Indulgences in Late Medieval England
Title | Indulgences in Late Medieval England PDF eBook |
Author | R. N. Swanson |
Publisher | Cambridge University Press |
Pages | 517 |
Release | 2007-12-13 |
Genre | History |
ISBN | 052188120X |
This book presents a history of indulgences (or pardons) in late medieval England.
Promissory Notes on the Treasury of Merits
Title | Promissory Notes on the Treasury of Merits PDF eBook |
Author | Robert Swanson |
Publisher | BRILL |
Pages | 373 |
Release | 2018-11-12 |
Genre | History |
ISBN | 9047410521 |
Promissary Notes on the Treasury of Merits offers an important selection of work on a neglected topic of medieval European religious history. The contributions clearly demonstrate the vibrant, multi-faceted, and at times contested, role which indulgences played in many aspects of medieval catholic life.
Indulgences and Solidarity in Late Medieval England
Title | Indulgences and Solidarity in Late Medieval England PDF eBook |
Author | Ann F. Brodeur |
Publisher | |
Pages | |
Release | 2015 |
Genre | |
ISBN |
Economy, Representation, and the Sale of Indulgences in Late-medieval England
Title | Economy, Representation, and the Sale of Indulgences in Late-medieval England PDF eBook |
Author | Lana Schwbel |
Publisher | |
Pages | 261 |
Release | 2001 |
Genre | |
ISBN |
You've Been Played
Title | You've Been Played PDF eBook |
Author | Adrian Hon |
Publisher | Basic Books |
Pages | 297 |
Release | 2022-09-20 |
Genre | Business & Economics |
ISBN | 1541600193 |
How games are being harnessed as instruments of exploitation—and what we can do about it Warehouse workers pack boxes while a virtual dragon races across their screen. If they beat their colleagues, they get an award. If not, they can be fired. Uber presents exhausted drivers with challenges to keep them driving. China scores its citizens so they behave well, and games with in-app purchases use achievements to empty your wallet. Points, badges, and leaderboards are creeping into every aspect of modern life. In You’ve Been Played, game designer Adrian Hon delivers a blistering takedown of how corporations, schools, and governments use games and gamification as tools for profit and coercion. These are games that we often have no choice but to play, where losing has heavy penalties. You’ve Been Played is a scathing indictment of a tech-driven world that wants to convince us that misery is fun, and a call to arms for anyone who hopes to preserve their dignity and autonomy.
Re-using Manuscripts in Late Medieval England
Title | Re-using Manuscripts in Late Medieval England PDF eBook |
Author | Hannah Ryley |
Publisher | Boydell & Brewer |
Pages | 240 |
Release | 2022-08-16 |
Genre | Book industries and trade |
ISBN | 1914049063 |
A fresh appraisal of late medieval manuscript culture in England, examining the ways in which people sustained older books, exploring the practices and processes by which manuscripts were crafted, mended, protected, marked, gifted and shared.
The Viewer and the Printed Image in Late Medieval Europe
Title | The Viewer and the Printed Image in Late Medieval Europe PDF eBook |
Author | DavidS. Areford |
Publisher | Routledge |
Pages | 622 |
Release | 2017-07-05 |
Genre | Art |
ISBN | 1351539671 |
Structured around in-depth and interconnected case studies and driven by a methodology of material, contextual, and iconographic analysis, this book argues that early European single-sheet prints, in both the north and south, are best understood as highly accessible objects shaped and framed by individual viewers. Author David Areford offers a synthetic historical narrative of early prints that stresses their unusual material nature, as well as their accessibility to a variety of viewers, both lay and monastic. This volume represents a shift in the study of the early printed image, one that mirrors the widespread movement in art history away from issues of production, style, and the artist toward issues of reception, function, and the viewer. Areford's approach is intensely grounded in the object, especially the unacknowledged material complexity of the print as a portable, malleable, and accessible image that depended on a response that was not only visual but often physical, emotional, and psychological. Recognizing that early prints were not primarily designed for aesthetic appreciation, the author analyzes how their meanings stemmed from specific functions involving private devotion, protection, indulgences, the cult of saints, pilgrimage, exorcism, the art of memory, and anti-Semitic propaganda. Although the medium's first century was clearly transitional and experimental, Areford explores how its potential to impact viewers in new ways?both positive and negative?was quickly realized.