Works prior to this book focused on Bede as not only a European, but also as an English scholar, historian, scientist, or a biographer of saints, and have used a traditional approach towards his explanation of the Bible. Bede's interpretation of his work, its continuous progress, and the reasons behind his hurried appointment to an authority almost as high as the Church Fathers are all topics examined within the text. Essays are by Roger Ray, Faith Wallis, Calvin B. Kendall, George Hardin Brown, Scott DeGregorio, Arthur G. Holder, Lawrence T. Martin, Walter Goffart, and Joyce Hill.

Bede (c. 673-735) was the leading intellectual figure of the Anglo-Saxon Church, and his writings had a profound influence on the development of English Christian thought. Among the many issues he wrote about, eschatology - the study of the day of judgment and the end of time - was a recurring theme. Whilst recent research has furthered our knowledge of this subject in the later Middle Ages, Dr Darby's book provides the first comprehensive analysis of Bede's eschatological thought and its impact upon the Anglo-Saxon period. Taking account of Bede's beliefs about the end of time, this book offers sophisticated insights into his life, his works and the role that eschatological thought played in Anglo-Saxon society. Close attention is given to the historical setting of each source text consulted, and original insights are advanced regarding the chronological sequence of Bede's writings. The book reveals that Bede's ideas about time changed over the course of his career, and it shows how Bede established himself as the foremost expert in eschatology of his age. The eight chapters of this book are organised into three main thematic groups: the world ages framework, Bede's eschatological vision and Bede's eschatological perspective. It will be of interest to those studying early medieval history, theology or literature as well as anyone with a particular interest in Bede and Anglo-Saxon England.

Anglo-Saxon England is the only publication which consistently embraces all the main aspects of study of Anglo-Saxon history and culture - linguistic, literary, textual, palaeographic, religious, intellectual, historical, archaeological and artistic - and which promotes the more unusual interests - in music or medicine or education, for example. Articles in volume 36 include: The tabernacula of Gregory the Great and the conversion of Anglo-Saxon England by Flora Spiegel; The career of Aldhelm by Michael Lapidge; The name 'Merovingian' and the dating of Beowulf by Walter Goffart; An abbot, an archbishop and the Viking raids of 1006-7 and 1009-12 by Simon Keynes; and Demonstrative behaviour and political communication in later Anglo-Saxon England by Julia Barrow.

Bede’s Ecclesiastical History is our main source for early Christian Anglo-Saxon England, but how was it written? When? And why? Scholars have spent much of the last half century investigating the latter question – the ‘why’. This new study is the first to systematically consider the ‘how’ and the ‘when’. Richard Shaw shows that rather than producing the History at a single point in 731, Bede was working on it for as much as twenty years, from c. 715 to just before his death in 735. Unpacking and extending the period of composition of Bede’s best-known book makes sense of the complicated and contradictory evidence for its purposes. The work did not have one context, but several, each with its own distinct constructed audiences. Thus, the History was not written for a single purpose to the exclusion of all others. Nor was it simply written for a variety of reasons. It was written over time – quite a lot of time – and as the world changed during that time, so too did Bede’s reasons for writing, the intentions he sought to pursue – and the patrons he hoped to please or to placate.

Bede (c. 673-735) was Anglo-Saxon England’s most prominent scholar, and his body of work is among the most important intellectual achievements of the entire Middle Ages. Bede and the Future brings together an international group of Bede scholars to examine a number of questions about Bede’s attitude towards, and ideas about, the time to come. This encompasses the short-term future (Bede’s own lifetime and the time soon after his death) and the end of time. Whilst recognising that these temporal perspectives may not be completely distinct, the volume shows how Bede’s understanding of their relationship undoubtedly changed over the course of his life. Each chapter examines a distinct aspect of the subject, whilst at the same time complementing the other essays, resulting in a comprehensive and coherent volume. In so doing the volume asks (and answers) new questions about Bede and his ideas about the future, and will undoubtedly stimulate further research in this field.

This volume examines the use of the image of the Jewish temple in the writings of the Anglo-Saxon theologian and historian, Bede (d. 735). The various Jewish holy sites described in the Bible possessed multiple different meanings for Bede and therefore this imagery provides an excellent window into his thought. Bede's Temple: An Image and its Interpretation examines Bede's use of the temple to reveal his ideas of history, the universe, Christ, the Church, and the individual Christian. Across his wide body of writings Bede presented an image of unity, whether that be the unity of Jew and gentile in the universal Church, or the unity of human and divine in the incarnate Christ, and the temple-image provided a means of understanding and celebrating that unity. Conor O'Brien argues that Bede's understanding of the temple was part of the shared spirituality and communal discourse of his monastery at Wearmouth-Jarrow, in particular as revealed in the great illuminated Bible made there: the Codex Amiatinus. Studying the temple in Bede's works reveals not just an individual genius, but a monastic community engaged actively in scriptural interpretation and religious reflection. O'Brien makes an important contribution to our understanding of early Anglo-Saxon England's most important author, the world in which he lived, and the processes that inspired his work.