"Full of gorgeous language and wild insights."—Nick Flynn Set in the beleaguered heart of Indiana’s opioid crisis, Brian Allen Carr’s timely and tender novel about a teen struggling to find his place in the world—and come up with $800 rent—is at once a moving rumination on the hopeful power of story and a harrowing insight into modern America. It is a book you won’t soon forget. Seventeen-year-old Riggle is living in rural Indiana with his uncle and uncle’s girlfriend after the death of his parents. Now his uncle is missing, probably on a drug binge. It’s Monday, and $800 in rent is due Friday. Riggle, who’s been suspended from school, has to either find his uncle or get the money together himself. His mission exposes him to a motley group of Opioid locals—encounters by turns perplexing, harrowing, and heartening. With empathy and insight, Carr explores what it’s like to be a high school kid in the age of Trump—a time of economic inequality, addiction, Confederate flags, and mass shootings. Through the voice of its unforgettable protagonist—charismatic, confused, searching, by turns cynical and naïve, wise and impulsive—Opioid, Indiana pierces to the heart of our moment.

"A Divine Comedy of our times."—John Irving, author of The World According to Garp "This book is a miracle.”—Junot Díaz, Pulitzer Prize-winning author of The Brief, Wondrous Life of Oscar Wao A 2022 ReLit Award Finalist • A Winnipeg Free Press Top Read of 2021 Following Original Prin, a NYTBR Editor’s Choice and Globe and Mail Best Book, Dante’s Indiana is an extraordinary journey through the divine comedies and tragedies of our time. Middle-aged, married, but living on his own, Prin has lost his way. Desperate for money and purpose, he moves to small-town Indiana to work for an evangelical millionaire who’s building a theme park inspired by Dante’s Inferno. He quickly becomes involved in the difficult lives of his co-workers and in the wider struggles of their opioid-ravaged community while trying to reconcile with his distant wife and distant God. Both projects spin out of control, and when a Black teenager is killed, creationists, politicians and protesters alike descend. In the midst of this American chaos, Prin risks everything to help the lost and angry souls around him while searching for his own way home. Affecting and strange, intimate and big-hearted, Dante’s Indiana is a darkly divine comedy for our time.

An electric tale of apocalypse, sex and time travel from one of the Caribbean's most extraordinary cultural figures.

A mesmerizing, poignant saga of love and loss firmly grounded in the Midwestern landscape by National Book Award finalist Laird Hunt. On a dark and lovely winter night, Noah Summers sits before a roaring fire, drifting between sleep and recollection, trying to make sense of a lifetime of psychic visions and his family’s tumultuous history on an Indiana farmstead. Decades have passed since Noah first fell in love with Opal, a brilliant but unstable young woman whose penchant for flames separated the couple after just forty-two idyllic days of married life. Despite the challenges they each faced, their love never wavered in the long years that followed, sustained by letters, memories, and the bonds of family. Indiana, Indiana establishes the world Laird Hunt returned to in National Book Award finalist Zorrie and introduces the character of Zorrie Underwood for the first time. Written in a masterful elegiac style reminiscent of William Faulkner and Marilynne Robinson, Indiana, Indiana is a beautiful and surreal story that illuminates the heart of rural America.

NAMED A BEST BOOK OF THE YEAR BY THE WASHINGTON POST, VOGUE, MARIE CLAIRE, READER'S DIGEST, AND GOOD HOUSEKEEPING “A gripping read…Unabashedly queer, probing and unafraid…Exceedingly engaging.” –USA Today “Sublimely weird, fluently paced, brazenly funny and gayer still, and it richly deserves to find readers.” –New York Times From the author of the New York Times–bestselling sensation Mostly Dead Things: a surprising and moving story of two mothers, one difficult son, and the limitations of marriage, parenthood, and love If she’s being honest, Sammie Lucas is scared of her son. Working from home in the close quarters of their Florida house, she lives with one wary eye peeled on Samson, a sullen, unknowable boy who resists her every attempt to bond with him. Uncertain in her own feelings about motherhood, she tries her best—driving, cleaning, cooking, prodding him to finish projects for school—while growing increasingly resentful of Monika, her confident but absent wife. As Samson grows from feral toddler to surly teenager, Sammie’s life begins to deteriorate into a mess of unruly behavior, and her struggle to create a picture-perfect queer family unravels. When her son’s hostility finally spills over into physical aggression, Sammie must confront her role in the mess—and the possibility that it will never be clean again. Blending the warmth and wit of Arnett’s breakout hit, Mostly Dead Things, with a candid take on queer family dynamics, With Teeth is a thought-provoking portrait of the delicate fabric of family—and the many ways it can be torn apart.

In the Philadelphia neighborhood known as the Badlands, drug gangs rule absolutely. Each time a life is lost in the carnage of the local drug wars, a boldly drawn chalk outline of a body appears on the street leading up to City hall: a teenaged dealer, a priest, a little girl with a jump rope. Ofelia Santoro rides her bicycle through the dark, decaying streets, looking for her fourteen-year-old-son, Gabriel. She’s afraid of what she might find. Gabriel has fallen in with the most savage of the drug dealers, but now wants to get out—if he can. In this gritty, fast-moving novel, acclaimed Philadelphia Inquirer columnist Steve Lopez brings home the violence that is scarring America’s vast urban wastelands, and the humanity that might save them. “An unfancy prose is streaked by strong, cinematic images . . . Lopez aims to prick consciences, in the tradition of the documentary novelist, and he does so with considerable style.”—The Daily Telegraph “Lopez has done what Balzac, Dickens . . . and Dostoevsky did so masterfully: he has taken a torch to the back of the cave and returned to tell us what he has seen.” –Pete Hamill, The Philadelphia Inquirer

Poetry. LGBTQIA Studies. Pine maps a secret relationship between two women in the South, where certain kinds of desire --queer desire, in particular --have historically been hidden and feared. Creating new landscapes of identity by reimagining form, modifying villanelles, sonnets, elegies, thank-you notes, and dictionary entries, Pine's imagistic and metaphorical associations between the body and the natural world form a queer ecology of longing and loss.