A fascinating, ground-level backstage pass to the creation, launch, and reach of the James Webb Space Telescope. NASA’s James Webb Space Telescope, the world’s largest orbiting astronomy observatory, is now nearly a million miles from Earth, probing the first stars and galaxies, documenting the structure and evolution of the universe, and searching for signs of life in other solar systems. In a series of extraordinary photographs, Inside the Star Factory tells the story of the Webb Telescope from conception to launch—a marvel of ingenuity and engineering that entailed more than 100 million people hours over a span of thirty years. The project’s lead photographer Chris Gunn was there from the start, documenting the Webb’s tumultuous history—the behind-the-scenes details of its construction, from the cutting-edge technology required for an observatory operating at temperatures as low as –370°F, beyond reach for repair, to the human story of an engineering team pursuing an unprecedented goal under incomparable pressure. Derided as the “telescope that ate astronomy,” billions of dollars over budget, ten years over schedule, nearly canceled twice, Webb was simply too big to fail. Accompanied by science writer Christopher Wanjek’s overview of the Webb’s history and profiles of the scientists and engineers who built it, this exclusive illustrated guide shows readers the heady world of scientific discovery at the very limits of human knowledge—and the very beginning of space and time.

One of Ireland's most celebrated writers, musicians, and poets, Ciaran Carson was born in Belfast and has spent his life there. In The Star Factory, he makes himself the cartographer of his home city's spaces, symbolic and literal, the scribe of its byways and avenues, from Abbey Road to Zetland Street. Belfast has seen transformation: once the fifth-greatest industrial city in the world, the home of the S. S. Titanic, it has more recently been a battleground of sectarian slaughter. To conjure up the lives lived there, Carson plunges down the "wormhole of memory" - admiring along the way the strata and roots beneath the surface. Though it has experienced more than its share of urban decay - the Star Factory of the title is an abandoned mill - Carson's Belfast teems with stories, stories that can spring from a telephone directory, a cigarette case, a postcard, a book about tramways, a stamp.

Star Factory is a book of poetry that explores the cosmic and the personal, the stories of birth and death and darkness, and the mirror of the universe in which we see our reflection.

In all the complex cultural history of the islands of Britain and Ireland the idea of the coast as a significant representative space is critical. For many important artists coastal space has figured as a site from which to braid ideas of empire, nation, region, and archipelago. They have been drawn to the coast as a zone of geographical uncertainty in which the self-definitions of the nation founder; they have been drawn to it as a peripheral space of vestigial wildness, of island retreats and experimental living; as a network of diverse localities richly endowed with distinctive forms of cultural heritage; and as a dynamically interconnected ecosystem, which is at the same time the historic site of significant developments in fieldwork and natural science. This collection situates these cultures of the Atlantic edge in a series of essays that create new contexts for coastal study in literary history and criticism. The contributors frame their research in response to emerging conversations in archipelagic criticism, the blue humanities, and island studies, the essays challenging the reader to reconsider ideas of margin, periphery and exchange. These twelve case studies establish the coast as a crucial location in the imaginative history of Britain, Ireland and the north Atlantic edge. Coastal Works will appeal to readers of literature and history with an interest in the sea, the environment, and the archipelago from the 18th century to the present. Accessible, innovative and provocative, Coastal Works establishes the important role that the coast plays in our cultural imaginary and suggests a range of methodologies to represent relationships between land, sea, and cultural work.

The island of Ireland is home to one of the world's great literary and artistic traditions. This book reads Irish literature and art in context of the island's coastal and maritime cultures, beginning with the late imperial experiences of Jack and William Butler Yeats and ending with the contemporary work of Anne Enright and Sinead Morrissey. It includes chapters on key historical texts such as Erskine Childers's The Riddle of the Sands, and on contemporary writers including Eiléan Ní Chuilleanáin and Kevin Barry. It sets a diverse range of writing and visual art in a fluid panorama of liquid associations that connect Irish literature to an archipelago of other times and places. Situated within contemporary conversations about the blue and the environmental humanities, this book builds on the upsurge of interest in seas and coasts in literary studies, presenting James Joyce, Elizabeth Bowen, John Banville, and many others in new coastal and maritime contexts. In doing so, it creates a literary and visual narrative of Irish coastal cultures across a seaboard that extends to a planetary configuration of imagined islands.