A revealing account of how Nazi Germany manipulated and mobilized European literature, philosophy, art and music to support its ideological ends.

This is the first comprehensive, worldwide bibliography of racism. It contains references on some 135 countries and extends from ancient times to the present. The first part of the work consists of references dealing with single countries. More than 10,000 citations are organized according to country from Afghanistan to Zimbabwe. The second part contains references to areas or regions or to related bibliographies. Some 2,000 non-duplicated citations are provided here. While the vast majority of entries are to English-language materials, a number of German, French, Spanish, and other language items are included as well. The work concludes with an author index and a subject index. Due to the many ways racism manifests itself, this bibliography will be of great value to scholars and students from a variety of disciplines from economics and education to sociology and history.

This engaging new study uses biographical evidence to explore Pierre, the puzzling novel that Herman Melville wrote immediately after the publication of Moby-Dick. Parker and Higgins reveal that Melville drastically altered the end of the novel after a troubling meeting with his publisher and editor about the perceived failure of Moby-Dick. Melville re-wrote Pierre's protagonist as a writer and used the novel to attack the publishing industry. Parker and Higgins' exploration into Pierre shows that this is a deeply flawed novel, but an intriguing and revealing glimpse into the mind of an American literary giant.

The Rwandan genocide, the Holocaust, the lynching of African Americans, the colonial slave trade: these are horrific episodes of mass violence spawned from racism and hatred. We like to think that we could never see such evils again--that we would stand up and fight. But something deep in the human psyche--deeper than prejudice itself--leads people to persecute the other: dehumanization, or the human propensity to think of others as less than human. An award-winning author and philosopher, Smith takes an unflinching look at the mechanisms of the mind that encourage us to see someone as less than human. There is something peculiar and horrifying in human psychology that makes us vulnerable to thinking of whole groups of people as subhuman creatures. When governments or other groups stand to gain by exploiting this innate propensity, and know just how to manipulate words and images to trigger it, there is no limit to the violence and hatred that can result. Drawing on numerous historical and contemporary cases and recent psychological research, On Inhumanity is the first accessible guide to the phenomenon of dehumanization. Smith walks readers through the psychology of dehumanization, revealing its underlying role in both notorious and lesser-known episodes of violence from history and current events. In particular, he considers the uncomfortable kinship between racism and dehumanization, where beliefs involving race are so often precursors to dehumanization and the horrors that flow from it. On Inhumanity is bracing and vital reading in a world lurching towards authoritarian political regimes, resurgent white nationalism, refugee crises that breed nativist hostility, and fast-spreading racist rhetoric. The book will open your eyes to the pervasive dangers of dehumanization and the prejudices that can too easily take root within us, and resist them before they spread into the wider world.

‘A rare and remarkable book.' Times Literary Supplement Gilles Deleuze (1925-1995) was Professor of Philosophy at the University of Paris VIII. He is a key figure in poststructuralism, and one of the most influential philosophers of the twentieth century. Félix Guattari (1930-1992) was a psychoanalyst at the la Borde Clinic, as well as being a major social theorist and radical activist. A Thousand Plateaus is part of Deleuze and Guattari's landmark philosophical project, Capitalism and Schizophrenia - a project that still sets the terms of contemporary philosophical debate. A Thousand Plateaus provides a compelling analysis of social phenomena and offers fresh alternatives for thinking about philosophy and culture. Its radical perspective provides a toolbox for ‘nomadic thought' and has had a galvanizing influence on today's anti-capitalist movement. Translated by Brian Massumi>

Many educational practices are based upon ideas about what it means to be human. Thus education is conceived as the production of particular subjectivities and identities such as the rational person, the autonomous individual, or the democratic citizen. Beyond Learning asks what might happen to the ways in which we educate if we treat the question as to what it means to be human as a radically open question; a question that can only be answered by engaging in education rather than as a question that needs to be answered before we can educate. The book provides a different way to understand and approach education, one that focuses on the ways in which human beings come into the world as unique individuals through responsible responses to what and who is other and different. Beyond Learning raises important questions about pedagogy, community and educational responsibility, and helps educators of children and adults alike to understand what a commitment to a truly democratic education entails.

Colour and Abstraction looks at how colour was liberated from its subservient role to drawing in developing pictorial space, and how - with traditional roles broken - abstraction was born, allowing a more vibrant use of colour. As a practical book, it explores how paint can determine the colour and drawing within a painting, especially in relation to how expressive, cool, gestural, tactile or intense the work will be. This, in turn, can determine the kind of pictorial space that the artist uses, moving both toward and away from depiction. This new book encourages you to understand how colour relates to abstraction, and create a method of painting that challenges and advances your own style. The book examines how with new freedom of expression artists can focus on the 'feeling' of the work; emphasizes the importance of unpredictable, rather than tasteful, discovery; and explains the use of colour space, mark making, and the three pictorial dynamics of tone, intensity and space. Examples are discussed to reveal the thought-processes behind abstract art, and exercises encourage artists to develop their own making style through 'purposeful play'. Aimed at students of all levels aspiring to understand the roles of colour and abstraction and beautifully illustrated with 194 colour images.