Frontiers of Consciousness is a study of the problem of consciousness in a historic period of revolutionary change, and an authentic example of "interdisciplinary studies." The book contains a wealth of insight into the conceptual interrelationships between the work of the American philosophers who have been called the Builders (William James, Josiah Royce, Charles Peirce, and John Dewey) and the work of three great modernist poets (T. S. Eliot, Wallace Stevens, and William Carlos Williams).

Amid wars, failed revolutions and the shifting of frontiers, the bit-part players often have the best tales to tell - an astonishing, genre-blurring travelogue from Italian master Claudio Magris. In the tiny borderlands of Istria and Italy, from the forests of Monte Nevoso, to the hidden valleys of the Tyrol, to a Trieste café, Microcosms pieces together a mosaic of stories - comic, tragic, picaresque, nostalgic - from life's minor characters. Their worlds might be small, but they are far from minimalist: in them flashes the great, the meaningful, the unrepeatable significance of every existence.

Italian scholar, novelist, journalist, and philosopher Claudio Magris is among the most prominent of living European intellectuals. This study is the first comprehensive critical analysis of Magris's corpus for an English-speaking audience and addresses the crucial question of the return to humanism that is moving literature and theory forward.

An illuminating portrait of a world in ferment after the First world War, and a man seeking an authentic life. Early this century Enrico, a young intellectual, leaves the city of Gorizia with its abundant population and culture, to spend several years living on the Patagonian pampas, alone with his ancient Greek texts, his flocks and, every now and then, a woman. He has been taught by his closest friend, Carlo, a philosopher/poet who commits suicide in his early twenties, to search for an authentic life, free of social falsehoods. But in his search for this unattainable goal, Enrico destroys every chance he has of a normal existence. This is portrait of a world in ferment, a decaying empire shaken by war and revolution, and a life-long search for meaning.

This book focuses on literary multilingualism and specifically on the challenging condition of writing in Trieste, a key European borderland located at the intersection between the Latin, Germanic and Slav civilisations. By focusing on some of the most representative modern writers operating in the area, such as Italo Svevo, Boris Pahor, Claudio Magris and James Joyce, this work offers a wide-ranging discussion of multilingual practices deriving from the different language choices made by these writers. Along with the most common manifest strategies, such as code-switching and hybridisations, Deganutti highlights how Triestine writers found innovative latent practices to engage with multilingualism, such as writing in an analogical way or exploiting internal linguistic stratifications. Moreover, she shows how they provided answers to the several linguistic, cultural and even political challenges they were subjected to, with the result of redefining linguistic boundaries that clearly separate different tongues. This book will be of interest to graduate students, researchers and academics interested in literary multilingualism in the fields of sociolinguistics, borderland studies and comparative literature.

A collection of brief, but intimate meditations on life and culture ranging from controversial matters to private moments The internationally acclaimed author Claudio Magris offers a collection of brief “snapshots” reflecting on life and culture from 1999 to 2013 through his very personal lens. Some pieces portray private, intimate moments, while others offer views on public, sometimes controversial matters; the tone is sometimes serious, sometimes humorous, sometimes ironic, but always engaging. The panoramic nature of the vignettes is broad in scope, encompassing a variety of subjects rendered in quick, decisive brushstrokes. It is a little like leafing through a photo album of our times and our society while a learned companion seated beside us offers a perceptive running commentary. Magris’s wit—at times pungent, at times self†‘deprecating, always keen—is refreshingly affable. A continuing adventure by the author who has reinvented “travel literature.”