Johann Gutenberg is working on printing the first Bible with type. Twelve-year-old Hans Dunne works in Gutenberg’s shop as an apprentice printer. Soon, Hans finds himself in the middle of a type-stealing mystery. Will Hans, and the other pressmen be able to keep Herr Fust from getting the type? Will they be able to finish the Bible so many people will be able to read and learn from it? For 9-to-14-year-olds.

Two friends who use tattoo magic to send divine messages must rely on each other to survive when they discover the fake deity they serve is very real--and very angry. This dark and twisty YA is perfect for fans of Leigh Bardugo and Kendare Blake.

An Open Letters Review Best Book of the Year “Grafton presents largely unfamiliar material...in a clear, even breezy style...Erudite.” —Michael Dirda, Washington Post In this celebration of bookmaking in all its messy and intricate detail, Anthony Grafton captures both the physical and mental labors that went into the golden age of the book—compiling notebooks, copying and correcting proofs, preparing copy—and shows us how scribes and scholars shaped influential treatises and forgeries. Inky Fingers ranges widely, from the theological polemics of the early days of printing to the pathbreaking works of Jean Mabillon and Baruch Spinoza. Grafton draws new connections between humanistic traditions and intellectual innovations, textual learning and the delicate, arduous, error-riddled craft of making books. Through it all, he reminds us that the life of the mind depends on the work of the hands, and the nitty gritty labor of printmakers has had a profound impact on the history of ideas. “Describes magnificent achievements, storms of controversy, and sometimes the pure devilment of scholars and printers...Captivating and often amusing.” —Wall Street Journal “Ideas, in this vivid telling, emerge not just from minds but from hands, not to mention the biceps that crank a press or heft a ream of paper.” —New York Review of Books “Grafton upends idealized understandings of early modern scholarship and blurs distinctions between the physical and mental labor that made the remarkable works of this period possible.” —Christine Jacobson, Book Post “Scholarship is a kind of heroism in Grafton’s account, his nine protagonists’ aching backs and tired eyes evidence of their valiant dedication to the pursuit of knowledge.” —London Review of Books

New York Times bestselling author Kevin Hearne returns to the world of his beloved Iron Druid Chronicles in a spin-off series about an eccentric master of rare magic solving an uncanny mystery in Scotland. “A terrific kick-off of a new, action-packed, enchantingly fun series.”—Booklist Al MacBharrais is both blessed and cursed. He is blessed with an extraordinary white moustache, an appreciation for craft cocktails—and a most unique magical talent. He can cast spells with magically enchanted ink and he uses his gifts to protect our world from rogue minions of various pantheons, especially the Fae. But he is also cursed. Anyone who hears his voice will begin to feel an inexplicable hatred for Al, so he can only communicate through the written word or speech apps. And his apprentices keep dying in peculiar freak accidents. As his personal life crumbles around him, he devotes his life to his work, all the while trying to crack the secret of his curse. But when his latest apprentice, Gordie, turns up dead in his Glasgow flat, Al discovers evidence that Gordie was living a secret life of crime. Now Al is forced to play detective—while avoiding actual detectives who are wondering why death seems to always follow Al. Investigating his apprentice’s death will take him through Scotland’s magical underworld, and he’ll need the help of a mischievous hobgoblin if he’s to survive.

Originally published in hardcover in 2015 by New American Library.

All Asanka knows is poetry. From his humble village beginnings in the great island kingdom of Lanka, he has risen to the prestigious position of court poet and now delights in his life of ease: composing romantic verses for love-struck courtiers, enjoying the confidence of his king and covertly teaching Sarasi, a beautiful and beguiling palace maid, the secrets of his art. But when Kalinga Magha, a ruthless prince with a formidable army, arrives upon Lanka's shores, Asanka's world is changed beyond imagining. Violent, hubristic and unpredictable, Magha usurps the throne, laying waste to all who stand in his way. Under his terrifying rule, nothing in the city is left untouched and, like many of his fellow citizens, Asanka retreats into the shadows, hoping to pass unnoticed by the tyrant. But it seems his new master is a lover of poetry ... To Asanka's horror, Magha tasks him with the translation of an epic Sanskrit poem, a tale of Gods and nobles, love and revenge, which the king believes will have a civilising effect on his subjects, soothing their discontent and snuffing out the fires of rebellion he suspects are igniting across the island. Asanka has always believed that poetry makes nothing happen, but as each new chapter he writes is disseminated through the land and lines on the page become cries in the street, his belief and his loyalties are challenged. And, as Magha circles ever closer to the things Asanka treasures most, the poet will discover that true power lies not at the point of a sword, but in the tip of a pen.

When Philip Hensher realized that he didn't know what a close friend's handwriting looked like ("bold or crabbed, sloping or upright, italic or rounded, elegant or slapdash"), he felt that something essential was missing from their friendship. It dawned on him that having abandoned pen and paper for keyboards, we have lost one of the ways by which we come to recognize and know another person. People have written by hand for thousands of years— how, Hensher wondered, have they learned this skill, and what part has it played in their lives? The Missing Ink tells the story of this endangered art. Hensher introduces us to the nineteenth-century handwriting evangelists who traveled across America to convert the masses to the moral worth of copperplate script; he examines the role handwriting plays in the novels of Charles Dickens; he investigates the claims made by the practitioners of graphology that penmanship can reveal personality. But this is also a celebration of the physical act of writing: the treasured fountain pens, chewable ballpoints, and personal embellishments that we stand to lose. Hensher pays tribute to the warmth and personality of the handwritten love note, postcards sent home, and daily diary entries. With the teaching of handwriting now required in only five states and many expert typists barely able to hold a pen, the future of handwriting is in jeopardy. Or is it? Hugely entertaining, witty, and thought-provoking, The Missing Ink will inspire readers to pick up a pen and write.