This versatile vest is just as stunning over leggings as it is over a dress for office or evening. Design is made using Berroco Vintage DK- #3 weight yarn. Size: S (M, L, XL, 2XL) and uses 5 (5, 6, 6, 7) skeins of yarn. Written instructions are includes as well as schematics and symbol crochet.

Kabir in his possession has a magical emerald green prism. It was gifted to him by Mighty Maya, King of Tataal. Kabir gathers that the prism is no ordinary stone. Once white light enters the prism the light breaks in to seven distinctive colours. Each colour represents a different land. The Inky Indigo gatekeeper, Neel tells Kabir that he (Kabir) has been chosen as the current prism keeper and the seven worlds shall be his to explore. Each world shall throw open a quest for him and he must rise to the challenge. For now the Inky Indigo seas need his urgent help. Their princess Matsya has been captured by the evil sea monster Kapatraja. He beseeches Kabir to help rescue her. Soon Kabir and his friends, Nimki and Latooriya embark on a journey of a lifetime – their visit to the Inky Indigo seas is nothing short of spectacular. On their mission they encounter creatures they had only heard of – gigantic whales, benign sea turtles, vain starfish, haughty crocodiles and the rather whimsical sea Goddess Varuni. The children have to race against time and collect all that is needed to rescue the sea princess Matsya from the monster Kapatraja. Just as they are inching closer to their final destination the submaboat comes to a halt and they find themselves trapped in the ghost infested Strip of the Living Dead. Will the children succeed in rescuing Matsya? And will they prove to be any match for the avaricious sea-monster, Kapatraja?

Out is a fashion, style, celebrity and opinion magazine for the modern gay man.

This study of clothing during British colonial America examines items worn by the well-to-do as well as the working poor, the enslaved, and Native Americans, reconstructing their wardrobes across social, economic, racial, and geographic boundaries. Clothing through American History: The British Colonial Era presents, in six chapters, a description of all aspects of dress in British colonial America, including the social and historical background of British America, and covering men's, women's, and children's garments. The book shows how dress reflected and evolved with life in British colonial America as primitive settlements gave way to the growth of towns, cities, and manufacturing of the pre-Industrial Revolution. Readers will discover that just as in the present day, what people wore in colonial times represented an immediate, visual form of communication that often conveyed information about the real or intended social, economic, legal, ethnic, and religious status of the wearer. The authors have gleaned invaluable information from a wide breadth of primary source materials for all of the colonies: court documents and colonial legislation; diaries, personal journals, and business ledgers; wills and probate inventories; newspaper advertisements; paintings, prints, and drawings; and surviving authentic clothing worn in the colonies.

Award-winning editor Paula Guran presents a diverse reprint anthology collecting classic myths and legends, retold by today’s top fantasy writers. The Native American trickster Coyote . . . the snake-haired Greek Gorgon Medusa, whose gaze turned men to stone . . . Kaggen, creator of the San peoples of Africa . . . the Holy Grail of Arthurian legend . . . Freyja, the Norse goddess of love and beauty . . . Ys, the mythical sunken city once built on the coast of France . . . Ragnarok, the myth of a world destroyed and reborn . . . Jason and the Argonauts, sailing in search of the Golden Fleece . . . Myths and legends are the oldest of stories, part of our collective consciousness, and the source from which all fiction flows. Full of magic, supernatural powers, monsters, heroes, epic journeys, strange worlds, and vast imagination, they are fantasies so compelling we want to believe them true. This new anthology compiles some of the best modern short mythic retellings and reinvention of legend from award-winning and bestselling authors, acclaimed storytellers, and exciting new talent, offering readers new ways to interpret and understand the world. Adventure with us on these Mythic Journeys . . . TABLE OF CONTENTS Introduction: A Map or Maybe Not “Lost Lake” – Emma Straub and Peter Straub “White Lines on a Green Field” – Catherynne M. Valente “Trickster” – Steven Barnes and Tananarive Due “Our Talons Can Crush Galaxies” – Brooke Bolander “A Memory of Wind” – Rachel Swirsky “Leda” – M. Rickert “Chivalry” – Neil Gaiman “The God of Au” – Ann Leckie “Faint Voices, Increasingly Desperate” – Anya Johanna DeNiro “Ogres of East Africa” – Sofia Samatar “Ys” – Aliette de Bodard “The Gorgon” – Tanith Lee “Merlin Dreams in the Mondream Wood” – Charles de Lint “Calypso in Berlin” – Elizabeth Hand “Seeds” – Lisa L. Hannett and Angela Slatter “Wonder-Worker-of-the-World” – Nisi Shawl “Thesea and Astaurius” – Priya Sharma “Foxfire, Foxfire” – Yoon Ha Lee “Owl vs. the Neighborhood Watch” – Darcie Little Badger “How to Survive an Epic Journey” – Tansy Rayner Roberts “Simargl and the Rowan Tree” – Ekaterina Sedia “The Ten Suns” – Ken Liu “Armless Maidens of the American West” – Genevieve Valentine “Give Her Honey When You Hear Her Scream” – Maria Dahvana Headley “Zhyuin” – John Shirley “Immortal Snake” – Rachel Pollack “A Wolf in Iceland Is the Child of a Lie” – Sonya Taaffe About the Authors About the Editor Acknowledgements

This sewing guide reveals a breakthrough method to simplify learning stitches of all kinds, with more than 100 stitches from the simple to the fanciful. As makers, we tend to learn different stitches over time without thinking much about how they relate to one another. But when Natalie Chanin and her teams at Alabama Chanin and The School of Making began to look at needlework closely, they realized all stitches are based on geometric grid systems. They also discovered that learning new stitches—even elaborate ones—became simple and easy when using grids as guides. In The Geometry of Hand-Sewing Chanin presents their breakthrough method, featuring illustrated instructions (for both right- and left-handed stitchers) for more than 100 stitches—from the basic straight and chain to complex feather and herringbone. Photos of both right and wrong sides are included, as well as guidelines for modifying stitches to increase one’s repertoire further. The book also offers downloads for two stitching cards with the grids on which every stitch in the book is based. These printable cards can be used as stencils for transferring grids to fabric.