gives voice to many long-omitted facets of U.S. history."―starred, School Library Journal

Dark Secrets Hidden in Norwegian Traditions For curator Chloe Ellefson, a family bonding trip to Decorah, Iowa, for rosemaling classes seems like a great idea—until the drive begins. Chloe's cop friend Roelke takes her mother's talk of romantic customs good-naturedly, but it inflates Chloe's emotional distress higher with each passing mile. After finally reaching Vesterheim Norwegian-American Museum, Chloe's resolve to remain positive is squashed when she and Roelke find Petra Lekstrom's body in one of the antique immigrant trunks. Everyone is shaken by the instructor's murder, and when Mom volunteers to take over the beginners' class, Chloe is put in the hot seat of motherly criticism. As she investigates, Chloe uncovers dark family secrets that could be deadly for Mom...and even herself. Includes photos of featured artifacts from the real Norwegian-American museum! Praise: "Chloe's fourth...provides a little mystery, a little romance and a little more information about Norwegian folk art and tales."—Kirkus Reviews