This book documents the work of designer Brooks Stevens. It includes 250 illustrations of designs by Stevens and his firm, many in color, detailed studies of individual designs, interpretative essays, and several key writings by Stevens himself.

Critical essays, with illustrations, of many of the artist's designs.

Every graphics professional worth his or her salt knows the importance of color management. No matter how much thought artist and client put into the color scheme for a given project, all of that work is for naught if you can't get your results to match your expectations. Enter Real World Color Management, Second Edition. In this thoroughly updated under-the-hood reference, authors Bruce Fraser, Chris Murphy, and Fred Bunting draw on their years of professional experience to show you everything you need to know about color management. Whether your final destination is print, Web, or film, Real World Color Management, Second Edition takes the mystery out of color management, covering everything from color theory and color models to understanding how devices interpret and display color. You'll find expert advice for building and fine-tuning color profiles for input and output devices (digital cameras and scanners, displays, printers, and more), selecting the right color management workflow, and managing color within and across major design applications. Get Real World Color Management, Second Edition--and get ready to dazzle!

This book contains selected papers on the language, applications, and environments of CafeOBJ, which is a state-of -the-art algebraic specification language. The authors are speakers at a workshop held in 1998 to commemorate a large industrial/academic project dedicated to CafeOBJ. The project involved more than 40 people from more than 10 organisations, of which 6 are industrial. The workshop attracted about 30 talks and more than 70 attendees.The papers in the book however, are either heavily revised versions presented at the workshop, to reflect recent advancements or research; or completely new ones, written especially for this book. In this regard, the book is not a usual postpublication after a workshop. Also, although it is a compendium of papers that are related to CafeOBJ, the book is not a manual, reference, or tutorial of CafeOBJ. Probably the best description is that it is a collection of papers that investigate how to use, or to make it easy to use, CafeOBJ. Reflecting the diverse nature of the project and its participants (most of the authors are participants to the project), the papers, put together, offer a comprehensive picture from this methodological perspective.Some papers deal with various advanced aspects of the language, such as rewriting logic and behavioural logic. For rewriting logic, a couple of significant applications were reported. In particular, UML, now considered de facto standard language for modelling systems, is the subject of one paper. For behavioural logic, new methodological guidelines are presented. Some papers shed new light on a more traditional paradigm in the language; order-sorted equational specifications. One paper, in particular, deal with a way to associate CafeOBJ with object-oriented programming. The other papers deal with environments for writing and vertifying specifications written in CafeOBJ. Underlying those papers are two major considerations: user interfaces for manipulating specifications, and systematic supports for proofs. All the environments explained in the papers assume and support distributed computing, and de facto standard network technologies, such as WWW and http, are incorporated.

Explains how to take advantage of Google's user interface, discussing how to filter results, use Google's special services, integrate Google applications into a Web site or Weblog, write information retrieval programs, and play games.

A John Heskett Reader brings together a selection of the celebrated design historian John Heskett's key works, introduced and edited by Clive Dilnot of Parsons, the New School, USA. Heskett, who passed away in early 2014, was a pioneering British-born writer and lecturer. His research was foundational for the study of industrial design, and his research into the relationship between design, policy and economic value is still a regular reference-point for academics and students alike. This anthology represents well the great range of his work, covering such varied topics as the growth of Japanese industrialism, modernism in the Third Reich, and 1980's corporate design management. Including both hard-to-access and previously unpublished material like Crafts, Commerce and Industry and Economic Value of Design, the book demonstrates Heskett's passionate interest in exploring the relationship of design and making with economic value across the entirety of human history. Featured texts include, What is Design, Chinese Design: what can we learn from the past?, The 'American System' and Mass Production, The Industrial Applications of Tubular Steel, Creative Destruction: the nature and consequences of change through design, Reflections on Design and Hong Kong, besides many others.

As the Great Depression started in 1929, several dozen creative individuals from a variety of artistic fields, including theatre, advertising, graphics, fashion and furniture design, pioneered a new profession. Responding to unprecedented public and industry demand for new styles, these artists entered the industrial world during what was called the "Machine Age," to introduce "modern design" to the external appearance and form of mass-produced, functional, mechanical consumer products formerly not considered art. The popular designs by these "machine designers" increased sales and profits dramatically for manufacturers, which helped the economy to recover; established a new profession, industrial design; and within a decade, changed American products from mechanical monstrosities into sleek, modern forms expressive of the future. This book is about those industrial designers and how they founded, developed, educated and organized today's profession of more than 50,000 practitioners.