The industrial revolution was the single most important development in human history over the past three centuries, and it continues to shape the contemporary world. With new methods and organizations for producing goods, industrialization altered where people live, how they play, and even how they define political issues. By exploring the ways the industrial revolution reshaped world history, this book offers a unique look into the international factors that started the industrial revolution and its global spread and impact. In the fourth edition, noted historian Peter N. Stearns continues his global analysis of the industrial revolution with new discussions of industrialization outside of the West, including the study of India, the Middle East, and China. In addition, an expanded conclusion contains an examination of the changing contexts of industrialization. The Industrial Revolution in World History is essential for students of world history and economics, as well as for those seeking to know more about the global implications of what is arguably the defining socioeconomic event of modern times.

Useful Toil engages freshly and directly with the `ordinary' people of the nineteenth century. John Burnett has assembled twenty seven telling extracts from the diaries and autobiographies of working people - wheelwrights and stone-masons, miners and munition workers, butlers and kitchen maids, navvies, carpenters, potters and ship assistants to list only a few. The men and women who speak in these pages concentrate on their working experiences, though they also write about their homes and their fears. They thus reveal, often unconsciously, the essence of their attitudes, values and beliefs. Burnett's broad and sympathetic introductions focus and contextualise the wealth of material. These stories provide the antithesis of `great name' history, yet they constantly touch on human experiences that are timeless and universal.

"Roger Fenton (1819-1869) was England's most celebrated photographer during the 1850s, the young medium's most glorious moment. After studying law and painting, Fenton took up the camera in 1851 and immediately began to produce highly original images. During a decade of work he mastered every photographic genre he attempted: architectural photography, landscape, portraiture, still life, reportage, and tableau vivant." "This volume presents ninety of Fenton's finest photographs, exactingly reproduced. Six leading scholars have contributed nine illustrated essays that address every aspect of Fenton's career, as well as a comprehensive, documented chronology."--BOOK JACKET.