Three years after the conclusion of his trilogy, On This Earth, A Shadow Falls Across the Ravaged Land, Nick Brandt returns to East Africa to photograph the escalating changes to the continent's natural world. In a series of epic panoramas, Brandt records the impact of man in places where animals used to roam, but no longer do. In each location, Brandt erects a life size panel of one of his animal portrait photographs, setting the panels within a world of explosive urban development, factories, wasteland and quarries. The people within the photographs are oblivious to the presence of the panels and the animals featured in them, who are now no more than ghosts in the landscape. Some of the animals in the panels appear to be looking out at these destroyed landscapes with sadness, as if lamenting the loss of the world they once inhabited. By the end, we see that it is not just the animals who are the victims in this out of control world, but also the humans. Inherit the Dust also includes plates of the original portraits of the animals that are featured in the life-size panels, the unique emotional animal portraiture for which Brandt is recognized. There are also two essays by the artist: a text about the crisis facing the conservation of the natural world in East Africa, and behind-the-scenes descriptions of Brandt's elaborate production process, with accompanying documentary photographs.

Rich in period analysis, here is fascinating historical perspective covering 250 years of existence primarily of a 1750 Spanish settlement originally called Villa del Seor San Ignacio de Loyola de Revilla and now known as "Guerrero Viejo." Although many books cover the genealogical aspects of families that originated in this city, the historical contributions of the early pioneers, their descendents, and the controversy related to land grants, called Porciones -- awarded by the King of Spain -- have, for the most part, remained in the background. This, then, is the principal objective of this book. The book provides summaries on the evolution, history, wars, and problems of Mexico. Using some of his ancestors as a sample, the author shows the hardships they endured and discusses their contribution in the formation of the two great nations that the United States and Mexico have become. At the same time, the book shows that the land grants (and heirs) took one of two alternate roads -- depending on their location -- when Texas and other territories were ceded to the United States. People and land grants located on the Mexican side were victims of the violent and blood soaked history that Mexico has had. On the other hand, those located on the U.S. side, were subjected to mischief and flagrant violations of the terms of the Treaty of Guadalupe Hidalgo. Sadly, in 1953, the Falcon Dam inundated Guerrero Viejo and many of the land grants. Thus, for all intents and purposes, the heirs of most land grants met the same end and a financial obligation (of $193.0 Million plus interest) exchanged between the U.S. and Mexico has remained unpaid for over 80 years. The reader will long-remember the amazing facts developed in this book.

A new collection of images by celebrated photographer Nick Brandt, whose epic, disturbingly beautiful panoramas address the escalating destruction of the natural world at the hands of man. Moving into color photography for the first time, this monograph of new work from photographer Nick Brandt is both a technical tour de force of contemporary image making and an ambitiously scaled project that uses constructed sets of a scale typically seen in major film productions. Each image is a combination of two photographs taken weeks apart, almost all from the exact same camera position. The starting point of each composition is always the animal photographed in its native savannah landscape. Brandt then designs and builds sets in the precise location of the original photograph depicting the human developments, such as gas stations, highway and bridge construction sites, and bus stations, that are invading the East African landscape. A second sequence is then photographed with the completed set, populated by a large cast of people drawn from local communities and beyond. The final images are powerful composites of the two source photographs, which presents the wild animals and the people as equal victims of the environmental—both now aliens in their once-natural, once-native habitat. Including an introductory essay by Nick Brandt and a descriptive behind-the- scenes section, this new book is a must-have publication for all fans of Brandt’s work.

Across the Ravaged Land is the third and final volume in Nick Brandt's trilogy of books documenting the disappearing animals of eastern Africa. The book offers a darker vision of this world, still filled with a stunning beauty but now tragically tainted and fast disappearing at the hands of man. In addition to a range of starkly powerful animal portraits, Brandt introduces some new themes, as humans make an appearance for the first time. He also contributes two essays summing up his photographic odyssey, which has taken more than a decade of intensive work to complete.

"Big Life editions in Associates with Abrams."

A photographic look into the world of vinyl record collectors—including Questlove—in the most intimate of environments—their record rooms. Compelling photographic essays from photographer Eilon Paz are paired with in-depth and insightful interviews to illustrate what motivates these collectors to keep digging for more records. The reader gets an up close and personal look at a variety of well-known vinyl champions, including Gilles Peterson and King Britt, as well as a glimpse into the collections of known and unknown DJs, producers, record dealers, and everyday enthusiasts. Driven by his love for vinyl records, Paz takes us on a five-year journey unearthing the very soul of the vinyl community.

A New York Times bestseller! Miss Peregrine meets The Graveyard Book in this middle grade adventure about rival siblings running a monster mortuary. ​ Thirteen-year-old Molly doesn't know how she got the short end of the stick—being raised by her neglectful father—while Dustin, the older brother she's never met, got their mother and the keys to the family estate. But now the siblings are both orphaned, she's come home for her inheritance, and if Dustin won't welcome her into the family business, then she'll happily take her half in cash. There's just one problem: the family business is a mortuary for monsters, and Molly's not sure she's ready to deal with mysterious doors, talking wolves, a rogue devourer of magic, and a secret cemetery. It's going to take all of Dustin's stuffy supernatural knowledge and Molly's most heroic cosplay (plus a little help from non-human friends) for the siblings to figure it out and save the day...if only they can get along for five minutes. Bestselling author Chuck Wendig's middle grade debut is equal parts spooky, funny, and heartfelt—perfect for Halloween and year-round reading!