"This is the colorful and dramatic biography of two of America's most controversial entrepreneurs: Moses Louis Annenberg, 'the racing wire king, ' who built his fortune in racketeering, invested it in publishing, and lost much of it in the biggest tax evasion case in United States history; and his son, Walter, launcher of TV Guide and Seventeen magazines and former ambassador to Great Britain."--Jacket.

Infants encourage their parents to read to them every day in a book that includes facts about the benefits of reading.

A New York reporter, Toni Miracle, attends a rose festival in Pennsylvania's Amish country and stumbles on a series of murders, each of which is accompanied by a rose. As she investigates, the town's age old secrets emerge.

This text provides a comprehensive analysis of the legal issues concerning gender and sexual nonconformity in the United States. The text is split into three parts covering the post-Civil war period to the 1980s, contemporary issues and legal arguments.

Although Emil Nolde is famous for his dramatic ocean views and colorful flower gardens, his love of the fantastical and grotesque has received less attention to date. Yet, it is clear from his autobiography and many letters that they had a significant impact on his artistic work. Besides his first oil painting, the Bergriesen (Mountain giants, 1895/96), his alpine postcards from before 1900 also display his fascination with the imaginary: here, the Swiss mountains appear as bizarre human physiognomies. His turning away from reality in favor of a grotesque, alternative world can be seen throughout his oeuvre, from its beginnings, to the Grotesken (1905) and watercolors from 1918/1919, to the years when he was forbidden to practice his profession under the Nazis. The exhibition catalogue, which presents works of art never before shown, is also the first to discover a fascinating side of the great painter and water colorist.Exhibition: 30.4.-9.7.2017, Internationale Tage Ingelheim at Museum Wiesbaden; 23.7.-15.10.2017, Buchheim Museum der Phantasie, Bernried am Starnberger See

Georg Lukács was one of the most controversial Marxist philosophers of this century. In this book, however, he appears in another guise: as a literary historian in the tradition of Sainte-Beuve and Belinsky, offering an advanced introduction to one of the richest periods of European literature. These previously untranslated essays - on Heinrich von Kleist, Joseph Eichendorff, Georg Büchner, Heinrich Heine, Gottfried Keller, Wilhelm Raabe, and Theodor Fontane - were written between 1936 and 1950. They illuminate Lukács's enduring love of German literature and his faith in the humanist tradition. In all of them, moreover, he can be seen actively intervening in the cultural debates of the time - on the role of literature, on the literary tradition in society, and on the relationship between literature and politics. Although his defense of realism against the crudities of socialist realism is implicit throughout these essays, Lukács's main purpose was to illuminate the intellectual, historical, and literary context in which these great writers worked, to attain a fuller understanding of what they wrote, and also to settle accounts with contemporary German critics who were attempting to create a fascist pantheon.